Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the king's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion...until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus, Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders - including visionary priestess Phaedra (Freida Pinto) ... Written by
Henry Cavill refused all assistance from the make-up and VFX departments to achieve his eight-pack for the movie. He told them, "I do not want you to draw abs on me." Cavill said it was "a pride thing" for him and he "actually wanted to have that body for real and show it in the film." See more »
Although the opening text places the movie in 1228 BC, there are numerous examples of weaponry, fashion, architecture, plumbing, design, etc., from much later time periods. It should be remembered that this movie is about fantasy, not history, so there is no attempt to recreate a specific time period accurately. The filmmakers stated that they based the look of the film on Renaissance painting styles. As long as the technologies and designs in the movie are something that existed by the 16th century, and therefore artists of that time could have conceived of it, they get a free pass and are not regarded as goofs. See more »
Good to see you're still alive. Worried that cow had gotten the best of you.
It almost did. She saved my life.
Looks like she did more than that.
[Looks down embarrassed]
Just 'cause you have that bow doesn't mean I'm going to treat you any differently.
Good. We march to the monastery.
[Turns and starts walking away]
We have a war to fight.
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I had been looking forward to this one since I saw the first trailer ages ago. It really showed some moments of awesome, and it had the potential of being 300-2. However, I was a little disappointed with the pacing (a bit too slow in my opinion) and I was surprised that I wasn't surprised about the ending (if that makes any sense?). Special detail was paid to the aesthetics, with interesting compositions and scene transitions, which is always glad to look at. It has one of the best speeches pre-war that I can remember (you could see that one from the trailer, although it's better on the film), and some scenes have been improved since the trailer (the break-rock-and-unclick-apart effect doesn't exist anymore, and it's now a much better scene). Anyway, it's worth a watch, but it's not the homecoming of the second resurrection of the Greek Gods. Oh, and definitely better than Clash of the Titans.
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