Nicolas has a happy existence, parents who love him, a great group of friends with whom he has great fun, and all he wants is that nothing to changes. However, one day, he overhears a ... See full summary »
Mr. Bean wins a trip to Cannes where he unwittingly separates a young boy from his father and must help the two come back together. On the way he discovers France, bicycling, and true love, among other things.
Identical twins, separated at birth and each raised by one of their biological parents, discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Jon Arbuckle travels to the United Kingdom, and he brings his cat, Garfield, along for the trip. A case of mistaken cat identity finds Garfield ruling over a castle, but his reign is soon jeopardized by the nefarious Lord Dargis , who has designs on the estate.
Jennifer Love Hewitt,
Nicolas has a happy existence, parents who love him, a great group of friends with whom he has great fun, and all he wants is that nothing to changes. However, one day, he overhears a conversation that leads him to believe that his life might change forever, his mother is pregnant!. He panics and envisions the worst. Written by
At one point one of the boys brings French magazine "Pilote" which features part of the first "Asterix" comic story and the boys get the idea to scam people into thinking they invented the magic potion from "Asterix". Both "Asterix" and "Le petit Nicholas" where created by Rene Goscinny in 1959. The scam also mimics the scene from the very first Asterix story where Getafix the Druid and Asterix trick the Roman soldiers into thinking they drink the magic potion. See more »
I enjoyed myself that evening. Others (French) might not.
French people might understandably be disappointed by a theatrical adaptation of the beloved Petit Nicolas, a character so familiar from their childhoods, but as one who was never mesmerized by the original form of these character, I did not go into this with expectations.
But it's a fun little ride. The costumes, the décor and the acting are all impeccable--Valérie Lemercier is especially delightful. So, too, is the writing: the story is predictable, tidy, socially non-offensive and slightly fantastical--but self-consciously so. It is a tribute to and a mild, good-natured parody of 1950's aesthetic and moral values in filmmaking, and it works very well. Most contemporary period films delight in opening up the curtains on the skeletons of what they see as "repressed" past societies and in poisoning our sentimental collective memories with gritty filth (see « 8 femmes » for an excellent French example; "Titanic" for a classic Anglo-American textbook example).
« Le petit Nicolas » is just here to remind us of what we were once supposed to try for--and it makes us wonder if it wasn't in some ways better than what we have ended up with... without, of course, being too moralizing. It makes for a good little weekday evening pick-me-up.
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