A search and recovery team heads into the haunted swamp to pick up the pieces, and Marybeth learns the secret to ending the voodoo curse that has left Victor Crowley haunting and terrorizing Honey Island Swamp for decades.
A terrifying story of a young girl who wakes up in a casket with a traumatic head injury and no memory of her identity. She quickly realizes she was abducted by a Deranged Serial Murderer ... See full summary »
"ChromeSkull" is the sequel to the 2009 horror hit "Laid to Rest." It brings back ChromeSkull, who barely escaped death in the first movie and is hell-bent on continuing where he left off..... See full summary »
Brian Austin Green,
A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
A group of delinquents are sent to clean the Blackwell Hotel. Little do they know reclusive psychopath Jacob Goodnight has holed away in the rotting hotel. When one of the teens is captured, those who remain - a group that includes the cop who put a bullet in Goodnight's head four years ago - band together to survive against the brutal killer.
Michael J. Pagan
It's the closing night at the last drive-in theater in America, and Cecil Kaufman has planned to show four movies, which are so rare that they have never been exhibited publicly on American soil, until this very night.
Marybeth escapes the clutches of the deformed, swamp-dwelling iconic killer Victor Crowley. After learning the truth about her family's connection to the hatchet-wielding madman, Marybeth returns to the Louisiana swamps along with an army of hunters to recover the bodies of her family and exact the bloodiest revenge against the bayou butcher. Written by
During one scene a guy mentions "Jason Voorhees" when they discuss "who is Victor Crowley?" Jason Voorhees is an another killer and mysterious bogeyman with supernatural powers performed by Kane Hodder, who plays Victor Crowley and Victor Crowley's father in this movie. See more »
Just One Fix
Written by Michael Balch, Al Jourgensen, Paul Barker and Bill Rieflin (as William Reiflin)
Performed by Ministry
Courtesy of Warner Bros. Records
By arrangement with Warner Music Group Film & TV Licensing
Published by Songs of Media Creature (BMI), Warner-Tamerline Publishing Corp. (BMI) o/b/o itself, 13th Planet Music Inc and Spurburn Music See more »
With 80's slashers, their effect on me is actually relaxing. We have a bunch of characters who the filmmaker generally deems worthless (except a few, who make it to the end) so that we don't have to actually invest anything until their inconsequential deaths, clear, simple-minded notions of good and evil, and contrived mechanisms that explain them away (the evil presence is usually described by some kind of simplified trauma). None of this happens in real life, so none of this actually has potential to breach the divide and actually unsettle. It's a movie fantasy, one oddly espousing deeply conservative values (prudence is generally rewarded) that fly in the face of the crowd that avidly sees them.
Like the first Hatchet, this is a knowingly cartoonish version of this. The deaths are delightfully absurd. At some point the baddie in this, Vincent Crowley, shows up with a chainsaw six feet long. The film knows what part it plays in the tradition and has fun with it.
What is actually problematic about these films is that, for all the parody, they still posit themselves as straight slasher films. It doesn't work, the hackneyed plot above all where a band of mercenaries is hastily assembled to venture into the bayou. Or what they aim to do once there.
The Japanese as usual are more savvy about this kind of thing. In films like The Machine Girl, they put together all kinds of cultural stamps they have produced and obsessed over the years (video games, anime, martial arts, extreme violence, erotica) and obliterate one against the other.
Here, I assume the filmmaker doesn't have a grasp of how the pastiche can be made to work. Probably because he doesn't understand or care to anything other than this kind of film. The splatter works, what's around it not so much.
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