Set in the near future, where robot boxing is a top sport, a struggling promoter feels he's found a champion in a discarded robot. During his hopeful rise to the top, he discovers he has an 11-year-old son who wants to know his father.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
In 2018, a mysterious new weapon in the war against the machines, half-human and half-machine, comes to John Connor on the eve of a resistance attack on Skynet. But whose side is he on, and can he be trusted?
A soldier is dumped on a waste disposal planet and lives among a community of crash survivors on the planet and takes it upon himself to defend his new home when genetic engineered soldiers are ordered to eliminate the crash survivors.
Paul W.S. Anderson
Jason Scott Lee,
Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were archenemies, they were closest of friends, working together, with other Mutants (some familiar, some new), to stop the greatest threat the world has ever known. In the process, a rift between them opened, which began the eternal war between Magneto's Brotherhood and Professor X's X-MEN. Written by
Twentieth Century Fox
Spelling/grammar during the Russian translation of Shaw's dialog. It says "Now they have their missles places in Turkey...", which should say "missiles" and "placed". They also, misspell missiles twice more. See more »
Mother. What are you... I thought you were a burglar.
I didn't mean to scare you, darling. I was just getting a snack. Go back to bed. What's the matter? Go on, back to bed.I, I'll make you a hot chocolate.
Who are you? And what have you done with my mother?
[telepathically in her mind]
My mother has never set foot in this kitchen in her life. And she certainly never made me a hot chocolate, unless you count ordering the maid to do it.
[...] See more »
The film title appears on the side of the Nazi coin Shaw gives to young Erik Lensherr. See more »
There are plenty of big action scenes throughout but it's the first half of the film that really impresses. Establishing these characters and the entire universe is done remarkably well and in a remarkably moving manner. This new spin on familiar "bad guys" Magneto and Mystique does give the actions and emotions for the characters a new level of appreciation and helps give them so much more depth and pathos. Both sides of the fence (Xavier's vision and Magneto's contempt) are advanced and the brilliance of the plot is that both sides are understandable and relatable. The viewer can simply sit and watch it unfold but also be emotionally invested in the journey. During the second half, plot threads move towards resolution and action picks up. Xavier is a shining example and his journey throughout the film matches that of Erik.
First Class never undermines the audience nor talks down to them and does all that is expected of it. It delivers great action, humor, effects and a strong connection between heroes, villains and those developing in between. The retro design is suave and making this a period piece gives it a cool and unique flavor. The collaboration between Singer and Vaughn apparently was a perfect blend. Vaughn did a brilliant job and Singer's vision from the first two films stayed in tact and was enhanced. I have to add that the score had a perfect heroic theme but was also moving and very well done. The overall impact of this film leaves you with a great sensation of a job well done. Fast paced yet filled with depth, spellbinding visual effects and a gripping finale. In the end, they succeeded in re-establishing these characters in a superb and interesting manner. There is more to offer and more depth to appreciate. I certainly can't wait for a sequel and inclusion of Scott and Jean from the original trilogy.
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