In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind. His ex-partner, learning of the plan, places a massive bounty on his head as the race begins..
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
A slave-turned-gladiator finds himself in a race against time to save his true love, who has been betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts, he must fight to save his beloved as Pompeii crumbles around him.
After its victory over Leonidas' 300, the Persian Army under the command of Xerxes marches towards the major Greek city-states. The Democratic city of Athens, first on the path of Xerxes' army, bases its strength on its fleet, led by admiral Themistocles. Themistocles is forced to an unwilling alliance with the traditional rival of Athens, oligarchic Sparta whose might lies with its superior infantry troops. But Xerxes still reigns supreme in numbers over sea and land. Written by
Because of the complicated effects involved in making Xerxes a 10 foot giant, Rodrigo Santoro filmed almost all of his scenes alone in a green-screen room and had little/no interaction with the rest of the cast. He said it was difficult but he got used to it as he had also done it on the first film. See more »
Darius I of Persia, father of Xerxes I died of health issues in October 486 BC, four years after the battle of Marathon in 490 BC. He was not killed by Themistocles shooting an arrow 1000ft onto a moving ship. See more »
Nothing will stop the march of my empire!
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The Warner Bros and Legendary Pictures logos are seen on doors that open up to reveal the mural of Leonides and the 300 Spartans. See more »
As the credits began to roll, i sat for a moment, allowing it all to sink in. Had i just witnessed the most disappointing sequel ever? I had not felt this disheartened by a sequel since "The Matrix: Reloaded" Like "The Matrix", "300" for me was excellent; groundbreaking. Fresh and original. And then instead of leaving it as is, they decide to bring in the cash cow and milk it dry. I loved "300"; the action was engrossing, the story was compelling, it was an instant classic. And i never wanted to hear the announcement of an unnecessary sequel. My gut churned when i heard it. But i never thought in my worst nightmares that it would be as bad as it was. The trailer baits you in, with what seemed a promising plot. And left intrigue. By the end of the film it is clear that it was nothing more than a cheap ruse.
The film is all over the place. All this films does is take everything that made the first film great and urinate all over it. The slow motion kills are done to death....within the first 10 minutes. It contained more speeches than the Oscars. It was like a game of battleships (though i would replace the p with a more appropriate t). And between the over the top action sequences they would stand like Hercules and pose..constantly. Then there's the blood......In what can only be described as small versions of The Smoke from "Lost". Maybe done to cater to 3D, but from the very first kill it was so idiotic and made it look extremely cheap. Some of the scenes are atrociously acted. Was sometimes like they where reading their lines from a placard.
The big problem with the film is that is so evident, from the announcement it was to be made, that it was going to try and ride the coat tails of the first film. Cling on for dear life to the actual 300, to the success of the first film. And it showed. It was like "Bourne Legacy" trying to stand on its own without Jason Bourne. If it was its own film it would be one of the worst films ever. But they have the ability to constantly reference Leonidas, even, in a sign of desperation, show Leonidas on several occasions. At one point Themistokles seeks him out. But instead talks to everyone else in Sparta apart from Leonidas. Pointless one would say.
The film lacks the passion, the originality and the spirit from the first film. And yet again another moneymaker that chooses to replace those characteristics with an overexposure of mimicking and a soul-less display of film making.
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