A busy attorney, worried that his anorexic daughter Olga might try to harm herself, since she's still grieving over her recently deceased mother, sends her to see a psychiatrist, Anna, who's dealing with her own loss in an unusual way.
A family of Polish immigrants lives in Sweden. One innocent lie triggers suspicions and leads to their daughter being placed with a foster family by social services. The parents undertake a dramatic fight to get their child back.
Son's painful memories of his father's lifelong alcohol addiction turn to be traumatic for both of them. These memories make them realise the booze inheritance in their family. Will they get out of this vicious circle?
The main character is the manager of a sport club, nicknamed "Teddy Bear" by his friends and acquaintances. One day he is detained at the border just as his sport team is off to a ... See full summary »
A story about women, set in the present and in 1950s Warsaw. The main character is Sabina, a quiet, shy woman who has just turned thirty. Clearly, she lacks a man in her life. Her mother ... See full summary »
Though not a rich country as such, Poland abounds with ideas and inspiration. Think Copernicus, Curie, Chopin. Maybe that's too high a bar for anyone, but writer-director Malgorzata Szumowska and her team don't even qualify. The plot of "33 Scenes" is dramatic enough: Julia loses her mother, her father, and her high-flying career prospects all over the course of what seems like a few weeks. But the more drama she takes on, the less you care. Is it because it's hard to sympathize with a spoiled brat in the first place? Or is it because the movie takes forever to get to the point? My inclination is to blame it on dubbing director Mina Kindl, who was in charge of the German version I have seen. The voice-over is entirely lifeless (and partly out of sync), especially Julia's. It sounds like it was recorded in a basement studio, with the actors reading from the original script, without even looking at the screen. There simply is no connection between image and sound. I sat through it, but it felt like watching a silent film and listening to an unrelated talking book in parallel. I'm wondering what the Polish version is like. As it stands, avoid.
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