Transported to Barsoom, a Civil War vet discovers a barren planet seemingly inhabited by 12-foot tall barbarians. Finding himself prisoner of these creatures, he escapes, only to encounter Woola and a princess in desperate need of a savior.
The son of a virtual world designer goes looking for his father and ends up inside the digital world that his father designed. He meets his father's corrupted creation and a unique ally who was born inside the digital world.
Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares. Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the king's hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man's conflict. They remain powerless to stop Hyperion...until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus, Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders - including visionary priestess Phaedra (Freida Pinto) ... Written by
Henry Cavill noted that there was a healthy competition on set among all the male actors, as all of them had to appear shirtless and all wanted to look their best in front of the camera. He said that they would have friendly "best abs contests" to determine "who had the best abs." Co-star Luke Evans said that Henry Cavill was definitely the one to beat. See more »
At the end when Zeus holds Athena in his hands and they fly out the temple, two lights can be seen leaving the place. That couldn't happen if he was holding her. See more »
It's not living as such that's important, Theseus. It's living rightly.
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I wasn't expecting much. Really. I was prepared for the raping and gutting of the Greek mythology, and I got what I expected in spades. I was prepared for the total of lack of a consistent, comprehensible plot, and the movie didn't let me down. I was prepared for poor acting
check! I was prepared for all kinds of anachronisms - they were all
there! The story of Hyperion trying to wreak his vengeance on the gods (thank you, IMDb reviewers, you helped me understand what the hell he was actually driving at with all this running around and butchery) and the story of Theseus achieving his hero's status are intertwined in a manner worthy of a five-year-old composing a story with nothing better to do; there are not many logical links between scenes and events and no smooth unfolding of a story in general. This is what makes it so excruciatingly boring. However, as I said, for all that I was prepared.
But I expected visuals, because I still remember the Cell, more than ten years since, and in that film, the visuals made up for the absence of a story, they were a story in themselves, and they evoked if not rational, then at least emotional response. In this film, I thought the visuals were boring, monotonous, and borderline ridiculous.
To top it off, the characters' sensibilities are thoroughly modern (Sybilla actually talks about changeable future! About free will! Ye gods!). Then suddenly, almost at the end of the film, Theseus says something that could only be said by an ancient. I will not say what it is for that would mean spoiling it for those who haven't yet wasted their time on this piece of boring entertainment, but this unexpected bit of authenticity doesn't even come near redeeming what has passed before.
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