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In order to gain influence over their North Carolina district, two CEOs seize an opportunity to oust long-term congressman Cam Brady by putting up a rival candidate. Their man: naive Marty Huggins, director of the local Tourism Center.
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act - and their friendship - by staging their own daring stunt.
When a clumsy deadbeat accidentally kills his landlord, he must do everything in his power to hide the body, only to find the distractions of lust, the death of his beloved brother and a crew of misfit characters, force him on a journey where a fortune awaits him. Written by
Franklin, what are we so scared of? You only get one shot at this life. There are no do-overs. Time wasted, is time lost. The past is a ghost. The future a dream. There is only right now. We need to forgive each other, Franklin. Forgive and keep moving forward because we're all so ridiculously imperfect. And we need to find a place we call home. A place were we know we're loved and we feel safe. I see it all so clearly now. It doesn't matter if you live in a small apartment or some ...
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I read the novel this film was based upon, back when it was a gift from the author, a family friend. I found myself mentally casting actors to play the amazingly quirky but identifiable characters. A great amount of time passed before "Small Apartments" found its way into the hands of a director who "got it".
I have to say that it is difficult, for me, not to compare this work to that of Tarantino, if only for the raw emotional concept, quirky behaviors and "street view" filming process. However, the combination of Millis (who wrote both the novel and the screenplay) and Akerlund (the director) bring the dark side of everyday humanity into perfect view without glorifying the gore and violence so many filmmakers succumb to. The violence is acceptable, even necessary, as are the few sexual scenes that lend credence to the story and personalities that make up this labor of love. Tarantino's got absolutely nothing on these guys!
The cast is, well... correct! I can't imagine anyone other than the "heavyweights" who breathe life into characters like Franklin Franklin (Matt Lucas), Burt Walnut (Billy Crystal) and Tommy Balls (Johnny Knoxville) but it doesn't stop there. You've got the talent of James Caan, Amanda Plummer, Juno Temple, Dolph Lundgren and veritable unknown, Scott Sheldon, who makes his few moments as Officer Smith a lasting impression. The casting list is mighty and recognizable, but these folks were drawn to the characters created by Millis and the vision of Akerlund, rather than a paycheck.
There is a story, one that compels us to realize how little we understand one another in this all too short existence on the planet and lays bare our preconceptions and misconceptions of who we see and how we react and assign personal judgement. You don't need to be a "deep thinker" to get this film and that's the beauty of it.
The old saying that "money can't buy happiness" is true and untrue... both are addressed in Small Apartments, however, it brings home the very real point that true happiness lives in our mind, however small or large!
I was both eager and apprehensive about finally watching this film, especially knowing the author, screenplay writer and executive producer (Chris Millis) on a personal level... I'm so glad I gave in to eager! Bravo! This is a must see!
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