Gulaal (2009) 7.8
A law student witnesses the struggles of the Rajputs, deception, homicide, and crime after being elected as General Secretary of his college. Director:Anurag Kashyap |
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Gulaal (2009) 7.8
A law student witnesses the struggles of the Rajputs, deception, homicide, and crime after being elected as General Secretary of his college. Director:Anurag Kashyap |
|
| 0Share... |
| Credited cast: | |||
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Kay Kay Menon | ... |
Dukey Bana
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Raj Singh Chaudhary | ... |
Dilip Kumar Singh
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Jesse Randhawa | ... |
Anuja
(as Jessy Randhawa)
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Deepak Dobriyal | ... |
Rajendar Bhati
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Ayesha Mohan | ... |
Kiran
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| Mahie Gill | ... |
Madhuri
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Piyush Mishra | ... |
Prithvi Bana
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Abhimanyu Singh | ... |
Rananjay 'Ransa' Singh
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Aditya Srivastava | ... |
Karan
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| Rest of cast listed alphabetically: | |||
| Mukesh Bhatt | ... |
Bhanwar Singh
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Jyoti Dogra | ... |
Dukey Bana's wife
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Chittaranjan Giri | ... |
Police Inspector
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Neel Guha |
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Pankaj Jha | ... |
Jadhwal
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Murari Kumar | ... |
Murari
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Bikaner-based 28-year-old Dilip Kumar Singh is enrolled in a Rajpur-based Law college, and rents a room with an unstable male, Rananjay Singh. His attempts to re-locate to a hostel, pits him against a group of men, led by Jadhwal, who not only assault, but also molest him, and then lock him in a dark room with a naked and abused female, Anuja. He recuperates in a hospital and joins hands with Rananjay and Dukey Bana to avenge this humiliation, as well as befriends Anuja, who is a Lecturer in the college. He also decides to support Rananjay, who is legitimate son of a former Raja, to run for college elections - and it is this decision that will shatter and change his life forever. Written by rAjOo (gunwanti@hotmail.com)
I think Gulaal is till date is the best movie directed by AK. The movie goes far beyond Maqbool and Omkara, not undermining them, those two were also milestones for contemporary Hindi cinema, but Gulaal was something extraordinary. Each and every character played perfectly, along with the metaphors, it was a perfect sync.
This is a wholesome product of an excellent script with the most honest and sincere performances. The beauty of AK is that the movie is not what it seems.. like just like in "No Smoking"... where its not about smoking but about personal freedom and the surreality surrounding it. Even in Gulaal, one might find the story very political, about the revolution, college elections but NO, its just the backdrop. The main story is how the main protagonist, Dilip's character develops upon that backdrop. How he gets molded by the different personalities that comes in his life, starting from Ransa, Anuja, Duki Bana, Kiran and then his own remorse. If you closely look, each and every character's role stayed the same, Ransa, Anuja, Duki Bana, Kiran, Karan and Bhaati... they all revolved around the development of Dilip which is something amazing.
The movie is also about reviving personal identity which was aptly shown by the clever politics of Karan and Kiran. And the movie doesn't stop here, the complex female characters add more color to it. Its such a movie where not even a single moment was wasted or was not required. Starting from Dilip being ragged to Dilip being dead, its those characters, the metaphors, the camera-work, music, everything synced so beautifully, it left me spellbound. Its 3AM here, and I just finished watching it and I just couldn't help myself writing about it. Well done AK as your movies always add a new dimension to the Hindi "noir" movie movement.