The story of a man who murdered thirty-two people, gained power, and then got afraid because too many people wanted to kill him. One August morning, he disappeared. For fifteen years, ... See full summary »
Francesco Di Leva
"I cento passi" (one hundred steps) was the distance between the Impastatos' house and the house of Tano Badalamenti, an important Mafia boss, in the small Sicilian town of Cinisi. The ... See full summary »
Marco Tullio Giordana
Luigi Lo Cascio,
Luigi Maria Burruano,
Claudio, a construction worker, works on a site in the suburbs of Rome. He is madly in love with his wife who is pregnant with their third child. However, when he finds the remains of an ... See full summary »
Ernesto Bolta is the accountant of LEDA, a big agribusiness. Its founder, Amanzio Rastelli, appointed several of his relations to managerial positions and the firm decided quite lightly to ... See full summary »
A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and ... See full summary »
When her father, Giancarlo is transferred to Rome from the small country town of Montalto Di Castro, Caterina, a 12 years old girl, will discover her new classmates, a totally new world, an... See full summary »
No more Gomorrah or Italian organized crime movies please!
Fort Apache made his way to this year's Rabat Auteur cinema Festival and received wide acclaim even standing ovation from the critics attending the screening, it didn't take me long to realize the reason : none of the audience watched the remarkable "Gomorrah" released in 2008! The movie tells one more time the struggle of Italian society to suppress and eradicate a very strong powerful organized mafia called "the Gomorrah" , this time through the struggle of a brave journalist called Giancarlo Siani (played by a relatively new comer Libero De Rienzo) who got himself tangled in a clash against organized crime in his hometown and had to pay in blood for his journalistic efforts to uncover the truth.
The case here is that this form of Italian organized crime has been treated countless times by a myriad of filmmakers and in different styles for the last five decades, and the fact that " Gomorrah" is the new form of the old mafia doesn't really cast a new light on the matter.
The only innovative treatment to visit this genre was already done in 2008 "Gomorrah" that ,through episodic storytelling, filmed the whole thing as a war reportage and showed very efficient techniques to catch modern audience' interest.
The writer and director of Fort apache both seemed to ignore all these facts, and still managed to come with this tedious effort that never shows key elements of the Siani war against crime, tries to force sympathy for the journalist's personal life through unexplained scenes of love and friendship that never establish a bond to the main narrative. Add to this a very ineffective way of using the voice over technique, the use of humor to lighten the story in some passages but unsteady it spoils the effect,non-convincing supporting performances,the name of a Siani article 'fort apache' ( a reference to the john ford's movie)is not cleverly revealed,over-the-edge depiction of the mob meetings and arrest scenes that delves unintentionally into caricaturization of the crime genre.etc.
Overall, if you're interested in a genuine Italian modern crime movie, pass this one in favor of "Gomorrah" and let's hope we don't get any more of these flicks filled with blood, south-Italian accents and gun-blazing machos in underpants!
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