In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
A look at tightrope walker Philippe Petit's daring, but illegal, high-wire routine performed between New York City's World Trade Center's twin towers in 1974, what some consider, "the artistic crime of the century".
Jean François Heckel,
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
Filmmaker Davis Guggenheim follows Al Gore on the lecture circuit, as the former presidential candidate campaigns to raise public awareness of the dangers of global warming and calls for immediate action to curb its destructive effects on the environment.
Bad Blake is a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times. And yet, Bad can't help but reach for salvation with the help of Jean, a journalist who discovers the real man behind the musician. Written by
Fox Searclight Pictures
Jeff Bridges plays a Gretsch (Chet Atkins Country Gentleman) guitar, the same model later pictured with him on the cover of his "Jeff Bridges" CD album release (2011). See more »
It is obvious the pee bottle emptying shot was made prior to the crane shot of Bad parking at the bowling alley, as the puddle from that shot is evident next to the parking spot as he pulls in. See more »
I don't want to talk about Tony.
All right, what do you want to talk about?
I wanna talk about how bad you make this room look. I never noticed what a dump it was until you came in here.
. I haven't seen anybody blush in I don't know how long.
I can't help it if my capillaries are close to the skin.
See more »
In his directorial debut, Scott Cooper adapts Thomas Cobb's Crazy Heart, the story of Bad Blake, a washed-up country star with an alcohol addiction. The film stars Jeff Bridges, in the lead role, and Maggie Gyllenhaal as Jean, a young reporter is taken in by Blake's heartache and pain.
Cooper's direction is of subtle greatness. The film is quiet, slow-paced, but works. It's never meant to be loud or over-the-top, which some may be expecting; it's a beautiful written song about life thrust into a two-hour sympathy riot. Bridges, who will surely receive Oscar attention, is reserved, charismatic, and raw. Bridges' 58-year-old Blake is one of the better performances of the year. There are obvious comparisons to Robert Duvall's performance Tender Mercies, with critics believing a possibly similarity to Mickey Rourke's work in The Wrestler, which is certainly not the case, this is unique in its own way. Bridges doesn't overcook the role which would have been easy, he's effortless and sings quite well.
Maggie Gyllenhaal, Oscar snubbed for her works in Sherrybaby and World Trade Center, is nearly average in her work. She's coy with Jean and underplays her, but unlike Bad Blake, her role doesn't call for it. Jean is a bruised, kindhearted, and devoted mother to her four-year old son Buddy (Jack Nation, as cute as can be), but uneven in narrative forming.
Robert Duvall is brief, and nearly ineffectual. As the bar owner Wayne, he offers a humanity for Blake outside of woman, which is needed in the film, but in the end is unmemorable. Also sharing this boat is the talented Colin Farrell, who's both likable and adequate, but upstaged by scenes with Bridges.
The only thing more beautiful than Bridges' performance is the song "The Weary Kind," which is submission for Best Original Song for the Academy Awards. This is one of the best songs written for a film in the last ten years. Delightful lyrics and exquisitely executed, the song one of the rare occasions of the perfect song for a perfect film, given the film's nature.
While Crazy Heart doesn't offer anything insightful to the realm of cinema, it's simple, uncomplicated, and honest, which you can't appreciate. For a first time out, Cooper does an admirable job.
99 of 136 people found this review helpful.
Was this review helpful to you?