The Mentalist: Season 1, Episode 11

Red John's Friends (6 Jan. 2009)

TV Episode  |  TV-14  |   |  Crime, Drama, Mystery
8.3
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Ratings: 8.3/10 from 719 users  
Reviews: 2 user

Patrick makes a deal to try and prove a convict's innocence in exchange for information about Red John.

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Title: Red John's Friends (06 Jan 2009)

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Cast

Episode complete credited cast:
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Charlotte Cornwell ...
Muriel Renfrew
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Gardner Renfrew
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Jared Renfrew
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Mariska Kopecki / Vanna Clooney
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Policeman
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Undine Kopecki
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Breck Renfrew
David Loren ...
Junior Lawyer
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SWAT Guy
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Storyline

Jared Renfrew has lost the last appeal against his conviction for the rape and murder of Undine Kopecki, the daughter of his family estate's housekeeper. Jared promises to deliver Red John to Patrick if he gets him out by proving his innocence. Jane accepts, but has to resign and the whole CBI team risks suspension to help him. Jared's brother and business 'heir', Gardner Renfrew, opposes their efforts. Red John meanwhile has infiltrated the CBI computer network and seems to stay one move ahead, however brilliantly Patrick advances. Written by KGF Vissers

Plot Summary | Plot Synopsis


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6 January 2009 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

When Jane accuses Vanna Clooney of lying about her daughters and Jareds Relationship he says: "You took your twenty Pieces of Silver", referring to the Bible where the Traitor Judas gets paid by the Priests to Sell out Jesus. Judas did in fact get thirty Pieces of Silver, not twenty. See more »

Goofs

When the bodies are found Red John's symbol is placed on the side wall. This means it is not visible unless they turn to see it after looking directly at the dead bodies. For continuity, per the The Mentalist: Pilot episode, the symbol should have been placed on the tile above them or on the door to the bathroom. This is a critical detail that does not change over the run of the series. See more »

Quotes

Virgil Minelli: Okay here it is. If you pursue this any further,I'm going to have to throw you out of the CBI. We can't take that liability. I very much do not want to have to do that!
Patrick Jane: [Clears his throat] I know you don't. So, uh, well, I'll spare you the trouble.
[Puts his card on the desk]
Patrick Jane: I quit.
Teresa Lisbon: Don't do that.
Patrick Jane: [Looking at Lisbon] No. It's okay. It's best this way. You are the Good Witch, Glinda, obviously. Thank you. I learned a lot.
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Connections

References Siskel & Ebert (1986) See more »

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User Reviews

 
I don't like faked scenes!
9 January 2009 | by (United States) – See all my reviews

Overall, I like "The Mentalist" enough to watch for a few more episodes even though it is a bit of a retread of other sleuth shows. The main character's past as a phony mentalist reformed by a tragedy is a bit pedestrian to me and the whole idea of "looking for the mysterious murderer of my wife and child" is a bit of a throwback to "The Fugitive".

That said, nothing bugs me more than having a completely fake scene.

Sometimes I see in documentaries and commercials a scene showing a fire or smokestack that is obviously a reverse of the original. A zoom out is reversed to zoom in for dramatic effect but it is obvious (at least to me) that the smoke is going down the stack or the fire is leaping toward the logs. I hate it! And, it really gets my (old) goat when the scene is static and I can see no reason (dramatic or otherwise) for it to be played backwards.

In the latest episode of "The Mentalist", the scene of the key being pulled back into the hole is actually a reverse of the key being pushed from the keyhole and lowered on the string. That means there is a hole in the plot that couldn't be resolved (they never succeeded in pulling the key back up) or the director was just too lazy (or pressed for time) to do the scene right. I think it is more likely the former meaning the whole "frame" is shot to hell.

Another point about the scene is the glaring fact that old key locks like that one can be easily picked with the key IN the lock. Therefore, it is not necessary to go to so much trouble to set the "frame".

One other scene that looks plainly wrong is the one after Jared is picked up from prison. The black SUV is shown speeding from screen left to screen right but on the wrong side of the road! For some reason, the director didn't like it going from right to left. It looks ridiculous because it gives the impression that the vehicle is in a country with right-hand drive vehicles like Great Britain.

For me, little things like this completely kill the "spell" and can collapse any suspension of disbelief on my part.

I'll keep watching "The Mentalist" for now. But, in the past, stuff like this has irritated me so much that I have stopped watching a show ("24" - which just got boring as hell after the novelty wore off) and moved on to suffer through other crud ("Lost") until the plot holes and other gaffs forced me to move on again.


4 of 61 people found this review helpful.  Was this review helpful to you?

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What would've happened janedoe33
Guest characters you would've liked to see more of packersfan100
How would you have explained Red John knowing the 7 names on Janes list? packersfan100
So about the list of Blake Association members still at large Mikielazar141
So how would you guys have done the final confrontation bill-mcdermott
Red Hair and Silver Tape barrygormley1
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