|Page 1 of 3:||  |
|Index||27 reviews in total|
The movie plays in a little coffee-bar only, different people come together. It's an interesting play of tension and violence. The movie is professional done while it's still a rather cheap production (probably the salary for Michael Madsen and the other actors was by far the most expensive thing). Good actors in this movie, good acting by them. It's by far not a brilliant movie, I wouldn't even say it's very good. It's a good movie, an OK movie, that is quite entertaining and let's the time go by fast. You will want to see it through to the end after the first 20 or so minutes at least that's how it was for me. A must for Michael Madsen Fans, and still a possibility for everyone else.
When i first saw this movie appear on my local DVD store shelf, i
wondered why it never saw light of day at my local cinema.
Michael Madsen and Amber Benson are the main stars here, and they put in a couple of fine performances. Possibly Michael Madsen most similar performance since his infamous role one in Reservoir Dogs. In fact, there is even a "Mr Green" here too! The film is shot entirely in one location (a diner) during one particular night. The diner is home to Noreen, a waitress who although unsatisfied with her job, is the type of small town girl who is happy to just do it. Meanwhile, the patrons comprise of various people who are stopping by on their way through, and we get to know each one a little more in detail as the movie progresses.
The movie flows along at a steady pace, and the director ensures this is maintained throughout the movie. This is a positive thing, as it allows us to enter the small town philosophy a little easier. The music throughout is also excellently chosen, and by the time the titles came up at the end i was ready to rush out and buy the CD.
However, one essential thing to take into account when you watch this movie is, don't take it too seriously. I became a little frustrated at why some parts of the story weren't removed and other parts put in. For example, why out of two strangers who walk into a diner does Noreen warm to one, and alienate the other all based on a radio report? And why doesn't the director utilise the video camera that the 2 kids bring to the diner to add some depth to the plot? But maybe this on purpose, as a red herring for people who look too deep into plot lines.
Putting these small gripes aside, if you enjoy a small town thriller that may have a small budget, but sure has a big heart, fried up with a couple of fine performances then this is a great Saturday night movie.
I certainly enjoyed it, and whilst it wont go down as a classic, i would recommend it for those late night Saturday blues, its intriguing, exciting, but if you're looking for a film that will keep you on the edge of your seat, then this isn't the one for you.
When a mysterious stranger (Madsen) enters a diner after news of a
killing spree, secrets become revealed. After hearing about a brutal
killing, a mysterious stranger comes in to a diner at closing time. The
waitress and the six customers begin to think this stranger is the
killer. After taking control of the situation the stranger begins to
uncover secrets of the hostages. Not everyone is who they seem to be.
This is yet another movie with a lot of potential but doesn't keep your
attention. There are some pretty intense parts but overall pretty slow
moving. It's not terrible but not a great first choice for nightly
entertainment. I give it a C.
Would I watch again? - No, this is a movie that doesn't get better with repeated viewings.
The Killing Jar has one of those scripts that is almost too perfect. It
recalls iron-clad thrillers like Ira Levin's "Deathtrap" and David
Mamet's "House of Games" with its no-detail-is-too-minor subtleties.
And it even brought to mind shades of Mark Medak's "When You Comin'
Back Red Ryder?" And then there are the Tarantino influences....
Look, any script that can rarely veer outside of one location for an hour and a half and still keep your attention is doing something right, but film-fest fave Mark Young's The Killing Jar, save for a few bad MINOR character performances (Danny Trejo phoning it in as Danny Trejo is the most obvious), does practically everything right.
It's late one night at a local diner in a no name redneck town, and all the locals are there, killing time. A report comes on the radio about a mass-murder in the next town over. When an anonymous stranger (Michael Madsen) arrives with a surly, stand-offish attitude, they gradually begin to suspect he's the perpetrator.
What follows is an elaborate set of mind games and mental torture that reminded me favorably of "Ryder" in their intimate intensity, interspersed with a lot of sudden violence and gore. I liked how violent this movie was. It drove home the immediacy of the character's peril, fit with the script's over-arching theme, and looked very real...the blood is dark red and there are buckets of it...very similar to how it was used in Tarantino's classic Reservoir Dogs.
That smacks of homage, as does the casting of Michael Madsen, who is playing, for better or worse, Mr. Blonde again. But you know what? I didn't care. The dude is good, and he has that role down pat. What surprised me were the alluring performances by the rest of the cast, most notably Amber Benson (who even contributes the closing song). She plays Noreen, a waitress who's drawn painfully true-to-life. Something in Ms. Benson's facial expressions and delivery really sell you on the goodness of her intentions and she's the badly needed anchor for this film. Harold Perrineau and Kevin Gage also provide solid support within difficult-to-pull-off multi-layered characters.
The Killing Jar keeps you guessing and is ultimately very satisfying. It feels like a very well-written stage play. It deserves your attention, especially if you like character-driven suspense films.
Grabastic - I'm a channel flipper and I stopped flipping for this little gem. The movie was all about acting, it reminded me of 12 Angry Men or Night Of The Living Dead as it took place in a small space and was packed with tension and personalities. Bloody movie if you want street cred. You really didn't know who would be shot next or how or why. Micheal Madsen filled his type cast as a deranged thug and the rest of the cast played through acting school chops. Madsen got to ham it up and his experience showed. The writing was well done and tightly edited. Jake Busey as always bought the air of chaos and wildness along and fleshed his character out well. You could really imagine the actors walking around the green room with a script and talking to themselves.
*** This review may contain spoilers ***
***SPOILERS*** The news hit's the people in the roadside diner like a
shot out of hell!Four people an entire family was murdered just outside
of town and their killer may well be headed their way! With the workers
and patrons not knowing quite what to expect in pops this greasy
looking trucker Doe, like in the song Doe' Ra' Me', played by a moody
and a bit unshaved looking Michael Medsen. Doe for some reason fits the
description of the on the loose mass murderer and one of the customers
in the diner Local deputy sheriff Lonnie, Lew Temple,tries to ask Doe a
few questions about where he was earlier that evening.
This was a big mistake on Lonnie's part as well as the diner owner and cook Jimmy,Danny Jrejo, who refused to serve, because the kitchen was already closed, a hungry Doe an order of stake & potatoes. They were to became the first victims in the movie of this deranged lunatic. We soon find out that Doe is on a mission. A mission to find out who murdered that family of four earlier that evening and bring him to justice! To brutal and deadly justice! And Doe doesn't care how many innocent lives it will take for him to find the killer! Even if it's everyone in the diner who for the most part, with one possible exception, were nowhere near the murder scene!
Effective and utterly shocking thriller with Michale Medsen as Doe at his most brutal and sadistic worst torturing and murdering everyone in the diner until he finds out who the killer is. Doe got tipped off to the killer being in the diner when Mr. Green, Jack Busey, showed up with a suite-case full of cash in payment for the hit job, the family he knocked off, he did for him. The big mistake that Mr. Green made was that he had mistaken Doe for the hit-man that he hired and that soon was to cost him his life. Fully convinced that he's on the right track Doe goes about doing his grizzly and bloody work on everyone in the diner to get whoever murdered those four innocent people to confess and then****Spoiler****instead of murdering him chat with the guy? Doe talks with the now exposed killer about the good old days when the two, Doe in the US Army in Iraq and the killer in the Mafia, killed for county family honor and just for plain entertainment!
***SPOILERS*** With enough blood spilled to fully stock a major city hospital blood-bank the end couldn't have come soon enough for the psycho Doe who just for some reason left the one person whom he didn't feel threatened by alive long enough to do him it. But the biggest surprise in the film is not only who the mysterious killer was but how sideswiped or blown way he got by thinking that he was smarter then the person,the lone survivor in the diner, with the gun pointed at him. If he knew how to count or kept up with the shooting action in the movie he'd have known that it's best for him to be able to keep his big mouth shut and not overplay his hand.
Some real bad acting, lots of cheesy lines and situations (especially
the ending) - but it's all delivered in a way that you feel like you're
watching a small play, and it just manages to let you kick back and see
where the story goes. You're simply watching a movie, finding out what
happens next. It's a very basic and "by the books" film experience, and
it seems to know it.
What really saves it is nearly perfect pacing and editing.
It won't impress you, but it won't drive you nuts. "It's just a movie." That phrase actually fits this film really, really well.
*** This review may contain spoilers ***
Let me begin by saying that this film is not your usual fare. It does
not follow the usual chronology the other films are usually done.
This film starts with a scene where a few people (5 people to be exact; 3 customers and 2 restaurant workers) having a late night dinner. Then an out-of-towner came in, looking disgruntled and asked where he can use the payphone. The fella sat down afterward for a cup of coffee.
Noreen (played by Amber Benson) soon began to get cosy with the guy (Harold Perrineau) and it bothers the other customer who has heart for her.
Then they were taken aback at the news of a brutal killings of a family in their neighborhood.
To make matters worse, another person came into the restaurant and sent jitters to all of them, as they thought the person is the one responsible with the murders.
One thing led to another, and soon finds out that the person is not their usual customers; this is the person with guns ready to shoot & kill.
Then the question of who Mr.Smith arises, are tension arose as to whom this person could be.
I'd rather not spoiled the whole film, and I'd suggest you to watch it yourself. I personally thought that this film goes fast & turned too slow at times, and the pace may not suit everybody's taste.
I have also not seen other films directed by Mark Young, so my judgment is not clouded by other films he might have made.
An overall good film; not great but certainly watchable.
The Killing Jar has a lot to recommend it, especially the great acting
by Michael Madsen (a favorite of mine), Amber Benson, Jake Busey, and
Harold Perrineau (he played Damon Pope on "Sons of Anarchy" and
Mercutio in "Romeo and Juliet"). But what might be a tight thriller
gets a little too bloody, to the point where it is gratuitous rather
than adding to the story. Toned down it would have made for a much
I'm a big Michael Madsen fan and I never tire of his walks on the dark side in films like "Kill Bill", "Sin City", "Getaway" and, of course, "Reservoir Dogs". He's capable of playing other types of roles ("Wyatt Earp", "Species", "Free Willy") but audiences come to expect the violent portrayals. In this film I think he does a lot more acting and his character is not as one dimensional as Mr. Blonde. It's certainly the equivalent of his multi-faceted character from "Kill Bill".
The film is a definite must for Madsen fans.
When I say Danny Trejo was going to be in this, I knew this movie
wouldn't be very good. I don't know why people like him. His acting is
not acting at all. It is like he is just yelling all the time with a
stick up his butt. The acting by the others are okay. I think it is
just the writing and directing by the director that made this movie a
fail in my opinion. Not even 20 minutes into the movie and I was
irritated by the writer's/director's inability to understand that
showing something is stronger than having an actor follow up with the
obvious. For example, the waitress is rubbing her temples which could
only mean one thing, she has a headache. Well the male actor sitting
next to her asks what's the matter when we can obviously tell she has a
headache. Second, when the waitress gets in an altercation with a
patron, Trejo, the cook and owner, waits until it is over to jump to
his waitress's aid.
Finding out who certain people are and the backstory is very good, but all the violence wasn't necessary. It just felt like it was thrown in. You never know why some people do the things they did and you still won't for the main shooter really. If you are into gory movies this is for you and if you like a good attempt at a plot this is it, but I wouldn't watch this again for most of the acting, or directing. Although the guy from lost was amazing in this movie!!
|Page 1 of 3:||  |
|Ratings||External reviews||Parents Guide|
|Official site||Plot keywords||Main details|
|Your user reviews||Your vote history|