In 1887, the powerful vampire Lilith is vanquished by a vampire council and four amulets avoid her return to the world of living. In the present days, the greedy Realtor Russel Bayne is ... See full summary »
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In 1887, the powerful vampire Lilith is vanquished by a vampire council and four amulets avoid her return to the world of living. In the present days, the greedy Realtor Russel Bayne is pressing Alex Layton to sell her store of esoteric products to him. While driving back home, Russel stops his Ferrari to help a young woman that has troubles with her Volkswagen Beetle in a lonely road. However, they are attacked by a werewolf and Russel transforms into one a couple of nights later. Meanwhile, a vampire clan led by the evil Von Griem is retrieving the ancient amulets to bring Lilith back. When Von Griem's minions try to abduct Russel, Alex helps him and Russel teams up with Jacob Van Helsing and his peer group to avoid the return of the devilish Lilith. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
While the film suffered the drawbacks of all TV movies, in the budget and cinematography, the characters were interesting enough in their clichéd predictability to provide a fun atmosphere.
I particularly enjoyed Jeremy London's performance, he's a regular on Syfy and was quite entertaining. Giving him the lead, and surrounding him with beautiful vamps - despite some purposefully horrendous accents
was a good choice. Beauty, when added to the allure of evil, using
temptation to draw in the weak for destruction, worked well with London's engaging comedy style.
This film, however imperfect, was fun to watch.
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While the film suffered the drawbacks of all TV movies, in the budget and cinematography, the characters were interesting enough in their clichéd predictability to provide a fun atmosphere.
I particularly enjoyed Jeremy London's performance, he's a regular on Syfy and was quite entertaining. Giving him the lead, and surrounding him with beautiful vamps - despite some purposefully horrendous accents
- was a good choice. Beauty, when added to the allure of evil, using
temptation to draw in the weak for destruction, worked well with London's engaging comedy style.This film, however imperfect, was fun to watch.