Criminal Minds: Season 4, Episode 20

Conflicted (8 Apr. 2009)

TV Episode  -   -  Crime | Drama | Mystery
8.8
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Ratings: 8.8/10 from 749 users  
Reviews: 10 user

Male college students on spring break are being raped and murdered, presumably by a man and a woman working together. The BAU are called in and suspect a shy hotel cleaner and a receptionist.

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Title: Conflicted (08 Apr 2009)

Conflicted (08 Apr 2009) on IMDb 8.8/10

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Cast

Episode cast overview, first billed only:
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Adam Jackson / Amanda
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Julie Riley
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Dr. Ticona Roberts
Natalie Marston ...
Madison Cooke (as Natalie Elizabeth Marston)
Patrick John Hurley ...
Michael Browder
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Det. Reese Evans
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Dan Keller
Brett Novek ...
Carl Cade
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Storyline

Young male college students - the type the BAU classify as the alpha male - are on spring break vacation in South Padre Island. They are being raped by another man and suffocated to death specifically at the Hudson Street Hotel. The men are found naked in a fetal position in a place where they are sure to be found quickly the in their hotel room. They are also positioned in such a way that housecleaning would have cleaned up any evidence before finding the bodies first. The victims thus far are not gay indicating that any physical act was not consensual. When the next victim is found at another hotel, the BAU believe that this is a red herring, and that the unsub may be a guest or probably an employee at the Hudson Street Hotel. They also believe, based on sexual orientation of the victims, that there are two unsubs: a submissive female who lures the victims, and a dominant male who does the raping and killing. When the BAU have the two people they believe are the perpetrators of the ... Written by Huggo

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8 April 2009 (USA)  »

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1.78 : 1
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Goofs

The hotel employee said he "grew up across the bridge in Corpus Christi." Corpus Christi is near North Padre Island but is more than 180 miles from South Padre Island where this episode takes place. See more »

Quotes

Derek Morgan: What's this really about?
Dr. Spencer Reid: Tobias Hankel.
Derek Morgan: Tobias Hankel drugged and tortured you for two days.
Dr. Spencer Reid: No, the altered persona of his father did those things to me. The real Tobias saved my life. He brought me back from the dead.
Derek Morgan: So you think because of Tobias you owe Adam?
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Sugar Boy
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Written by Richard Wolf and John Czornyj
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User Reviews

 
Secret Face
9 November 2010 | by (Finland) – See all my reviews

Six pre-existing reviews when there usually are none? Then I read them and not only did *every* one of them rate this episode a full 10/10 (meaning that in their opinion, NOTHING can be better than this, only equal at best), they also all *seem* to be written by rabid Twi-hards. And those of us who are not Twi-hards know for a *fact* that they are not the most objective people around. Evidence for the prosecution: most of the six reviews consist mostly of drooling over Jackson Rathbone (who, ironically, *is* brilliant here) than objective observations of the episode itself. Now, it may be only a matter of days before 10,000 Twi-hards answer the question "Was this review useful to you?" with a click of "No", just because they disagree with this review.

To be clear: THIS EPISODE HAS A GREAT CONCEPT AND JACKSON RATHBONE'S ACTING IS BRILLIANT HERE. The opening and closing quotes come from a refreshingly unexpected sources - and fit the episode better than most "profound" quotes in other episodes. But that does *not* mean this is as good as anything can possibly get. The main fault? Like the previous episode, this episode is also written straight into the standard Criminal Minds mold and directed according to the standard Criminal Minds mold. Yet again we are fed with formulaic lectures given to the local police and the overlays of the murder upon the BAU agents at the scene of the crime, which is completely unnecessary. Showing what happened earlier while simultaneously showing the agents explaining what happened still equals insulting the audience's intelligence.

The formulaic nature by definition means that this episode *cannot* be unexceptional. The final twist is not without antecedent nor is it presented in a completely new way. There is no real *innovation* here or re-invention of the crime procedural drama genre here, "only" a great story that could have been a 8/10, but because of the formulaic nature it's "just" 7/10 (still very good).


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