Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the king's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion...until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus, Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders - including visionary priestess Phaedra (Freida Pinto) ... Written by
The filmmakers stated that they chose to change many aspects of the ancient Greek stories to reflect the fact that the Greeks themselves often revised their mythology to conform to new ideas and knowledge. One aspect of this film, which is specifically addressed in the special features, is having Zeus and Poseidon appear as young men rather than old men. See more »
Although the opening text places the movie in 1228 BC, there are numerous examples of weaponry, fashion, architecture, plumbing, design, etc., from much later time periods. It should be remembered that this movie is about fantasy, not history, so there is no attempt to recreate a specific time period accurately. The filmmakers stated that they based the look of the film on Renaissance painting styles. As long as the technologies and designs in the movie are something that existed by the 16th century, and therefore artists of that time could have conceived of it, they get a free pass and are not regarded as goofs. See more »
Stand your ground! Fight for honor! Fight for the man beside you! Fight for those who bore you! Fight for your children! Fight for your future! Fight for your name to survive! Fight! For immortality!
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It's too obvious to compare Immortals to 300 since it has the same producer and the sky and slow-mo violence are also in it. But for me, don't get me wrong, it's like Tron Legacy. It wastes a lot of good merits. Even the tone is great. It's great for a blockbuster epic. The visuals, production designs, and the costumes are fascinating but it lacks a better plot. Tarsem Singh isn't quite much of a storyteller. He only makes his costumes look fascinating. It could be entertaining and fun but it feels unsatisfying.
Let's start with the performances, Henry Cavill hams it up when he's yelling but it's good when he's not. His fighting is pretty good though. Stephen Dorff could have been a good back up if he's not underused. Mickey Rourke is always a threatening villain. Frieda Pinto plays another pointless role in a blockbuster film. The best goes to the gods. Luke Evans and Isabel Lucas are both soulful to their roles. Evans should've gotten more screen time though. Nothing goes wrong with John Hurt. He's a pro.
The visuals are undeniably great. The costumes are truly fascinating. Especially the ones where the Virgin Oracle was introduced to Theseus and the other slaves. The action is impressive. Fanboys may love it for the non-stop violence and exploding heads. Some people may call the CGI inferior but it's actually not. It's probably unique and not headache big unlike the rest of the blockbusters out there with too much CGI.
Since the filmmaking is solid, the storytelling limits the fascination. The characters doesn't do anything necessary to the story until the end. It's disappointing. With all the decent narration in the beginning and a great tone. The gods doesn't showed that much. But what's more disappointing is the fight of the Minotaur is like it's just another fight sequence. He got the bow there but the fight seems just nothing. The film could have been better if the director was more interested with Greek Mythology.
People who liked 300 or any gory violent film may still find this ridiculously entertaining and fun. I gotta admit, this is pretty awesome but the storytelling is just too disappointing to make this good. If this movie has another director who can make the slow moments better and Singh makes the visuals, violence and costumes, the film might work better. Greek Mythology fans will definitely be disappointed but if you are in for some non-stop gore, exploding heads, throat slashing, decapitations, then this film is just for you. Better than Clash of the Titans.
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