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Eddie, Dov, and Yvan are back, still working in Paris' Sentier textile district, This time they're confronting the high-stakes world of large distribution after striking a deal with Eurodiscount, a European hypermarket chain.
Sacha Keller is only interested in one night stands with 20-somethings and has a phobia of children. That is until he meets Charlotte, the divorced mother-of-three and ex-wife of one his employer's powerful clients.
The gang is back, leaving Paris' fading Sentier district for the thriving suburb of Aubervilliers, where they must share the market with Chinese wholesalers. All's well until they fall victim to the local Mafioso's scheme.
After leaving Morocco amidst racial tensions spurred by the Yom Kippur war, the son of a once famous Jewish musician travels to his home country to bury his father. As he meets the members of the band, his life unexpectedly transforms.
The truth may be hard to cope with, but... Coco is a drama. If you're a genuine movie-lover it is impossible not to shed a tear (or buckets of tears) when you watch this "opus". The plot is non existent, the directing is non existent and the acting is even worse. Some may argue that Gad Elmaleh wanted the audience to laugh. I don't think so. This man has got talent and it's impossible to admit that anything may be funny in this film. Let me tell you the truth... Mr Elmaleh is sick of the cinema industry, so he has made a movie which is a statement about the state of dereliction of the filmmakers in France. He wanted us to cry about that long lost past, when French films were done by people like Renoir, Prevert, Truffeau etc. Today, we must be aware of this very sad reality: French cinema is dead. Thank you Mr Elmaleh for this ultimate proof of yours. From now on we will mourn our "Paradis Perdu".
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