Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
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After its victory over Leonidas' 300, the Persian Army under the command of Xerxes marches towards the major Greek city-states. The Democratic city of Athens, first on the path of Xerxes' army, bases its strength on its fleet, led by admiral Themistocles. Themistocles is forced to an unwilling alliance with the traditional rival of Athens, oligarchic Sparta whose might lies with its superior infantry troops. But Xerxes still reigns supreme in numbers over sea and land. Written by
The original script featured King Leonidas from 300 (2006), but he was ultimately cut out. This was due to Gerard Butler, who turned down to reprise his role as Leonidas, since it "wasn't really [his] thing". See more »
Extra wearing what appears to be white tennis shoes as she prepares food(?) when Queen Gorgo and Themistocles first meet. She's an older lady with her skirt gathered in one hand at the back wall. See more »
It's a curious thing for a simple ship guard... to not lower his eyes when questioned by me. That could've been just a lack of discipline.
[Grabs His Hands]
But a man's hands do not lie. They can reveal every imperfection and flaw in his character. You see, your hands are not rough enough to work the rigging of this ship. I know every single man beneath my lash. Can you explain to me how I don't know you?
Forgive me, Commander. Let me introduce myself.
[...] See more »
The Warner Bros and Legendary Pictures logos are seen on doors that open up to reveal the mural of Leonides and the 300 Spartans. See more »
As the credits began to roll, i sat for a moment, allowing it all to sink in. Had i just witnessed the most disappointing sequel ever? I had not felt this disheartened by a sequel since "The Matrix: Reloaded" Like "The Matrix", "300" for me was excellent; groundbreaking. Fresh and original. And then instead of leaving it as is, they decide to bring in the cash cow and milk it dry. I loved "300"; the action was engrossing, the story was compelling, it was an instant classic. And i never wanted to hear the announcement of an unnecessary sequel. My gut churned when i heard it. But i never thought in my worst nightmares that it would be as bad as it was. The trailer baits you in, with what seemed a promising plot. And left intrigue. By the end of the film it is clear that it was nothing more than a cheap ruse.
The film is all over the place. All this films does is take everything that made the first film great and urinate all over it. The slow motion kills are done to death....within the first 10 minutes. It contained more speeches than the Oscars. It was like a game of battleships (though i would replace the p with a more appropriate t). And between the over the top action sequences they would stand like Hercules and pose..constantly. Then there's the blood......In what can only be described as small versions of The Smoke from "Lost". Maybe done to cater to 3D, but from the very first kill it was so idiotic and made it look extremely cheap. Some of the scenes are atrociously acted. Was sometimes like they where reading their lines from a placard.
The big problem with the film is that is so evident, from the announcement it was to be made, that it was going to try and ride the coat tails of the first film. Cling on for dear life to the actual 300, to the success of the first film. And it showed. It was like "Bourne Legacy" trying to stand on its own without Jason Bourne. If it was its own film it would be one of the worst films ever. But they have the ability to constantly reference Leonidas, even, in a sign of desperation, show Leonidas on several occasions. At one point Themistokles seeks him out. But instead talks to everyone else in Sparta apart from Leonidas. Pointless one would say.
The film lacks the passion, the originality and the spirit from the first film. And yet again another moneymaker that chooses to replace those characteristics with an overexposure of mimicking and a soul-less display of film making.
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