A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
A man believes he has put his mysterious past behind him and has dedicated himself to beginning a new, quiet life. But when he meets a young girl under the control of ultra-violent Russian gangsters, he can't stand idly by - he has to help her.
After a ferry is bombed in New Orleans, an A.T.F. agent joins a unique investigation using experimental surveillance technology to find the bomber, but soon finds himself becoming obsessed with one of the victims.
Robert Trench, an undercover DEA agent, takes advantage of gunman Michael Stigman's idea to rob a bank to bust him and a mob boss. However, it proves too successful with much more money seized than anticipated with Trench's forces not stopping the getaway. Complicating things still more, Stigman turns out to be a Naval Intelligence agent who shoots Trench and takes the money. The interservice debacle suddenly finds Trench and Stigman in a bloody web of corrupt clandestine rivalries as they are hunted, blackmailed and isolated for the money on both sides of the law. Now, the fugitives must work together to find a way out of this situation with no one to turn to but themselves. Written by
Kenneth Chisholm (email@example.com)
When Bobby and Stig cross into Texas from Mexico, they walk through the Rio Grande which flows from their right to their left. But the Rio Grande flows east along that border, so it should be left to right when they walk north. As depicted, they're going the wrong way. See more »
Mildly entertaining, a double cross extravaganza, and completely forgettable.
Based on the ultra-violent comic-book miniseries by Steven Grant, "2 Guns" director Baltasar Kormákur hits all the right notes stylistically, but comes up short on everything else. Don't anticipate a hard-hitting drama or an edge-of-the-seat thriller because the real focus of the movie is on the ever so slightly humorous relationship between its two main characters: Denzel Washington and Mark Wahlberg. Both interact well enough together, but the film falls flat when they're separated, and sometimes it's for long stretches. However, director Baltasar Kormákur shows a great deal of improvement over the last time he worked with Wahlberg in the disappointing, and uninspiring "Contraband" (2012).
"2 Guns" is about a pair of undercover agents, neither of whom is aware of his partner's real identity. Bobby Trench (Denzel Washington) is a DEA agent and Stig (Mark Wahlberg) is Navy Intelligence, but both are playing the role of a legitimate crook. Their mutual goal is to take down the cartel headed by Lord Papi Greco (Edward James Olmos). Their plan to do this, which is never really explained in a way that the audience can truly understand, has something to do with robbing a bank where Papi's money is supposedly stashed in safe deposit boxes.
After the robbery takes place, however, it comes to light that the stolen money belongs to the CIA and their enforcer Earl (Bill Paxton), and he wants it back. The DEA intends to use it in a trial against Papi because getting a search warrant would be too much of a hassle. Naturally, our heroes end up being targets for what they know, having to finally work together to piece together your standard run-of-the-mill double cross extravaganza.
The real business of "2 Guns" is the camaraderie between the two bickering leads, which comes across a lot like flirting. They finish each other's sentences, order each other's breakfast, chat about "Les Misérables," and even have a scene where they stroll into the sunset arm in arm. There are chases, shootouts, and explosions, but there is nothing here you haven't seen before. With the exception of the final shootout sequence, the cinematography rarely impresses. There is limited amount of fun had in watching how Bobby and Stig survive a variety of seemingly inescapable situations, but sadly the predictable plot keeps getting in the way of all the action.
The elements gel well enough to make "2 Guns" an enjoyable summer cinematic experience. However, it is never any doubt how things will play out, and it's nothing likely to resonate after the dust has settled.
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