| Photos (See all 26 | slideshow) |
| Jeffrey Azize | ... | Himself | |
| Clifford Azize | ... | Himself | |
| Michael Campo | ... | Himself | |
| Matthew Sanchez | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Franklin Ojeda Smith | ... | Commentator | |
Directed by | |||
| Charles Kinnane | |||
Writing credits(in alphabetical order) | ||
| Michael Campo | writer | |
Produced by | |||
| Clifford Azize | .... | associate producer | |
| Joseph Campo | .... | producer | |
| Michael Campo | .... | associate producer | |
Original Music by | |||
| Thomas Bergersen | |||
Film Editing by | |||
| Clifford Azize | (film segments) | ||
| Charles Kinnane | |||
Production Design by | |||
| Simon Fung | |||
Art Direction by | |||
| Simon Fung | |||
| Jeffrey Ptaszynski | |||
Production Management | |||
| Joseph Campo | .... | production manager | |
| Charles Kinnane | .... | post-production supervisor | |
Sound Department | |||
| Clifford Azize | .... | foley artist | |
| Harry Barber | .... | sound re-recording mixer | |
| Daniel Brennan | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Joseph Campo | .... | assistant camera | |
| Charles Kinnane | .... | camera operator | |
Editorial Department | |||
| Adam Greenberg | .... | assistant online editor | |
| Mishel Hassidim | .... | lead colorist | |
Music Department | |||
| Petr Pololanik | .... | conductor | |
| Petr Pololanik | .... | orchestra contractor | |
| Nic. tenBroek | .... | composer: additional music | |
Transportation Department | |||
| José Natividad | .... | driver | |
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| Regret to Inform | King Kong | The Darjeeling Limited | Blow-Up | Brother Bear |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I first saw The Human Experience in April 2009 at Penn State University. One of the things that first drew me to the film was the beautiful soundtrack by composer Thomas Bergersen, which I heard on the website. The Human Experience has a lot to offer, both in terms of aesthetics and in terms of content. The cinematography was lush and vivid, transporting the audience to the places that Jeff, Michael, and their friends visit during the film. I was particularly intrigued by the interview segments where various individuals shared their thoughts about the meaning of life. These moments of reflection provided an opportunity for viewers to ponder the question themselves. The plot is also an interesting one, where four refreshingly sincere people set off to "experience" a day in someone else's shoes, expecting no gain except a deeper understanding of human life. Documentary films can often be preachy, one-note; sacrificing the conventions of storytelling to drive a particular message. The Human Experience tells a great story AND has a great message. For someone who tends to watch fiction-narrative most of the time, I found this documentary film to be very engaging and interesting. I would definitely recommend it, both to aspiring filmmakers, humanitarians, and anyone who wants to learn more about the world, its people, and the value of life.