The Cabin in the Woods (2012) Poster


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When Jules kisses the wolf head on the wall, the wolf's tongue is covered in powdered sugar to give it a dusty look and to make the scene tolerable for Anna Hutchison.
The movie's opening was a deliberate attempt by filmmakers Drew Goddard and Joss Whedon to confuse the audience and make them think they walked in to see the wrong movie.
During the lake scene, the only student not to jump into the lake is Marty, who remains fully clothed on the dock. This was partially due to Fran Kranz noticeably being in as good if not better shape than the other male students. In the commentary for the film, the writers joke that he was "ripped like muscular Jesus" and assert that if Marty were shown being that fit it would ruin the character. This is partly also why Marty wears baggier clothes than the other students.
The thermal coffee mug/bong was a fully functional mug and bong as portrayed in the film, the prototype of which cost $5000 to make.
Much of Drew Goddard's inspiration for this movie came from his own upbringing in Los Alamos, New Mexico, a place filled with scientists and co-workers all going about their business and living seemingly routine and ordinary lives even though they were building nuclear weapons that could potentially destroy the entire world. He talks about this in DVD special features interviews and commentary.
Fran Kranz received extensive prop and behavior training in order to capture the stoner persona of Marty. He received a two-hour joint rolling session and a separate bong lighting session from expert consultants. In addition to the famous travel-mug bong, a number of more subtle marijuana paraphernalia appear in the film. These include Marty's stash, his secret stash, a smaller pipe, a 'tulip-joint', and a joint kept in the pocket of his pants. The prop crew even designed the film's own brand of rolling papers, 'Smiling Buddha' papers.
The being with the golden sphere is named in the credits as "Fornicus, Lord of Bondage and Pain".
The Latin that Dana reads from the diary is: "Dolor supervivo caro. Dolor sublimus caro. Dolor ignio animus." It means: Pain outlives the flesh. Pain raises the flesh. Pain ignites the spirit.
Kevin, one of the monsters in the white board, is a tribute to the Elijah Wood character of the same name from the movie Sin City (2005) and the original Frank Miller graphic novel.
The film's release date was postponed because the studio wanted to convert it to 3D, despite objections from Joss Whedon and Drew Goddard. These plans were eventually scrapped, and the film was released only in 2D.
One of two films featuring Chris Hemsworth that had been filmed in 2009, but not released until 2012. The other being Red Dawn (2012).
Won five 2012 Fright Meter Awards, including Best Horror Movie, Best Director, and Best Screenplay.
Joss Whedon and Drew Goddard wrote the script in just 3 days.
Maya Massar claimed that it took 8 hours to apply her makeup for the character of Mother Buckner the first time. She noted that after the first application it still took between 4 and 6 hours to apply her makeup for each day of filming.
The entry date in the book they read from is April 4th. That is the same setting as the first chapter of the George Orwell novel "1984," also about extensive ill-intended camera surveillance.
The wolf head's tongue was made of silicone and was removable.
The film was originally scheduled for release in Australia on the 12th of July, 2012, but was pulled by its distributor, Roadshow Films, in late April. Already incensed by the delayed release, the news of canceling its cinema run altogether prompted backlash from fans who filled Roadshow's Twitter and Facebook feeds with angry hate mail calling for reconsideration.
The scene where Curt asks Jules about the textbooks, "What are you doing with these? Who gave you these? Who taught you about these?" and she answers, "I learned it from you! Okay? I learned them from watching you!" is a take-off on a 1987 Anti-Drug PSA where the father confronts his son about drug paraphernalia and gets a similar answer.


The trivia items below may give away important plot points.

Among the possible choices on the facility's betting board are the following: Werewolf, Alien Beast, Mutants, Wraiths, Zombies, Reptilius, Clowns, Witches, Sexy Witches, Demons, Hell Lord, Angry Molesting Tree, Giant Snake, Deadites, Mummy, The Bride, The Scarecrow Folk, Snowman, Dragonbat, Vampires, Dismemberment Goblins, Sugarplum Fairy, Merman, The Reanimated, Unicorn, Huron, Sasquatch/Wendigo/Yeti, Dolls, Zombie Redneck Torture Family, The Doctors, Jack O' Lantern, Giant, Twins, and Kevin.
Immediately after an early preview screening with fan Q&A, the first question Director Drew Goddard was asked was, "Will there be a sequel?" To which he responded, "Have you seen the ending to my movie?"
In the shot showing all the creatures in their elevator cells, you can briefly see a Tank, Witch, Boomer and a Hunter, four of the special infected from the Left 4 Dead (2008) game series. Their cameo was included to coincide with a planned tie-in expansion pack for the games where players would have to fight their way through the woods, cabin and facility from the movie. Unfortunately, the tie-in was canceled when MGM's financial problems hit.
Body Count: 69.
During the elevator ride scene, when Dana realizes they have chosen their own creatures to hunt them, she is looking at what appears to be a Cenobite - a creature known from literary works and films by Clive Barker. The Cenobite wears a black latex-like outfit and has multiple saw blades inserted into its skull. It also holds what is known as "Lemarchand's box" in the form of a spherical puzzle - similar to the one Kurt was trying to solve in the basement. The most famous Lemarchand's box is the Lament Configuration, which appears in Clive Barker's Hellraiser (1987) film and its sequels. The Lament Configuration serves as a gateway that summons the Pinhead along with other Cenobites from Hell, to punish those who solved the puzzle.
On the white board in the control room when the staff are taking bets on the victims potential killers, both "Deadites" as well as "Angry Molesting Tree" are listed. These are obvious references to The Evil Dead (1981) and its sequels, most of which also took place at a cabin in the woods.
Among the various possible monsters on the control room white board, one of them is just listed as "Kevin." Although Kevin is never seen, in the tie-in book The Cabin in the Woods: The Official Visual Companion co-writer Drew Goddard said that Kevin was meant to be "a sweet-looking guy who seemed like he might work at Best Buy--until he dismembers people."
During the rampage, one of the monsters that is briefly visible is a Reaver, a member of the fearsome tribe from Whedon's cult TV show Firefly (2002), although they were not clearly seen on screen until Serenity (2005).
A full 44 minutes elapses before the movie's first kill.
Just as the gods approach the surface, Dana and Marty are sitting between the monoliths of The Virgin (representing Dana) and The Fool (representing Marty).
If you look very closely when they first release all the monsters, there is a Flying Purple People Eater (as per the classic novelty song) in the upper left hand corner of the screen, near the ceiling.
In the tie-in book The Cabin in the Woods: The Official Visual Companion, Joss Whedon says that Hadley and Sitterson represent the writers of this movie, Drew Goddard and Whedon himself.
In the dialogue between Sitterson and Hadley about the Buckner family ("they are zombified backwoods idiots, but they are OUR zombified backwoods idiots") spoofs a famous quote from a 1948 Time Magazine article regarding Nicaraguan dictator Anastasio Somoza ("he might be a son of a bitch, but he is our son of a bitch").
The second Joss Whedon-Drew Goddard project featuring murderous scalp-happy Indian Spirits, the other being Buffy the Vampire Slayer: Pangs (1999). Both feature native American Indians with ceremonial Indian knives used to kill a victim which slits a victim's throat, slices off their left ear and then starts to (before cutting off-screen) scalp the deceased victim.
The security guard is named Truman, perhaps a reference to The Truman Show (1998), another film with a control room, an observed life, and a singularly trapped character.
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