| Elena Anaya | ... | Alba | |
| Natasha Yarovenko | ... | Natasha | |
| Enrico Lo Verso | ... | Max | |
| Najwa Nimri | ... | Edurne | |
| Ander Malles | ... | Niño | |
| Laura Meizoso | ... | Niña |
Directed by | |||
| Julio Medem | |||
Writing credits(in alphabetical order) | ||
| Katherine Fugate | dialogue advisor | |
| Julio Medem | written by | |
| Julio Rojas | screenplay | |
Original Music by | |||
| Jocelyn Pook | |||
Cinematography by | |||
| Alex Catalán | |||
Film Editing by | |||
| Julio Medem | |||
Art Direction by | |||
| Montse Sanz | |||
Set Decoration by | |||
| Vicent Díaz | |||
Costume Design by | |||
| Carlos Díez | |||
Makeup Department | |||
| Javier García | .... | hair stylist | |
| Patricia López | .... | assistant makeup artist | |
| Susana Sánchez | .... | make-up and hair | |
Production Management | |||
| Cristina Zumárraga | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Óscar Marcos | .... | second assistant director (as Oskar Marcos) | |
| Sara Mazkiaran | .... | first assistant director | |
Art Department | |||
| Jorge Fisac | .... | property master | |
| Aitor Mendizábal | .... | props | |
| Juan Manuel Puerto | .... | constructor (as Juan Puerto) | |
| Tanja Wahlbeck | .... | props (as Tania Wahlbeck) | |
Sound Department | |||
| Polo Aledo | .... | sound editor | |
| Juan Borrell | .... | sound | |
| Susana Castro | .... | dialogue editor | |
| Manuel Corrales | .... | foley artist (as Manolo Corrales) | |
| Nicolas de Poulpiquet | .... | sound re-recording mixer | |
| Mario González | .... | foley recordist | |
| Sergio Gómez | .... | boom operator | |
| Dámaso Hernández | .... | boom operator | |
| Javier Losantos | .... | adr recordist | |
| Javier Losantos | .... | assistant sound re-recording mixer | |
| Daniel Peña | .... | ambiences editor | |
| Ricardo Viñas | .... | dolby sound consultant | |
Visual Effects by | |||
| Bahar Cetin | .... | digital compositor | |
| Blas Galera | .... | visual effects supervisor (as Blas Galera-Mompeán) | |
| Ñaña González | .... | visual effects artist | |
| Pablo Hernández-Meléndez | .... | visual effects artist | |
| Isidro Jiménez | .... | visual effects supervisor | |
| Alberto Luceño | .... | cgi artist | |
| Javier López Casado | .... | digital conform editor | |
| Javier Martínez Calvo | .... | graphic designer | |
| Matías Nieto | .... | visual effects photographer | |
| Ramón Ramos | .... | digital compositor | |
| Thorsten Rienth | .... | visual effects artist | |
| Rafa Solorzano | .... | visual effects supervisor | |
| Carlos Trijueque | .... | digital compositor | |
Camera and Electrical Department | |||
| Ariana Bonavia | .... | digital imaging technician | |
| Gonzalo Fernández | .... | assistant electrician (as Gonzalo Fdez. de la Vega) | |
| Juan Manuel García | .... | electrician | |
| Ángel Gómez | .... | key grip | |
| Isaías Ibáñez | .... | gaffer | |
| Diego López Calvin | .... | making-of (as Diego López) | |
| Diego López Calvin | .... | still photographer (as Diego López) | |
| Sergio Mantecón | .... | assistant electrician | |
| Saúl Oliveira | .... | second assistant camera | |
| José Manuel Reboul | .... | electrician | |
| Ramiro Sabell hijo | .... | first assistant camera | |
| Martín Sampedro | .... | still photographer: poster | |
| Martin Samper | .... | still photographer | |
| Juanjo Sánchez | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| Sofía Medem | .... | seamstress | |
Editorial Department | |||
| Isabel Cano | .... | post-production coordinator | |
| Pascale Dillemann | .... | post-production coordinator | |
| Linda Krüger | .... | assistant assistant editor | |
| Nuria López | .... | post-production coordinator | |
| María José Martín | .... | post-production director | |
| Ximo Michavila | .... | colorist | |
| Yago Muñiz | .... | assistant editor | |
| Verónica Pérez | .... | scanning and film recording | |
| Silvia Torralba | .... | post-production coordinator | |
Music Department | |||
| Natacha Atlas | .... | voice | |
| Tomeu Bibiloni | .... | voice | |
| Terry Davies | .... | conductor | |
| Laurence Jackson | .... | soloist | |
| Dado Jehan | .... | additional arrangement (as Dado Dzihan) | |
| Dado Jehan | .... | additional music production (as Dado Dzihan) | |
| Dado Jehan | .... | music arranger: piano | |
| Dado Jehan | .... | musician: piano, accordion, guitar (as Dado Dzihan) | |
| Lori Lixenberg | .... | voice (as Loré Lixenberg) | |
| Jon Opstad | .... | copyist | |
| Jon Opstad | .... | musician: percussion | |
| Melanie Pappenheim | .... | voice | |
| Steve Parr | .... | music mixer | |
| Steve Parr | .... | music recording engineer | |
| Jocelyn Pook | .... | musical director | |
| Ana Saboya | .... | original song | |
| Hilary Skewes | .... | music coordinator | |
Other crew | |||
| Sergio Agüero | .... | talent advisor | |
| Marisa Castelo | .... | legal advisor | |
| Juan Antonio Clemente | .... | location manager | |
| Pascale Dillemann | .... | press and festival coordinator | |
| James Duggan | .... | coach: English | |
| Aoife Espinosa | .... | assistant to director | |
| Aoife Espinosa | .... | coach | |
| Cristóbal García | .... | business affairs | |
| Ximena García | .... | coach | |
| Silvia Gómez | .... | production coordinator | |
| Richard Hunter | .... | coach: French | |
| Walter Leonard | .... | translator | |
| Javier Martínez Calvo | .... | title designer | |
| Nacho Nolla | .... | production staff | |
| Maribel Osto | .... | dubbing director | |
| Sara Ramírez | .... | production assistant | |
| Gloria Soriano | .... | script supervisor | |
| Rosa Sánchez | .... | dubbing director | |
Thanks | |||
| Polo Aledo | .... | in memory of | |
| Belén Atienza | .... | thanks | |
| Matías Bize | .... | thanks | |
| Ricardo Fernández-Deu | .... | thanks (as Ricardo) | |
| Vincent Maraval | .... | thanks | |
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| Lost and Delirious | Suburban Secrets | Russian Dolls | My Own Private Idaho | Derailed |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Spain section |
Reading the reviews that other people have written it seems that people either 'get' this movie or they don't.
Some people just seem to see it as a pseudo-erotic softcore film starring a couple of naked chicks, whereas other people see it as a beautiful piece of cinematography.
If you're amongst the latter, cool, if you're the former you might be best sticking to Saw IV and the like :-) Room in Rome is a well thought-out, cleverly scripted, and beautifully shot film. Yes, it is highly erotic, but it is never seedy or smutty. Yes, it is romantic, but it is never sickly or sweet.
If you enjoy European cinema then you're probably going to love this film. If you don't then you're probably best giving it a miss.