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The Break-Up Artist (2009)
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Overview
User Rating:
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Director:
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Plot:
A woman who gets paid to break people up is forced to become a matchmaker when some new competition muscles her out of the break-up business...
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Plot Keywords:
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User Reviews:
A bit of a a clichéd disappointment
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Cast
(in credits order) (complete, awaiting verification) | Amanda Crew | ... | Britney |
 | Ryan Kennedy | ... | Mike |
 | Moneca Delain | ... | Robyn |
 | Ali Liebert | ... | Tiffany |
 | Serinda Swan | ... | Ashley |
 | Peter Benson | ... | Rick Barnes |
 | Colby Wilson | ... | Gary |
 | Sean O. Roberts | ... | Chuck Charleston (as Sean Owen Roberts) |
 | Tony Alcantar | ... | Bob Green |
 | Luisa D'Oliveira | ... | Marisa |
 | Kris Pope | ... | Pat |
 | Nicole Fraissinet | ... | Sarah |
 | Jeffrey Bowyer-Chapman | ... | Steven |
 | Tiffani Timms | ... | Allison |
| Aeja Goldsmith | ... | Sally |
 | Sean Carey | ... | Bruce |
 | Jarrett Knowles | ... | Christian |
| P.J. Prinsloo | ... | Jeff (as Peter-John Prinsloo) |
 | Carmen Lavigne | ... | Judy |
 | Charisse Baker | ... | Linda |
 | Rene Wang | ... | Melanie |
 | Matreya Fedor | ... | 10 yr. old Britney |
| Carly Washburn | ... | 10 yr. old Mindy |
| Mitchell Duffield | ... | 10 yr. old Tyler |
 | Christian Sloan | ... | Club Guy |
Directed by | |||
| Steve Woo | |||
Writing credits | ||
| Patrick Andrew O'Connor | (written by) | |
| Larry Bagby | (story) & | |
| Patrick Andrew O'Connor | (story) (as Patrick O'Connor) | |
Produced by | |||
| Cecil Chambers | .... | executive producer | |
| Steve Chicorel | .... | executive producer | |
| Rose Collins | .... | associate producer | |
| Tara Cowell-Plain | .... | line producer | |
| Deboragh Gabler | .... | executive producer (as Deboragh B. Gabler) | |
| Deboragh Gabler | .... | producer (as Deboragh B. Gabler) | |
| Michael Z. Gordon | .... | executive producer | |
| Danny Webber | .... | executive producer | |
| Steve Woo | .... | executive producer | |
Original Music by | |||
| Daniel Seguin | (as Daniel Séguin) | ||
Cinematography by | |||
| C. Kim Miles | (director of photography) | ||
Film Editing by | |||
| Steve Schmidt | |||
| Lenka Svab | |||
Casting by | |||
| Candice Elzinga | |||
Production Design by | |||
| Paul Joyal | |||
Art Direction by | |||
| Sean Carvajal | |||
Set Decoration by | |||
| Moni El Batrik | |||
Costume Design by | |||
| Tina Fiorda | |||
Makeup Department | |||
| Codey Blair | .... | key hair | |
| Julia Bors | .... | makeup department head | |
| Janella Churchill | .... | swing hair/makeup | |
| Danielle Fowler | .... | hair/makeup assistant | |
| Lauren Jones | .... | swing hair/makeup | |
| Amy St. Jean | .... | hair/makeup assistant | |
Production Management | |||
| Richard Benwick | .... | post-production supervisor | |
| Eileen Hoeter | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Blair Freeman-Marsh | .... | first assistant director | |
| Ian Jarvis | .... | third assistant director | |
| Kit Marlatt | .... | second assistant director | |
| Tim Whyte | .... | trainee assistant director | |
Art Department | |||
| Patrick Beattie | .... | lead dresser | |
| Shawn Cole | .... | set dresser | |
| Christine Ganderton | .... | props assistant | |
| Linda Ganderton | .... | prop master | |
| Bardia Garshasebi | .... | set dresser | |
| David Griffiths | .... | set dresser | |
| Bryce Janssens | .... | set dresser | |
| Angelina Kennedy | .... | set dresser | |
| Destanne Lundquist | .... | painter | |
| Gavin Lynch | .... | painter | |
| Jacob Lynch | .... | assistant set decorator | |
| Mark MacLean | .... | assistant set decorator | |
| Mark MacLean | .... | set dresser | |
| Michael McMaster | .... | set dresser | |
| Sylvain Sailly | .... | painter | |
| Brennan Wauters | .... | on-set set decorator | |
Sound Department | |||
| Scott Aitken | .... | sound mixer | |
| Kris Casavant | .... | sound designer | |
| Graham Crowell | .... | boom operator | |
| Matt Dawson | .... | adr mixer | |
| Craig George | .... | sound effects editor | |
| Graeme Hughes | .... | sound re-recording mixer | |
| Peter Kepkay | .... | sound mixer | |
| Christine McLeod | .... | dialogue editor | |
| Iain Pattison | .... | sound re-recording mixer | |
| Christopher M. Ray | .... | m&e re-recording mixer (as Chris Ray) | |
Special Effects by | |||
| David Barkes | .... | special effects coordinator | |
| Carl DeBoer | .... | special effects tech | |
Visual Effects by | |||
| Buddy Gheen | .... | visual effects | |
Camera and Electrical Department | |||
| Blaine Ackerly | .... | gaffer | |
| Sasha Chrosciewicz | .... | best boy grip | |
| Tony Durke | .... | electrician | |
| Damon J. Evans | .... | grip | |
| Ted Fanyeck | .... | key grip | |
| Jason Haycock | .... | second assistant camera | |
| Francis Kramer | .... | first assistant camera | |
| Jill MacLauchlan | .... | "a" camera operator | |
| Riley Pearcy | .... | best boy | |
| Keith Sherritt | .... | generator operator | |
| Gary Stamford | .... | grip | |
| Marcel Williams | .... | still photographer: set stills | |
Casting Department | |||
| Annette McCaffrey | .... | extras casting | |
| Martina Smyth | .... | casting associate | |
Costume and Wardrobe Department | |||
| Karen Anshelm | .... | costumer: extras | |
| Brodie Davison | .... | assistant costume designer | |
| Jessica Judd | .... | truck costumer | |
| Ellie Schultz | .... | set costumer | |
Editorial Department | |||
| Thomas Metzger | .... | colorist | |
Music Department | |||
| Joanne Houlden | .... | music supervisor | |
Transportation Department | |||
| Henry Chu | .... | driver: director | |
| Lorenzo Furlan | .... | driver | |
| Rob Glen | .... | cable truck driver | |
| Ben Liljedahl | .... | transportation captain (as Ben Hanj Liljedahl) | |
| Rick MacKay | .... | transportation coordinator | |
| Mark MacLean | .... | driver | |
| Peter Road | .... | driver: honeywagon | |
| Lorraine Stomperud | .... | driver: cast | |
| Max Torroba | .... | driver | |
Production CompaniesDistributors
- Front Row Filmed Entertainment (2009) (United Arab Emirates) (all media) (Middle East)
- Lightning Media (II) (2009) (USA) (all media)
- Americana Films funding
- Cutting Edge Group music services
- Hall Webber legal services
- My Own Worst Enemy funding (in association with)
- William F. White International grip and lighting equipment
Additional Details
MPAA:
Rated PG-13 for some sexual content and language
Parents Guide:
Runtime:
USA:105 min
Country:
Language:
Color:
Certification:
USA:PG-13 (certificate #45542)
Filming Locations:
Company:
Did You Know?
Goofs:
Continuity: The girl "wearing white after Labor Day" walks past Britney and Mike on the sidewalk, getting at least 25-30 feet away from them. The camera cuts to a closeup of their conversation for 30 seconds. When the camera returns to showing the whole sidewalk, the girl is much closer to them and standing still. After a few seconds she starts walking again.See more »
Movie Connections:
Spoofs American Beauty (1999)See more »
Soundtrack:
New York CitySee more »
FAQ
This FAQ is empty. Add the first question.See more (4 total) »
Message Boards
Discuss this movie with other users on IMDb message board for The Break-Up Artist (2009)| Recent Posts (updated daily) | User |
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| So This is like the opposite of Hitch Right? | JV20bucks |
| release date | warped-one |
| trailer | vonshtupp |
Recommendations
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An 
company.
What a great idea for a solid romantic comedy: a girl, a professional dumper, dumps people for money and does not believe in love. You can guess the rest.
However, and it is a huge however, this doesn't just go with the genres' conventions it sets them back 10 years; honestly this could have been made in 1999 and you wouldn't have thought it fun then.
There is much that is fundamentally wrong here; it is full of the blandest of characters: particularly the female support, ditzy dumb blonde assistant who does a puppy impersonation when she wants attention, really? All that aside, it has some good lines on dating instructions, and if taking, molding, and changing the weak man into your weak man is your idea of romantic comedy, then go ahead: it's not offensive or offensively bad.
All in all visual wallpaper, nothing to make it sparkle: we wanted champagne and got warm flat root beer...