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X-Men: First Class (2011)

PG-13  |   |  Action, Adventure, Sci-Fi  |  3 June 2011 (USA)
7.8
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Ratings: 7.8/10 from 439,061 users   Metascore: 65/100
Reviews: 683 user | 477 critic | 38 from Metacritic.com

In 1962, the United States government enlists the help of Mutants with superhuman abilities to stop a malicious dictator who is determined to start World War III.

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(screenplay) (as Ashley Edward Miller) , (screenplay), 4 more credits »
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Cast

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Beth Goddard ...
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Janos Quested / Riptide (as Alex González)
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Storyline

Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. Written by Twentieth Century Fox

Plot Summary | Plot Synopsis

Taglines:

Before he was Professor X, he was Charles. Before he was Magneto, he was Erik. Before they were enemies, they were allies. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action and violence, some sexual content including brief partial nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

3 June 2011 (USA)  »

Also Known As:

X-Men: First Class  »

Box Office

Budget:

$160,000,000 (estimated)

Opening Weekend:

$55,101,604 (USA) (3 June 2011)

Gross:

$146,405,371 (USA) (23 September 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

During the American/Soviet standoff, the Soviet captain refers to the man behind him as "zampolit", which is inaccurately (but not completely incorrectly) translated in the subtitles as "comrade." A Zampolit is a political officer responsible for political education and enforcing Party loyalty (in this case, on a ship), and is capable of countermanding the orders of the officer he's attached to, if they conflict with Party doctrine. The fact that it's actually the Zampolit that fires the missile to destroy the freighter is a sly bit of irony on the part of the film producers. See more »

Goofs

Many of the ships and weapons seen in the US and Soviet fleets did not exist in 1962 at the time of the Cuban missile crisis. For example the US flagship is the USS Iowa, but the Iowa was not in service at the time. Even if she had been, the ship was not fitted with the CIWS Gatling gun defense system until the 1980s. Amongst the collection of missiles fired at the beach are Harpoon anti ship missiles, which came into service in 1977, and Tomahawk missiles, which came into service in the late 1970s. On the Soviet side the flagship appears to be a Kresta class cruiser, a design not in service until 1967. See more »

Quotes

[first lines]
Charles Xavier: Mother. What are you... I thought you were a burglar.
Mrs. Xavier: I didn't mean to scare you, darling. I was just getting a snack. Go back to bed. What's the matter? Go on, back to bed.I, I'll make you a hot chocolate.
Charles Xavier: Who are you? And what have you done with my mother?
Charles Xavier: [telepathically in her mind] My mother has never set foot in this kitchen in her life. And she certainly never made me a hot chocolate, unless you count ordering the maid to do it.
[...]
See more »

Crazy Credits

Part of the closing credits take place in a sequence of X-symbols, chromosomes and DNA strands (reminiscent of the opening credits to Dr. No (1962)). See more »

Connections

Referenced in Hewy's Animated Movie Reviews: Arthur Christmas (2011) See more »

Soundtracks

Soviet National Anthem
Written by Anatoli Aleksandrov (as Anatolij N. Alexandrov)
Performed by The Red Army Choirs of Alexandrov
Courtesy of 7 Productions/Rendez-vous Digital
By arrangement with The Orchard
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A prequel that does not, in any way, suck. Amazing, isn't it?
26 May 2011 | by (Geek Speak Magazine) – See all my reviews

There came a point, about half way through this film, when I emerged from the world of wonder on screen, took stock of my emotions in that instant, and realized that yes, by God, I am LOVING this movie.

I didn't really expect to, of course -- although certainly, I hoped for it. With such an incredible cast, an able director at the helm, a story of Bryan Singer provenance and the inclusion of some of my favorite, if lesser known, X-types (Darwin! Tempest! Havok!), I was eager to see this beloved band of merry Marvel mutants redeem themselves after the massive failures of X3 and X-MEN ORIGINS: WOLVERINE.

Which they do. And how!

One thing that the avid comic fan must do when approaching this movie, however, is to divorce themselves utterly from almost all established four-color X-Men continuity. Oh, some bears up, but by and large this is a whole new origin story, a reboot of epic proportions, and yet it is a retcon so cleverly done, and one that offers up a such a delicious mélange of complex relationships and sensible motivation, that all of the many discrepancies inherent in having Mystique on the side of good or having Moira McTaggert a CIA agent simply do not matter.

Speaking of McTaggert, Rose Byrne is both comely and convincing in the role, and almost every other actor is perfectly, one might almost say forcefully, cast. McAvoy brings a kind of laddish charm to Charles Xavier that he mixes nicely with both decency and naïveté, and Michael Fassbender's nascent Magneto is relentlessly, even heart-breakingly, compelling. Their chemistry is electric -- theirs' is one of the most multi-faceted and sincere bromances the screen has seen in a good long while.

The younger cast all impress, though particular praise must go to Oscar-nominee Jennifer Lawrence as the petulant but pitiable Raven/Mystique (The Academy Awards have been good to young, hot X-chicks; let us not forget that Rogue herself, Anna Paquin, won for THE PIANO). Former child star Nicholas Hoult is also outstanding as the troubled Hank McCoy, and perhaps the most surprising kudos must go to teenage dream Lucas Till, who conveys the particular anti-social asshole-hood of the turbulent Alex Summers very convincingly indeed.

The biggest letdown in the movie, acting-wise, is January Jones as Emma Frost. True, she is appropriately ravishing, there can be no denying that, but she lacks the… the zing of the written character. There is very little intelligence, snark, or even personality behind her interpretation of this most intriguing of mutants; she's just kind of Stand There and Look Pretty -- which, for one playing Emma Frost, is something a travesty.

The only other weight under which this movie really labors is the fact that it is a prequel, and it therefore suffers from the feeling of inevitability that besets all such endeavors. Anakin Skywalker HAS to go Dark Side. Bilbo Baggins HAS to find the One Ring. And Magneto HAS to turn against humans; Mystique HAS to join him; Xavier HAS to end up in a wheelchair. With these definite plot developments looming, their eventuation is bound to be a bit of an anti-climax.

And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. Offering up plenty of surprises, some kickass action sequences, mighty fine special effects, sly humor and a killer cameo, it is without doubt the best comic book movie of the year – nay, decade – thus far. And considering how overcrowded that list is, this is really saying Something.

Huh. A prequel that does not, in any way, suck.

Amazing, isn't it?

-- Rachel Hyland, geekspeakmagazine.com


411 of 531 people found this review helpful.  Was this review helpful to you?

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