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X-Men: First Class (2011)

X: First Class (original title)
PG-13 | | Action, Adventure, Sci-Fi | 3 June 2011 (USA)
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In 1962, the United States government enlists the help of Mutants with superhuman abilities to stop a malicious dictator who is determined to start World War III.

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(screenplay) (as Ashley Edward Miller), (screenplay) | 4 more credits »
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Cast

Cast overview, first billed only:
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Beth Goddard ...
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Janos Quested / Riptide (as Alex González)
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Storyline

Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. Written by Twentieth Century Fox

Plot Summary | Plot Synopsis

Taglines:

Witness the origin See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense sequences of action and violence, some sexual content including brief partial nudity and language | See all certifications »

Parents Guide:

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Details

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Language:

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Release Date:

3 June 2011 (USA)  »

Also Known As:

X-Men: First Class  »

Box Office

Budget:

$160,000,000 (estimated)

Opening Weekend:

$55,101,604 (USA) (3 June 2011)

Gross:

$146,405,371 (USA) (23 September 2011)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This is only the second time in a Marvel film since X-Men 2 (2003) where Stan Lee has not had a cameo appearance See more »

Goofs

In the bar in Argentina, the barman pours Young Magneto a glass of Bitburger. As he removes it from the tap, the beer is still very frothy but as he hands it to Magneto, the head has completely settled. See more »

Quotes

[first lines]
Charles Xavier: Mother. What are you... I thought you were a burglar.
Mrs. Xavier: I didn't mean to scare you, darling. I was just getting a snack. Go back to bed. What's the matter? Go on, back to bed.I, I'll make you a hot chocolate.
Charles Xavier: Who are you? And what have you done with my mother?
Charles Xavier: [telepathically in her mind] My mother has never set foot in this kitchen in her life. And she certainly never made me a hot chocolate, unless you count ordering the maid to do it.
[...]
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Crazy Credits

The film title appears on the side of the Nazi coin Shaw gives to young Erik Lensherr. See more »


Soundtracks

Soviet National Anthem
Written by Anatoli Aleksandrov (as Anatolij N. Alexandrov)
Performed by The Red Army Choirs of Alexandrov
Courtesy of 7 Productions/Rendez-vous Digital
By arrangement with The Orchard
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Frequently Asked Questions

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User Reviews

X Marks again marks the spot! Great Film!
31 May 2011 | by (United States) – See all my reviews

There are plenty of big action scenes throughout but it's the first half of the film that really impresses. Establishing these characters and the entire universe is done remarkably well and in a remarkably moving manner. This new spin on familiar "bad guys" Magneto and Mystique does give the actions and emotions for the characters a new level of appreciation and helps give them so much more depth and pathos. Both sides of the fence (Xavier's vision and Magneto's contempt) are advanced and the brilliance of the plot is that both sides are understandable and relatable. The viewer can simply sit and watch it unfold but also be emotionally invested in the journey. During the second half, plot threads move towards resolution and action picks up. Xavier is a shining example and his journey throughout the film matches that of Erik.

First Class never undermines the audience nor talks down to them and does all that is expected of it. It delivers great action, humor, effects and a strong connection between heroes, villains and those developing in between. The retro design is suave and making this a period piece gives it a cool and unique flavor. The collaboration between Singer and Vaughn apparently was a perfect blend. Vaughn did a brilliant job and Singer's vision from the first two films stayed in tact and was enhanced. I have to add that the score had a perfect heroic theme but was also moving and very well done. The overall impact of this film leaves you with a great sensation of a job well done. Fast paced yet filled with depth, spellbinding visual effects and a gripping finale. In the end, they succeeded in re-establishing these characters in a superb and interesting manner. There is more to offer and more depth to appreciate. I certainly can't wait for a sequel and inclusion of Scott and Jean from the original trilogy.


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