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Waste Land (2010)

7.9
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Ratings: 7.9/10 from 6,850 users   Metascore: 78/100
Reviews: 22 user | 89 critic | 20 from Metacritic.com

An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey ... See full summary »

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Title: Waste Land (2010)

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Nominated for 1 Oscar. Another 28 wins & 9 nominations. See more awards »

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An uplifting feature documentary highlighting the transformative power of art and the beauty of the human spirit. Top-selling contemporary artist Vik Muniz takes us on an emotional journey from Jardim Gramacho, the world's largest landfill on the outskirts of Rio de Janeiro, to the heights of international art stardom. Vik collaborates with the brilliant catadores, pickers of recyclable materials, true Shakespearean characters who live and work in the garbage quoting Machiavelli and showing us how to recycle ourselves. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

What happens in the world's largest trash city will transform you.

Genres:

Documentary

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Release Date:

21 January 2011 (Brazil)  »

Also Known As:

Lixo Extraordinário  »

Box Office

Budget:

$1,500,000 (estimated)

Opening Weekend:

$8,656 (USA) (5 November 2010)

Gross:

$187,716 (USA) (18 March 2011)
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1.85 : 1
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Did You Know?

Quotes

[after Tiao's portrait sells for $50,000 at Sotheby's]
Vik Muniz: The most important thing is what you're going to do with this.
Tiao: [in tears] It was all worth it. Everything I did up until now was really worth it.
Vik Muniz: Why do you think you are here?
Tiao: Because once a friend and I had a dream of creating an association. We created the association. It was a crazy dream. Nobody believed in us. Not even my family. Nobody believed in me.
Vik Muniz: This is only the beginning, Tiao. This is only the beginning.
Tiao: I am so happy. God was ...
[...]
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Connections

Featured in Ebert Presents: At the Movies: Episode #1.9 (2011) See more »

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Do Verde de Coari vem meu gás Sapucaí!
Written by Arlindo Cruz, Mingau, Emerson Dias, Maurição, Carlos Sena, Edu Da Penha
Editora Musical Escola De Samba LTDA.
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User Reviews

 
Waste Land
8 July 2012 | by (Cairo, Egypt) – See all my reviews

A documentary about the international acclaimed Brazilian artist Vik Muniz, who reconstructs photos using garbage materials from Jardim Gramacho, the world's largest landfill in Rio de Janeiro, and with the help of the pickers who work and dwell there. An both artistically tantalizing and sociologically empathizing body of work.

This film has indeed reminded me that it is the one should have used the 4D gimmick which brazenly hyped by SPY KIDS: ALL THE TIME IN THE WORLD IN 4D (2011). With a bit odor touch, it could enhance more on the turmoil what we are watching in the landfill, and it is an extraordinary case that the sense of smell could actually have played a more essential role in the film genre.

Anyway, the environment-concerned stress has never been under the spotlight here, being a documentary about art and garbage pickers, one possible pitfall is the condescending inclination, but blithely it is not the case for this film, instead it spends most of time on the individual pickers who are involved in making this project, it captures many poignant moments behind their own stories. No doubt, Vik's work does have a pivotal role of altering the pickers lives, but the film does not overwhelmingly hinge on the process of making those artworks, and which perfectly encapsulates a more sublimated obligation in additional to a general aesthetic percipient, to change the world in a better way, and Vik and his team has done it, a tenacious and awe-inspiring job.

Apart from the riveting story, there are several panning scenes of the landfill are astonishing, our life is linking with garbages everyday, but most of us act like they are thoroughly vanishing from the earth after when they are being discarded in the dustbins. After watching this film, we might be coerced to face some soiled corner of our life which we are selectively and subjectively ignoring, and starts with the most basic one: behave yourself.


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