| Nick Stahl | ... | Allen Meneric | |
| Dash Mihok | ... | Carl Tarses | |
| Olivia Wilde | ... | Mia Conlon | |
| Pruitt Taylor Vince | ... | Ben Marshal | |
| Shohreh Aghdashloo | ... | Dr. Lofton | |
| Tariq Trotter | ... | Tom Bogotus | |
| Daniel Franzese | ... | Paul Warren | |
| Daniel London | ... | Nathan Parks | |
| Joanne Baron | ... | Mrs. Standings | |
| Haley Webb | ... | Allen's Girlfriend | |
| D.W. Brown | ... | Bearded Man | |
| Amy Attaway | ... | Female Doctor | |
| George Drennen | ... | Mason | |
| Lissa Brennan | ... | Lisa | |
| Rick Applegate | ... | Policeman | |
| Doyle Hanks | ... | Weeping Man | |
| Eric Jaeger | ... | Young Man | |
| Leslie Howard | ... | Eloy | |
| Kyle McCaffrey | ... | Young Allen | |
| Coleman Wilson | ... | Allen's Brother | |
| Leslie Merrill | ... | Allen's Mother (as Leslie Merrill McCombs) | |
| Troy Fidis | ... | Guard on PA | |
| Rick Williamson | ... | Judge | |
| Lori Tritel | ... | Female Attorney (as Lori Trittel) | |
| Eric Ziemann | ... | Male Attorney | |
| rest of cast listed alphabetically: | |||
| Lucia M. Aguirre | ... | Dancing Inmate (uncredited) | |
| Brian Alley | ... | Prison Guard (uncredited) | |
| Nicholas Balzer | ... | Prison Guard (uncredited) | |
| Aaron Bernard | ... | Inmate (uncredited) | |
| Carl Clemons | ... | Maximum Security Prisoner (uncredited) | |
| Jack Erdie | ... | Fighting Inmate (uncredited) | |
| Lamar Darnell Fields | ... | Inmate (uncredited) | |
| William Kania | ... | Inmate (uncredited) | |
| Stephanie Macdougall | ... | Inmate (uncredited) | |
| Sean P. McCarthy | ... | Strait-jacketed Inmate (uncredited) | |
| Phil Nardozzi | ... | Insane Inmate (uncredited) | |
| Jackson Nunn | ... | Inmate (uncredited) | |
| Jason Planitzer | ... | Cubby (uncredited) | |
| Brenna Roth | ... | Black Haired Woman (uncredited) | |
Directed by | |||
| D.W. Brown | |||
Writing credits(in alphabetical order) | ||
| D.W. Brown | written by | |
Produced by | |||
| George Elish | .... | executive producer | |
| Michael D. Jones | .... | line producer | |
| Jamie Kennedy | .... | producer | |
| Bart Rachmil | .... | co-producer | |
| Michael I. Rachmil | .... | producer | |
| Elsa Ramo | .... | co-producer | |
| Mike Wittlin | .... | producer | |
Original Music by | |||
| Haim Mazar | |||
Cinematography by | |||
| David A. Armstrong | |||
Film Editing by | |||
| Bart Rachmil | |||
Production Design by | |||
| Travis Zariwny | |||
Costume Design by | |||
| Eden Miller | |||
Makeup Department | |||
| Nikki Carbonetta | .... | makeup department head (as Nikki Carbonetta-Aguirre) | |
| Nancy Keslar | .... | key hair stylist | |
| Rachael Ryan | .... | assistant makeup artist | |
| Linda Williams | .... | assistant hair stylist | |
Production Management | |||
| Naida Albright | .... | post-production supervisor | |
| Eric Bergez | .... | production manager | |
| Alex Hamilton | .... | unit production manager | |
| Judy Sepich | .... | assistant production supervisor | |
| Mimi Wyeth | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jason Calabro | .... | second second assistant director | |
| David 'Yoko' Jose | .... | second assistant director | |
| Steve Parys | .... | first assistant director | |
Art Department | |||
| Luke Andrade | .... | leadman | |
| Demian Aspinwall | .... | on-set dresser | |
| Timothy Barnhill | .... | assistant property master | |
| Matthew Carraher | .... | second unit property master | |
| Jonathan Curotola | .... | swing man | |
| Anna Hawkins | .... | art department coordinator | |
| Maria F. Leon | .... | key set decorator | |
| Marcel Mejia | .... | key scenic | |
| Laura Pliskin | .... | assistant art director | |
| Mamie Stein | .... | property master | |
Sound Department | |||
| Jason Abell | .... | dialogue editor | |
| Hidefumi Aoki | .... | sound effects editor | |
| James Barth | .... | dialogue editor | |
| Miriam Cole | .... | audio post coordinator | |
| Chad Djubek | .... | boom operator | |
| Jim Emswiller | .... | sound mixer | |
| Mitch Kordonowy | .... | foley recordist | |
| Leobardo Ledon | .... | adr recordist | |
| Leobardo Ledon | .... | foley recordist | |
| Michael J. McDonald | .... | sound re-recording mixer (as Michael McDonald) | |
| Michael J. McDonald | .... | supervising sound editor (as Michael McDonald) | |
| Manuel Mendoza | .... | sound effects editor | |
| G.W. Pope III | .... | foley artist | |
| G.W. Pope III | .... | foley editor | |
| G.W. Pope III | .... | sound designer | |
| John W. Rampey | .... | foley artist | |
| John W. Rampey | .... | foley recordist | |
| Todd Smith | .... | dialogue editor | |
| Michael Woodward | .... | sound effects editor | |
| Pasquale Anthony Greco | .... | boom operator (uncredited) | |
Special Effects by | |||
| Steve Tolin | .... | special effects | |
Visual Effects by | |||
| Mark O. Forker | .... | digital intermediate consultant (as MO Forker) | |
Stunts | |||
| Jason Silvis | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Allan Barch | .... | electrician | |
| Matthew Bulleri | .... | best boy grip | |
| Gregory L. Edwards | .... | key grip | |
| Ray 'Chazz' Edwards | .... | key grip | |
| Josh Harrison | .... | Steadicam operator | |
| Josh Harrison | .... | camera operator: "a camera" | |
| Joshua Harrison | .... | camera operator | |
| Pete Klingenberg | .... | lighting technician | |
| Diana Lyn | .... | still photographer | |
| Adam Marze | .... | key video assist | |
| Jason B. McCann | .... | additional grip | |
| Deb Peterson | .... | second assistant camera | |
| Armando Salas | .... | gaffer | |
| Colin Sheehy | .... | film loader | |
| Nick Tallo | .... | grip | |
| Sarah Vinski | .... | camera intern | |
| Don Yockey | .... | grip | |
| Nick Zinobile | .... | grip | |
| Nick Zinobile | .... | key grip: second unit | |
Casting Department | |||
| Donna M. Belajac | .... | casting: Pittsburgh | |
| Donna M. Belajac | .... | location casting | |
| Valerie McCaffrey | .... | casting | |
Costume and Wardrobe Department | |||
| Lydia Fandry | .... | costume assistant | |
| Virginia Smith Phillips | .... | wardrobe supervisor | |
| Lindsey Tervo-Clemmens | .... | set costumer | |
Editorial Department | |||
| Cristina Esteras-Ortiz | .... | dailies producer | |
| Andy Williams | .... | digital intermediate | |
| Matt Wolford | .... | digital intermediate coordinator | |
| Eliot Milbourn | .... | additional colorist (uncredited) | |
Music Department | |||
| Peter Fuchs | .... | scoring mixer | |
| Thomas Parisch | .... | orchestrator | |
Transportation Department | |||
| Stephen Hough | .... | transportation | |
| Donald A. Kraus | .... | transportation coordinator | |
| Heather Roche-Kurtz | .... | driver | |
Other crew | |||
| Brian Alley | .... | stand-in for Pruitt Taylor Vince | |
| Tracy Balsz | .... | publicist | |
| Nicholas Balzer | .... | stand-in for nick stahl | |
| Alyssa Batchelor | .... | set production assistant | |
| Andrea Bernick | .... | production assistant | |
| Erika Canchola | .... | production attorney | |
| Megan Graham | .... | script supervisor | |
| Alex Hamilton | .... | location manager | |
| Kim Larsen | .... | second unit script supervisor | |
| Ginny Minuto | .... | key craft service | |
| Jason Planitzer | .... | production coordinator | |
| Elsa Ramo | .... | production attorney | |
| Dan Short | .... | production assistant | |
| Mike Strati | .... | set production assistant | |
| Sean McGee | .... | stand-in (uncredited) | |
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| Crime + Punishment in Suburbia | Freeway | The Crossing Guard | The Human Stain | Spider-Man 3 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Hmm...not sure about this one.
This film was very well written, it was engaging, the actors were impressive and there was genuine emotional involvement.
But after watching it, instead of thinking "what a good film", all I could think was "what was the point of that?" And I'm not even someone who thinks films have to have deep and meaningful things to say but even Transformers has a point (save the world etc.) There is literally no reason for this film unless I missed something. Is there a message about being good? about rehabilitation? loneliness? what?! I don't know and I don't think I can recommend people watch a film that is so pointless.
I would give the film a 5 for "overall" enjoyment and at least 7 for the "overall" great execution of the film so I will rate it a 6.
Watch it if you are a fan of any of the actors because you won't be bored but don't be surprised when you feel strangely disappointed after watching.