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Directed by | |||
| Bobcat Goldthwait | |||
Writing credits(WGA) | ||
| Bobcat Goldthwait | (written by) | |
Produced by | |||
| Sarah de Sa Rego | .... | co-producer | |
| Howard Gertler | .... | producer | |
| Ted Hamm | .... | executive producer (as Edward H. Hamm Jr.) | |
| Richard Kelly | .... | producer | |
| Sean McKittrick | .... | producer | |
| Tim Perell | .... | producer | |
| Jennifer Roth | .... | executive producer | |
Original Music by | |||
| Gerald Brunskill | |||
Cinematography by | |||
| Horacio Marquínez | |||
Film Editing by | |||
| Jason Stewart | |||
Casting by | |||
| Ruth Lambert | |||
| Robert McGee | |||
Production Design by | |||
| John Paino | |||
Set Decoration by | |||
| Rachel M. Thompson | |||
Costume Design by | |||
| Sarah de Sa Rego | |||
Makeup Department | |||
| Danyale Cook | .... | makeup artist | |
| Akemi Hart | .... | key hair stylist | |
| Cheri Minns | .... | hair stylist: Mr. Williams | |
| Cheri Minns | .... | makeup artist: Mr. Williams | |
| Jennifer Popochock | .... | hair stylist | |
| Jennifer Popochock | .... | makeup artist | |
| Jennifer Popochock | .... | special makeup effects artist | |
| Dawn Tunnell | .... | key makeup artist | |
Production Management | |||
| Zita Mazzola | .... | production supervisor | |
| Matthew Shapiro | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mariela Comitini | .... | first assistant director | |
| Sebastian Mazzola | .... | second second assistant director | |
| Trish 'The Dish' Stanard | .... | key second assistant director | |
Art Department | |||
| Brady J. Condit | .... | on-set dresser | |
| Jeffrey W. Crow | .... | set dresser | |
| Lisa De Alva | .... | property mistress | |
| Andrea Dupras | .... | art department coordinator | |
| Vincent Ferris | .... | property assistant | |
| Cdavid Hall-cottrill | .... | property master: on-set | |
| Robert Kramer | .... | art department intern | |
| Oscar Lofgren | .... | carpenter | |
| Kenneth Milfred | .... | leadman | |
| Shefskie Paba | .... | carpenter | |
| Beth Peterson | .... | painter | |
| Kevin L. Raper | .... | graphic artist | |
| Christopher Scott | .... | art department intern | |
| Ed Vance | .... | set dresser | |
| Nick Worsfold | .... | greensman | |
Sound Department | |||
| Dan L. Brock | .... | sound | |
| Lisa K. Fowle | .... | sound designer | |
| Andy Hay | .... | sound re-recording mixer | |
| Samuel Lehmer | .... | sound re-recording mixer | |
| Donald Lyles | .... | adr mixer | |
| David Marcus | .... | director of sound services | |
| Robert Marts | .... | production sound mixer | |
| Harrison Meyle | .... | dialogue editor | |
| Jeffrey A. Pitts | .... | sound effects editor | |
| Vance Walden | .... | adr recordist | |
| Scott Waters | .... | boom operator | |
Visual Effects by | |||
| Ian T. Barbella | .... | visual effects coordinator | |
| Shane Cook | .... | compositing supervisor: Gradient FX | |
| Dylan Highsmith | .... | visual effects editor | |
| Christopher Ide | .... | post production assistant | |
| Mark Kolpack | .... | visual effects producer | |
| Olcun Tan | .... | executive effects producer: Gradient Effects | |
| Thomas Tannenberger | .... | executive effects producer: Gradient Effects | |
| Cameron Thomas | .... | compositor: Gradient FX | |
| Bob Froehlig | .... | lead systems engineer: Gradient Effects (uncredited) | |
Stunts | |||
| Tim Henderson | .... | assistant stunt coordinator | |
| Michael Hilow | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Mark L. Anderson | .... | first assistant camera | |
| Mark L. Anderson | .... | underwater camera operator | |
| Garrett Cantrell | .... | grip | |
| Mark J. Coyne | .... | Steadicam operator | |
| Brianne Cronkhite | .... | second assistant camera | |
| Will Emery | .... | camera loader | |
| Bruce Henderson | .... | dolly grip | |
| Neil Holcomb | .... | gaffer | |
| Mexico Jacobson | .... | best boy grip | |
| Ludovic Littee | .... | assistant camera | |
| Paul Mailman | .... | b camera operator | |
| Theresa Majeres | .... | grip | |
| Ryan Middleton | .... | grip | |
| Chris Purkiss | .... | electrician | |
| Phil Rezek | .... | lighting technician | |
| David Robinson | .... | set lighting technician | |
| Jeremiah Skender | .... | electrician | |
| Gregory D. Smith | .... | key grip | |
| Bryan 'fro' Waters | .... | grip | |
| Bob Webeck | .... | b camera operator | |
| Coty James | .... | grip (uncredited) | |
Casting Department | |||
| Denise Gibbs | .... | casting: seattle | |
Costume and Wardrobe Department | |||
| Nikki Bartnick | .... | costumer: Mr. Williams (as Nikki Paulson) | |
| Teresa Purkiss | .... | costumer (as Teresa Hill) | |
Editorial Department | |||
| Paul Bronkar | .... | digital intermediate colorist | |
| Christine Carr | .... | digital intermediate producer | |
| Stacy Katzman | .... | assistant editor | |
| Mark Kolpack | .... | digital intermediate producer | |
Music Department | |||
| Z. Berg | .... | vocalist | |
| Mike Bolger | .... | musician: trumpet and trombone | |
| Linda Cohen | .... | music supervisor | |
| Annabelle de Leon | .... | vocalist | |
| David Marcus | .... | musician: guitar | |
| Colleen Stewart | .... | music coordinator | |
Transportation Department | |||
| Grady Hughes | .... | driver | |
| Ronnie King | .... | transportation coordinator | |
| David Nugent | .... | driver: Robin Williams | |
| John Petty | .... | driver | |
| William Powell | .... | driver | |
Other crew | |||
| Blake Alexander | .... | accounting intern | |
| Steve Berman | .... | completion bond | |
| Constance Best | .... | extras assistant | |
| Devin Z. Clarke | .... | location intern | |
| John 'JR' Craigmile | .... | post accounting | |
| Jeff Culotta | .... | production executive | |
| Dave Drummond | .... | assistant location manager | |
| Morgan Elizabeth | .... | extras assistant | |
| Kimbette Fenol | .... | assistant: Richard Kelly | |
| Cynthia Garcia Walker | .... | production accountant (as Cynthia Walker) | |
| Denise Gibbs | .... | extras coordinator | |
| Zachary Gordon | .... | production assistant | |
| Aurore Guyot | .... | assistant to the producer | |
| Lindsey Johnson | .... | assistant production office coordinator | |
| Ilona Síkhegyi Kelly | .... | location production assistant | |
| Uyen Le | .... | production legal | |
| Traci Martin | .... | first assistant accountant | |
| Viki Parker-Crays | .... | second assistant accountant (as Viki Parker) | |
| Merritt Riley | .... | production assistant | |
| Stephen Robinson | .... | assistant to producer | |
| Stephen Robinson | .... | assistant to the producer | |
| Ryn Rulison | .... | production assistant | |
| Kyle Seago | .... | production assistant | |
| Matthew Shapiro | .... | production associate | |
| Rebecca Erwin Spencer | .... | assistant: Mr. Williams | |
| Paul Tennis | .... | production staff | |
| Joey Vea | .... | production assistant | |
| Robert S. Wilhelm Jr. | .... | production assistant | |
| Mark Wygant | .... | location manager | |
| Jacob Leander | .... | stand-in (uncredited) | |
Thanks | |||
| Jimmy Kimmel | .... | the producers wish to thank | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Suburbia has transformed from an innocent place with friendly neighbors to a world full of miserable, sometimes disturbed people, dreams deferred, and earth-shattering secrets. From this year's Sundance Film Festival we have Bobcat Goldthwait's dark comedy World's Greatest Dad, we delve once again into the unknown of Any Town, USA.
This film mainly takes place in a school setting, but the themes and conflicts that arise coincide with those found in other films about suburbia. Robin Williams stars as struggling writer Lance Clayton. He lives with his son Kyle (Daryl Sabara), a porn obsessed, perverted teenager who attends the private school Lance teaches a not-so-popular poetry elective. There is tough love between the two. It's a typical teenager vs. the parent relationship only the censors have been turned off.
Lance is dating another teacher on staff, Claire (Alexie Gillmore), who he suspects isn't totally committed to their relationship. Life isn't getting any easier for Lance who struggles to reach his students or find a publisher for his work. When things couldn't get any worse, Lance suffers a blow few could recover from. From tragedy comes opportunity and it is up to Lance to decide what is the right thing to do.
It would be wrong of me to give away the tragedy, but it is something that does occur in Any Town, USA. In fact it happened not too long ago just a town over from me. It's the first time I can think of it being used in a film, or at least of this magnitude. There are several times during the film that I felt uncomfortable, but not to the point of disgust. There are some pretty heavy issues handled here and I think it is tasteful.
Williams does a fine job, especially in the second half of the film. For a comedian I can imagine it being difficult to change emotionally like that, but Williams has proved time after time in films like Good Will Hunting, One Hour Photo, and Insomniac that he can play just about any role thrown at him. He has a presence that is very real and powerful.
I was surprised by Sabara's performance as Kyle. I had only seen him in Spy Kids so I really didn't know what to expect. He seemed to have a clear idea of who Kyle was and what is motives are.
Goldthwait, who also wrote the screenplay, tackles a lot of issues both for adults and teenagers. At first I thought the film was going to end up like last years Towelhead, a hodgepodge of issues and conflicts that are each could have been their own film, but here we have an even dosage of each, culminating to a great finale and realization by William's character.
The film isn't perfect. One thing I don't like films to do is talk about other films. I feel like it is only a way for the writer to show off his movie knowledge and personal views about certain movies, although one segment involving zombie movies is relevant to the story. Occasionally it can be beneficial. Some of the scenes were a bit overdone with cheesy, overused dialogue, and some of the deliveries felt like they were just saying their lines and not really connecting with them.
Overall I was impressed. Goldthwait is not a big time filmmaker but this is certainly a step in the right direction (he has acted in several films and worked on other projects behind the camera). Williams gives one of his better performances as of late, but he doesn't steal the show. I thought the story was good enough to stand on its own, which is a very good thing. I hope this film doesn't get completely overlooked this year. You should try to see this one if you can.