Having endured his legendary twelve labors, Hercules, the Greek demigod, has his life as a sword-for-hire tested when the King of Thrace and his daughter seek his aid in defeating a tyrannical warlord.
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
As his kingdom is being threatened by the Turks, young prince Vlad Tepes must become a monster feared by his own people in order to obtain the power needed to protect his own family, and the families of his kingdom.
Autobots must escape sight from a bounty hunter who has taken control of the human serendipity: Unexpectedly, Optimus Prime and his remaining gang turn to a mechanic (Mark Wahlberg), his daughter (Nicola Peltz), and her back street racing boyfriend (Jack Reynor) for help.
After its victory over Leonidas' 300, the Persian Army under the command of Xerxes marches towards the major Greek city-states. The Democratic city of Athens, first on the path of Xerxes' army, bases its strength on its fleet, led by admiral Themistocles. Themistocles is forced to an unwilling alliance with the traditional rival of Athens, oligarchic Sparta whose might lies with its superior infantry troops. But Xerxes still reigns supreme in numbers over sea and land. Written by
Gym Jones, who burst into the spotlight for the physical training they provided to the male actors in 300 (2006) were again employed to train the cast for the sequel. They trained the cast before filming began and also throughout filming so that the cast could attain and maintain the physical shape required for their roles. The return of Gym Jones for the sequel was due to their long standing relationship with Zack Snyder who wrote and produced the sequel. See more »
(at around 19 mins) Extra wearing what appears to be white tennis shoes as she prepares food(?) when Queen Gorgo and Themistocles first meet. She's an older lady with her skirt gathered in one hand at the back wall. See more »
[at sword-point standoff with Artemisia]
I would rather die free than live as a slave.
Even if I was attached to you by chain.
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The Warner Bros and Legendary Pictures logos are seen on doors that open up to reveal the mural of Leonides and the 300 Spartans. See more »
As the credits began to roll, i sat for a moment, allowing it all to sink in. Had i just witnessed the most disappointing sequel ever? I had not felt this disheartened by a sequel since "The Matrix: Reloaded" Like "The Matrix", "300" for me was excellent; groundbreaking. Fresh and original. And then instead of leaving it as is, they decide to bring in the cash cow and milk it dry. I loved "300"; the action was engrossing, the story was compelling, it was an instant classic. And i never wanted to hear the announcement of an unnecessary sequel. My gut churned when i heard it. But i never thought in my worst nightmares that it would be as bad as it was. The trailer baits you in, with what seemed a promising plot. And left intrigue. By the end of the film it is clear that it was nothing more than a cheap ruse.
The film is all over the place. All this films does is take everything that made the first film great and urinate all over it. The slow motion kills are done to death....within the first 10 minutes. It contained more speeches than the Oscars. It was like a game of battleships (though i would replace the p with a more appropriate t). And between the over the top action sequences they would stand like Hercules and pose..constantly. Then there's the blood......In what can only be described as small versions of The Smoke from "Lost". Maybe done to cater to 3D, but from the very first kill it was so idiotic and made it look extremely cheap. Some of the scenes are atrociously acted. Was sometimes like they where reading their lines from a placard.
The big problem with the film is that is so evident, from the announcement it was to be made, that it was going to try and ride the coat tails of the first film. Cling on for dear life to the actual 300, to the success of the first film. And it showed. It was like "Bourne Legacy" trying to stand on its own without Jason Bourne. If it was its own film it would be one of the worst films ever. But they have the ability to constantly reference Leonidas, even, in a sign of desperation, show Leonidas on several occasions. At one point Themistokles seeks him out. But instead talks to everyone else in Sparta apart from Leonidas. Pointless one would say.
The film lacks the passion, the originality and the spirit from the first film. And yet again another moneymaker that chooses to replace those characteristics with an overexposure of mimicking and a soul-less display of film making.
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