Nicolas has a happy existence, parents who love him, a great group of friends with whom he has great fun, and all he wants is that nothing to changes. However, one day, he overhears a ... See full summary »
In the countryside of France, two groups of boys from the rural villages of Longeverne and Velran are in constant war against each other. Their war is a tradition that passes from father to... See full summary »
Between fear of success and a tricky break-up, Ludovic is beyond all hope as he is getting close to the 30's stage. His unexpected meeting with a sick child, Raphael, shakes up his daily life and his future approach. Together, they go after their dreams...
In occupied France, Lebrac leads a play war between two rival kid gangs, but his feelings for Violette, a Jewish girl in danger of being discovered by the Nazis, encourage Lebrac to face the reality of what's happening around him.
Nicolas has a happy existence, parents who love him, a great group of friends with whom he has great fun, and all he wants is that nothing to changes. However, one day, he overhears a conversation that leads him to believe that his life might change forever, his mother is pregnant!. He panics and envisions the worst. Written by
The enervated teacher who tries to get the kids to sing in a choir is played by Gérard Jugnot. He was Clément Mathieu in The Chorus (2004), a teacher who (successfully) starts a choir in a school for troubled boys. See more »
I love the "Petit Nicholas" books and René Goscinny is a personal god of mine, so I was very sceptical about this film. Especially because it's not "real-life" rather than a cartoon, whereas Jean-Jacques Sempés illustrations were essential to the charme of the books. But then the reviews were good and I gave it a try.
If you look at Goscinny's humour, it's almost reactionary. There's the fat guy, the rich kid, the dimwit, the four-eyed squealer, the easily- ired father, the just-a-housewife mother. And they all translate well onto film. Goscinny's humour stems from letting those characters interact predictably but creatively and with perfect timing, and this movie's makers managed to closely reproduce Goscinny's genius.
It's funny and escapist -- nothing more. Childhood as it should be. Sempé himself said that he created the childhood for little Nick he never had for himself.
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