This hilarious comedy tells the story of Toña and Paquita, the housekeepers for the aristocratic González-Dubois family. These domestic employees have been mistreated for quite some time ... See full summary »

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1 win & 1 nomination. See more awards »
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Cast

Credited cast:
Yiniva Cardenas ...
Secretaria
...
Fernando
Rosa Isabel Lorenzo ...
Toña
Aida Morales ...
Paquita
Maria Alejandra Palacios ...
Marivi
Maria Cristina Palacios ...
Marite
Isabella Santodomingo ...
Gloria
Juan David Valdez Lauri ...
Daniel
...
Marivi's boyfriend
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Storyline

This hilarious comedy tells the story of Toña and Paquita, the housekeepers for the aristocratic González-Dubois family. These domestic employees have been mistreated for quite some time and they are tired of their situation. So when the family plans a shopping trip to Miami, the maids have a plan of their own; to take control of the mansion. Unexpectedly, they will also discover a family secret. Written by Chicago Latino Film Festival

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Genres:

Comedy | Drama

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Details

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Release Date:

15 January 2010 (Panama)  »

Also Known As:

Hatalomátvétel  »

Filming Locations:


Box Office

Budget:

$1,500,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Gloria: Toña, no! Not my Swarovski! That's a wedding present! Toña!
Toña: I never got these little eggs.
Gloria: My Fabergé!
Toña: [Breaks Fabergé egg] You see we're not joking.
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User Reviews

 
Light-hearted Dark Comedy
22 April 2011 | by (Nashville, TN, USA) – See all my reviews

For me, this beguiling Panamanian comedy proved to be the crown jewel of a week of screenings at the Nashville film Festival. Abner Benaim, in his first commercial feature, has produced a no-holds-barred farce that is delightfully specific in its evocation of place and universally familiar in its socio-political relevance. He masterfully pushes our tolerance of what is comically acceptable with alternate uses for metal meat tenderizers and loaded weapons in the hands of children. The uncomfortable hilarity of these concrete moments is a justifiable exposition of the dark consequences of social inequity, venality and greed -- evils that know no national borders or half-life. Along with this universality of theme, the film's sophisticated production values, achieved on a budget that in Hollywood would barely cover craft services, could certainly allow this off-shore sub-titled project to succeed financially in northern hemisphere markets. Much of the film's quality must be credited to its fine cast. Aida Morales, with noble poignancy, and Rosa Isabel Lorenzo, apparently in her sole cinematic role, give brazen, perfectly tuned performances as the long-suffering servants in a corrupt politician's household. These besieged characters grab the horns of their dilemma and do not let go until success is achieved. And in very satisfying style, their menacingly wild choice manages to churn up providential outcomes for everyone. I hope this delicious morality tale gets the distributor it so greatly deserves.


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