In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives for ever.
Bad Blake is a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times. And yet, Bad can't help but reach for salvation with the help of Jean, a journalist who discovers the real man behind the musician. Written by
Fox Searclight Pictures
When Tommy and Bad walk out of a restaurant supposedly in Phoenix, cars are shown with Arizona license plates on their front bumpers. Arizona does not provide license plates for front bumpers. See more »
I don't want to talk about Tony.
All right, what do you want to talk about?
I wanna talk about how bad you make this room look. I never noticed what a dump it was until you came in here.
. I haven't seen anybody blush in I don't know how long.
I can't help it if my capillaries are close to the skin.
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Overall, a very good performance by Bridges, but the film could have
The beautiful panoramas of the Great Southwest were worth watching. The desert in bloom was a sight to behold. Those parts of the film were completely enjoyable. The portrayal of the character Otis "Bad" Blake was credible, and Jeff Bridges did a very good job. The incessant use of cigarettes became dull, and, by the time this long movie was over, sickening. The casting was doubtful as Gyllenhaal seemed very young next to Bridges, who is 57 years old. Her performance was good. There were too many closeups, which always means a shallow story, and much of the time we listened to music when we wanted to know more about the characters. The gratuitous sex scene was completely unnecessary, and somewhat incredible given the age and condition of the character. The contrived gestures of holding her breast, and slipping his hand into her underpants were so forced that they were uninteresting. The many talents of Robert Duvall were wasted on a trivial role, but the fishing scene was a gem. The scene in the Santa Fe bar where the character Bad Blake dances with a spectator was the best music scene in the film. Overall, a very good performance by Bridges, but the film could have been better.
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