Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the king's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion...until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus, Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders - including visionary priestess Phaedra (Freida Pinto) ... Written by
When he was editing the film, director Tarsem Singh would set his action to a guide track from the TV mini-series The Pillars of the Earth (2010). He felt that that score seemed to blend in very well with his vision, so when it came to choosing a composer for Immortals (2011), Trevor Morris was the natural choice. See more »
King Hyperion's men are incorrectly referred to as "Heraklions". The city of Heraklion was founded in AD 824, 2,000 years after the movie setting. Hyperion (analogous to the classical King Minos) and his men should instead be called "Minoans", which was the culture of the time for Crete, where they are suggested to come from. Similarly, the "Hellenics" should be referred to as "Helladics", for the same reasons; "Hellenic" refers to a much later period of Greek history (323-146 BC). See more »
It's not living as such that's important, Theseus. It's living rightly.
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A bloody (and flawed) visual and action spectacle.
"The gods may be on your side, but tomorrow, I unleash the Titans."
With eternally-youthful, barely dressed gods thundering down from the heavens like golden super heroes, and really no connection to the myth of Theseus other than names and a vaguely minotaur-like enemy, Immortals plays fast and loose with Greek mythology. But in some ways, it works.
The battle scenes are bloody and well-staged (and obviously influenced by 300), but the movie would have been improved by making them more frequent. This is a dark, violent flick and it's easily at its best when carnage covers the screen.
The story serves, but it's pretty forgettable. Theseus, a peasant unknowingly trained in battle by Zeus himself, must stand against a vicious king who the gods are unable to touch and keep him from releasing the dreaded Titans. I don't predict many awards for best screenplay in Immortals' future, but there's enough story to keep the characters moving and motivated, as long as you don't think about it too hard.
Despite the influence of 300 in the heavy use of slow-motion in the action scenes, Immortals has its own look and tone that helps it stand apart. Both the sets and the characters are visually memorable, and the movie never sinks to the generically dull depths of the recent Clash of the Titans remake, even during its slower moments.
Immortals never really rises above "decent", and won't topple 300 as the recent king of the genre, but it does manage to have an exciting, epic feel to it and it's entertaining enough to be worth a watch for fans of blood-soaked sword and sandals flicks. In the end it boils down to a bombastic orgy of killing with little substance behind it, but hey, that's actually kind of alright with me.
Oh, and if you're somehow unfamiliar with how exquisitely gorgeous Freida Pinto is, prepare to have your eyes opened. In a movie full of beautiful people, she still stands out.
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