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Hatchet II (2010)

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Marybeth escapes the clutches of the bayou-butcher Victor Crowley and returns to the swamp with an army of hunters and gunmen, determined to end Crowley's reign of horror once and for all.



4 nominations. See more awards »


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Cast overview, first billed only:
Victor Crowley / Thomas Crowley
Avery (as Alexis Peters)
David Foy ...
John Carl Buechler ...
Jack Cracker
Shyann Crowley


Marybeth escapes the clutches of the deformed, swamp-dwelling iconic killer Victor Crowley. After learning the truth about her family's connection to the hatchet-wielding madman, Marybeth returns to the Louisiana swamps along with an army of hunters to recover the bodies of her family and exact the bloodiest revenge against the bayou butcher. Written by Anonymous

Plot Summary | Plot Synopsis


Hold on to all of your pieces. See more »

Motion Picture Rating (MPAA)

Rated R for strong bloody horror violence, sexual content, nudity and language | See all certifications »

Parents Guide:



Official Sites:



Release Date:

November 2010 (Australia)  »

Also Known As:

Adam Green's Hatchet II  »


Box Office


$800,000 (estimated)

Opening Weekend USA:

$52,604, 4 October 2010, Limited Release

Gross USA:

$62,000, 4 October 2010
See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


During one scene a guy mentions "Jason Voorhees" when they discuss "who is Victor Crowley?" Jason Voorhees is an another killer and mysterious bogeyman with supernatural powers performed by Kane Hodder, who plays Victor Crowley and Victor Crowley's father in this movie. See more »


[last lines]
Marybeth: Fuck you!
See more »


Referenced in Holliston: Weekend of Horrors: Part 1 (2012) See more »


Just One Fix
Written by Michael Balch, Al Jourgensen, Paul Barker and Bill Rieflin (as William Reiflin)
Performed by Ministry
Courtesy of Warner Bros. Records
By arrangement with Warner Music Group Film & TV Licensing
Published by Songs of Media Creature (BMI), Warner-Tamerline Publishing Corp. (BMI) o/b/o itself, 13th Planet Music Inc and Spurburn Music
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Frequently Asked Questions

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User Reviews

13 June 2011 | by See all my reviews

With 80's slashers, their effect on me is actually relaxing. We have a bunch of characters who the filmmaker generally deems worthless (except a few, who make it to the end) so that we don't have to actually invest anything until their inconsequential deaths, clear, simple-minded notions of good and evil, and contrived mechanisms that explain them away (the evil presence is usually described by some kind of simplified trauma). None of this happens in real life, so none of this actually has potential to breach the divide and actually unsettle. It's a movie fantasy, one oddly espousing deeply conservative values (prudence is generally rewarded) that fly in the face of the crowd that avidly sees them.

Like the first Hatchet, this is a knowingly cartoonish version of this. The deaths are delightfully absurd. At some point the baddie in this, Vincent Crowley, shows up with a chainsaw six feet long. The film knows what part it plays in the tradition and has fun with it.

What is actually problematic about these films is that, for all the parody, they still posit themselves as straight slasher films. It doesn't work, the hackneyed plot above all where a band of mercenaries is hastily assembled to venture into the bayou. Or what they aim to do once there.

The Japanese as usual are more savvy about this kind of thing. In films like The Machine Girl, they put together all kinds of cultural stamps they have produced and obsessed over the years (video games, anime, martial arts, extreme violence, erotica) and obliterate one against the other.

Here, I assume the filmmaker doesn't have a grasp of how the pastiche can be made to work. Probably because he doesn't understand or care to anything other than this kind of film. The splatter works, what's around it not so much.

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