Macbeth meets the Godfather in present-day Bombay. The Scottish tragedy set in the contemporary underworld of India's commercial capital; two corrupt, fortune telling policemen take the ... See full summary »
After breaking up with his childhood sweetheart, a young man finds solace in drugs. Meanwhile, a teenage girl is caught in the world of prostitution. Will they be destroyed, or will they find redemption?
Harry is an industrialist who loves his daughter Bijlee, and the bond they share with Harry's man friday, Matru. Bijlee's plan to wed the son of a politician, however, brings twists and turns in the lives of Matru, Bijlee and Mandola.
Guddu and Charlie are identical twins born and raised in the slums of Mumbai. They dream of leaving the squalor behind and moving into a life of prosperity and dignity. Though they look alike, the two are as different as chalk and cheese: one lisps while the other stammers; one is an honest, diligent social worker while the other hedges bets at a racecourse. The brothers want nothing to do with each other, but when Charlie gets mixed up in a deadly get-rich-quick scheme and Guddu realizes that the love of his life has unwittingly put a price on his head, their lives begin to collide. Faced with rogue politicians, drug dealers and crooked cops, they uncover a sinister plot laid out by the 'political-police-underworld' nexus. Their stories finally converge to a point when they realize they only have each other. Written by
The kissing scene between Shahid Kapoor and Priyanka Chopra was originally not in the script, but the director decided to add it because he thought the movie was starting to look outdated and boring, along with the fact that Guddu's character mostly revolves around the fact that Sweety was pregnant. See more »
In the opening shot, Charlie is shown to be standing amidst railway tracks, beside whom a fast long-distance train passes. The area is said to be Cotton Green, Mumbai, through a text below. However, unlike shown in the movie, the area around Cotton Green does not have so many railway lines but, only two. Besides, no long distance trains pass through Cotton Green. See more »
Vishal Bharadwaj has done it again. After tense stories of Maqbool & Omkaara, he takes a deliberate take away from Shakespeare and delivers instead an awesome dark and twisted tale of two brothers each with his own share of mess to take care of, not to mention their speech impediments that provide some great sounding dialog to the audience and depth to the characters.
The film does not try to emulate one as the good brother and the other gone wrong. That's not what the director wants to show.
One brother knocks up a Don's sister unknowingly (the buildup to this is awesome) and the other one chances upon a guitar full of cocaine.As the plot thickens, both the brothers must gets their hands on the same cocaine to save their lives. Then, the director takes on a joyride through the shanty towns of Mumbai.
The film has strong overtones of the current issues in Mumbai politics and a leading lady in Priyanka Chopra, who is very much representative of present day Indian girl. She is no arm candy, she has a pivotal role and takes the film to its climax. A climax that drags on with one little twist after another, but it is't boring. by the end of it, you would want another.
The music is very good and does not interfere with the pace of the film. Gulzar has again delivered deep meaning lyrics that are more in sync with the film's theme than with classic poetry.
There are a lot of characters to take care of in the film and it's easy to lose to track, but none is less important than the other. Each one has a defined part and is intertwined in the destinies of Guddu & Charlie. It does remind you of Guy Ritchie films like Lock, Stock & Two Smoking Barrels etc but it is in no way an imitation of such works. It is a complete masterwork in its own right.
With Jab We Met, Shahid Kapur showed that he can carry a film on his own, Kaminey shows that that two of him are better than one. He plays both his parts with such panache that its hard to see that its the same actor. This could well be the point when he lands more serious roles and less of the boy next door.
The film is dark with everybody fighting for survival but the presentation is such that you do feel for the people in it but can't help but sadistically laugh at them. that is what Bhardwaj has been able to achieve with Kaminey which very few directors in India can manage to.
Definitely one of the best works of contemporary Indian cinema.
37 of 54 people found this review helpful.
Was this review helpful to you?