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An IRS auditor suddenly finds himself the subject of narration only he can hear: narration that begins to affect his entire life, from his work, to his love-interest, to his death.
A fast-lane investment broker, offered the opportunity to see how the other half lives, wakes up to find that his sports car and girlfriend have become a mini-van and wife.
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
In the summer of 1987, a college grad takes a 'nowhere' job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.
Director:
Greg Mottola
Stars:
Jesse Eisenberg,
Kelsey Ford,
Kristen Stewart
In Julie Taymor's version of 'The Tempest,' the main character is now a woman named Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban and Prospera; a struggle not about brawn, but about intellect. Written by
Anonymous
Let's face it - Shakespeare's plays are wonderful. But they were written in an age when the Bard wrote them for the stages available then - like forums and village theaters. The scope and power of the projected screen as well as the acts recorded to be played over and over again in space and time - would have been a totally alien concept to Shakespeare. Here the makers of the film - especially Julie Taymor - deserves credit for having made this difficult transition with such effective ease. The scenes come off pretty natural and very well acted. Also the transformation of Propero into Prospera was intriguing when I first heard about this movie. But it came off very convincing - almost as if Shakespeare wrote it that way himself. I was just wondering why Taymor chose to do this though! Helen Mirren was her superb best. Djimon was excellent as Caliban. I saw him in the movie "The Island" earlier and found he does deliver his best in challenging roles. All other actors did their part very well. I would recommend this movie to Shakespeare buffs. Don't expect too much from it as Shakespeare certainly did not write action plays. But it was time well spent.
6 of 7 people found this review helpful.
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Let's face it - Shakespeare's plays are wonderful. But they were written in an age when the Bard wrote them for the stages available then - like forums and village theaters. The scope and power of the projected screen as well as the acts recorded to be played over and over again in space and time - would have been a totally alien concept to Shakespeare. Here the makers of the film - especially Julie Taymor - deserves credit for having made this difficult transition with such effective ease. The scenes come off pretty natural and very well acted. Also the transformation of Propero into Prospera was intriguing when I first heard about this movie. But it came off very convincing - almost as if Shakespeare wrote it that way himself. I was just wondering why Taymor chose to do this though! Helen Mirren was her superb best. Djimon was excellent as Caliban. I saw him in the movie "The Island" earlier and found he does deliver his best in challenging roles. All other actors did their part very well. I would recommend this movie to Shakespeare buffs. Don't expect too much from it as Shakespeare certainly did not write action plays. But it was time well spent.