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Directed by | |||
| Julian Jarrold | |||
Writing credits | ||
| David Peace | (novel) | |
| Tony Grisoni | (screenplay) | |
Produced by | |||
| Wendy Brazington | .... | producer | |
| Andrew Eaton | .... | producer | |
| Shuna Frood | .... | producer: LipSync Post | |
| Hugo Heppell | .... | executive producer | |
| Liza Marshall | .... | executive producer | |
| Norman Merry | .... | executive producer | |
| Jamie Nuttgens | .... | co-producer | |
| Kate Ogborn | .... | co-producer (as Kate Ogbourne) | |
| Anita Overland | .... | producer | |
| Sarah Wheale | .... | line producer (as Sarah-Jane Wheale) | |
Original Music by | |||
| Adrian Johnston | |||
Cinematography by | |||
| Rob Hardy | (director of photography) | ||
Film Editing by | |||
| Andrew Hulme | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Cristina Casali | |||
Art Direction by | |||
| Julie Ann Horan | (supervising art director) | ||
Set Decoration by | |||
| Duncan Wheeler | |||
Costume Design by | |||
| Natalie Ward | (2009) | ||
Makeup Department | |||
| Nadine Al-Samarraie | .... | makeup trainee: dailies | |
| Jacqueline Fowler | .... | hair designer (as Jackie Fowler) | |
| Jacqueline Fowler | .... | makeup designer (as Jackie Fowler) | |
| Paul Hyett | .... | special makeup effects designer | |
| Bonnie Patricia Morgan | .... | makeup dailies | |
| Caroline Silk | .... | hair stylist | |
| Caroline Silk | .... | makeup artist | |
| Jo Sweeting | .... | daily makeup artist | |
Production Management | |||
| Louise Seymour | .... | post-production supervisor | |
Art Department | |||
| Laura Barnes | .... | graphic designer | |
| Jason Bond | .... | prop master | |
| Dominic Byles | .... | dressing prop | |
| Katie Lee | .... | stand-by art director | |
| Kevin Scarrott | .... | dressing prop | |
| Andy Watson | .... | art department assistant | |
| Antony Wright | .... | dressing props: dailies | |
Sound Department | |||
| Robert Brazier | .... | foley mixer | |
| Paul Cotterell | .... | sound re-recording mixer | |
| Chris Devlin | .... | sound assistant | |
| Dan Dewsnap | .... | boom operator | |
| Danny Hambrook | .... | sound recordist | |
| Danny Hambrook | .... | supervising sound editor | |
| Sean Hannah | .... | assistant dialogue editor | |
| Sue Harding | .... | foley artist | |
| Andrew Hulme | .... | additional sound designer | |
| Patrick Oldacre | .... | daily sound mixer | |
| Patrick Oldacre | .... | wildsound recordist | |
| Thom Paisley | .... | sound re-recording mixer (as Thomas Paisley) | |
| Kallis Shamaris | .... | adr & dialogue editor | |
| Joseph Stracey | .... | sound effects editor | |
| Ben Tat | .... | sound assistant | |
| Rowena Wilkinson | .... | foley artist | |
Special Effects by | |||
| Mark Shelley | .... | armourer | |
Visual Effects by | |||
| Chris Bentley | .... | digital lab operator | |
| Alberto Buron | .... | digital lab operator | |
| Tim Caplan | .... | visual effects producer | |
| James Clarke | .... | visual effects: DI supervisor | |
| Stefan Drury | .... | head of visual effects | |
| Adam Gascoyne | .... | visual effects supervisor | |
| Scott Goulding | .... | assistant colourist | |
| Aileen McIntosh | .... | digital lab operator | |
| Angela Stanley | .... | lead compositor (as Angela Rose) | |
| Daniel Tomlinson | .... | senior digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
Stunts | |||
| Sean Adames | .... | stunt performer | |
| Dave Anders | .... | stunt performer | |
| Matt Da Silva | .... | stunt performer | |
| Stuart St. Paul | .... | stunt coordinator | |
| William Willoughby | .... | stunt performer (as Will Willoughby) | |
Camera and Electrical Department | |||
| Simon Baker | .... | steadicam operator | |
| Nick Everett | .... | camera trainee | |
| Clare Fuller | .... | clapper loader: dailies | |
| Robert Gardner | .... | camera trainee | |
| Richard Lawson | .... | b camera focus puller | |
| Wayne Mansell | .... | generator operator | |
| Vince McGahon | .... | Steadicam operator | |
| Kirstin McMahon | .... | first assistant camera | |
| William Tracey | .... | gaffer | |
| Fabian Wagner | .... | second unit cinematographer | |
| Anthony Ward | .... | key grip | |
| Victoria Hanna | .... | clapper loader: dailies (uncredited) | |
Casting Department | |||
| Robert Sterne | .... | casting associate | |
Costume and Wardrobe Department | |||
| Nicky Barron | .... | costume stand-by | |
| Liza Bracey | .... | assistant costume designer | |
Editorial Department | |||
| Matthew Bate | .... | trainee assistant editor | |
| Stuart Fyvie | .... | colorist | |
| Barry Moen | .... | first assistant editor | |
Music Department | |||
| Terry Davies | .... | conductor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Ian Neil | .... | music supervisor | |
| Steve Parr | .... | music engineer | |
| Steve Parr | .... | music mixer | |
| Sonia Slany | .... | orchestra leader | |
Other crew | |||
| Harvey Ascott | .... | production runner | |
| Dave Bowen | .... | assistant accountant | |
| Chorley Bunce | .... | caterer | |
| Joseph Cairns | .... | unit manager | |
| Kayleigh Cruickshank | .... | assistant location manager | |
| Nick Hodson | .... | accounts trainee | |
| Josh Hyams | .... | head of television: Revolution Films | |
| Claire Marshall | .... | development assistant | |
| Samantha Milnes | .... | production coordinator | |
| Laurence Parker | .... | production accountant | |
| Maria Pavlou | .... | production assistant | |
| Maria Pavlou | .... | production assistant | |
| Hannah Roose | .... | production assistant | |
| Jemima Thomas | .... | script supervisor | |
| Charlie Thompson | .... | location manager | |
| Hayley Williams | .... | researcher | |
| Eva Yates | .... | researcher | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb UK section |
I'll start by saying that I was expecting to like this before I watched it. Whether that had a bearing on my judgement, I can't really say.
'Nineteen Seventy-Four' has shades of 'Taxi Driver', the narrative framed not by the steam that rises from the streets of New York City but instead by the skies of Yorkshire. The comparison between the two movies really occurred to me most strongly at the end of the film and I think you'll see why.
The acting is spot on from everybody. I can't think of one performance that stands out for the wrong reasons. Andrew Garfield is excellent in the lead role and Sean Bean is on form.
The exploration of police corruption and the struggle for both revenge and justice resonate well beyond the ending of the film.
The cinematography is excellent and it is disappointing that films of this quality have to be shown on television because they won't find enough of an audience in the majority of British cinemas.