In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan,
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
When Kimberly has a violent premonition of a highway pileup she blocks the freeway, keeping a few others meant to die, safe...Or are they? The survivors mysteriously start dying and it's up to Kimberly to stop it before she's next.
A young girl is sent to live with her estranged father and his girlfriend at their new home. The father, Alex has plans to spruce up the home with the help of his interior decorator girlfriend, Kim. The previous owner of the home was a famous painter who mysteriously disappeared. Alex's daughter, Sally, soon discovers the cause of the painter's disappearance. Written by
Appropriately set in Providence, RI as that was the home of H.P. Lovecraft who wrote the story "The Rats in the Walls" which apparently inspired this film. Though the short story was set in England not Rhode Island. See more »
During the ending scenes when the family is fighting the "faeries" its supposedly night time during a thunderstorm, in the middle of the woods but there is clearly light shining through the stain glass window, along with other windows in the house. See more »
They don't like bright lights, you know, those things.
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Don't Be Afraid of the Dark is exactly the kind of horror movie you want to hate. It's a remake, it involves a child in peril, and it contains some (and I say "some") very nasty violence. Just watch--you'll have trouble hating it.
Guillermo del Toro's new collaborative effort with first-time director Troy Nixey is, simply put, horror done right. There's a lot here that can be found in any horror movie that comes out now, but this one succeeds for relying on tone and setting rather than blood and guts. The acting from all three leads is surprisingly good, and Nixey shines as well behind the camera.
However, at the heart of the film is a ballsy story co-written by del Toro that really keeps the film stable. Don't Be Afraid of the Dark is originally based on a 1973 British TV movie that has been hailed as one of the scariest movies ever made. The remake features a new main character: Sally, a child, played by Bailee Madison. Sally moves into a new Gothic mansion with her father (Guy Pearce) and a new stepmother (Katie Holmes). There, she discovers a ventilation system where she hears breathy voices calling to play with her. At first, the voices are friendly. Then, they're vicious and violent.
The violence of the movie is one of the reasons why this movie succeeds so nicely. The first scene is grisly and is, without a doubt, the reason why Don't Be Afraid of the Dark earned its R-rating rather than its intended PG-13. There isn't constant violence. In fact, there isn't even that much of it. Most of it is bloodless, but all of it is enough to make us squeamish and afraid.
Another area in which the movie excels in that respect is its design. The mansion that Nixey and del Toro chose is gorgeous. The intense lighting, which Nixey noted as "inspired by Rembrandt" in the Q&A following the film, is moody and adds to the heavy tone of the movie. The house is just creepy on its own, but it becomes creepier thanks to the creature design. Unlike what the trailer tells you, the creatures are pretty tiny. What creeped me out about them was the loud, shrill screeches they let out. It'll give you chills. Keep a keen ear and listen for del Toro, as he voices a few of the creatures.
Don't Be Afraid of the Dark is a very fun and very creepy horror movie experience. Though not without its flaws, it has a strong story stabilized by good characters and a surprisingly dark ending, and it's got some good acting too. It's hard not to be absorbed in the mesmerizing light pools of the mansion, and it's even harder not to be entertained. As usual in del Toro films, darkness and unseen monsters reign, and as usual, it's pretty damn unnerving.
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