| Photos (See all 61 | slideshow) | Videos (see all 15) |
Directed by | |||
| George Gallo | |||
Writing credits(WGA) | ||
| George Gallo | (written by) & | |
| Andy Weiss | (written by) | |
Produced by | |||
| Nate Blonde | .... | co-producer | |
| Daniel S. Frisch | .... | co-executive producer | |
| Christopher Mallick | .... | producer | |
| William Sherak | .... | producer | |
| Jason Shuman | .... | producer | |
| Shaliza Somani | .... | co-executive producer | |
| Andy Weiss | .... | co-executive producer | |
| Michael Weiss | .... | producer | |
Original Music by | |||
| Brian Tyler | |||
Cinematography by | |||
| Lukas Ettlin | |||
Film Editing by | |||
| Malcolm Campbell | |||
Casting by | |||
| Nancy Nayor | |||
Production Design by | |||
| Bob Ziembicki | |||
Art Direction by | |||
| Douglas Cumming | |||
Set Decoration by | |||
| Bob Kensinger | |||
Costume Design by | |||
| Sharen Davis | |||
Makeup Department | |||
| Valerie Badalian | .... | additional makeup artist | |
| Claudia Breckenridge | .... | hair department head | |
| Katherine Distefano | .... | makeup artist: Las Vegas unit | |
| Robyn Goldman | .... | hair stylist: Las Vegas unit | |
| Katherine James | .... | makeup department head | |
| Loretta James-Demasi | .... | key makeup artist | |
| Jim Sacca | .... | makeup artist: Las Vegas | |
| Debra Schrey | .... | makeup artist | |
| Henry Soyos | .... | key hair stylist | |
| Collette Tolen | .... | key hair stylist | |
Production Management | |||
| Robert Hackl | .... | post-production supervisor | |
| Robert M. Rolsky | .... | unit production manager | |
Art Department | |||
| Mark Borg | .... | prop maker | |
| Craig Cheply | .... | lead scenic | |
| Darrin Clubb | .... | foreman | |
| Toby Cook | .... | prop maker | |
| Mark Stephen Dickerson | .... | scenic | |
| Bill Garber | .... | set dresser | |
| Phil Gellego | .... | labor foreman | |
| Chris Haecker | .... | assistant: craft service: Las Vegas unit | |
| Kenneth Heimer | .... | propmaker | |
| Shannon Helliker | .... | art department assistant | |
| Bill Holmquist | .... | construction coordinator | |
| Larry D. Koszakovszky | .... | on-set dresser | |
| Thierry Labbe | .... | leadman | |
| Valerie Macias | .... | scenic | |
| Carlos Martinez | .... | set dresser | |
| Reimar Montgomery | .... | scenic | |
| Keith Mosca | .... | property master | |
| Dave Peck | .... | general foreman | |
| Kris Pothier | .... | set dressing buyer | |
| Jonathan M.J. Ryan | .... | prop assistant | |
| Jere Sallee | .... | set dresser | |
| Zack Shisslak | .... | set dresser | |
| Marc Siegel | .... | art department coordinator | |
| John A. Stewart Jr. | .... | assistant property master | |
| Scott Stravitz | .... | construction medic | |
| Richard Till | .... | greensman | |
| Jim Warren | .... | set dresser | |
Sound Department | |||
| Rob Ainsley | .... | dialogue editor | |
| Steve Baine | .... | foley artist | |
| Tom Bjelic | .... | sound editor | |
| Josh Chavez | .... | utility sound | |
| Keith Elliott | .... | sound re-recording mixer | |
| Allan Fung | .... | supervising sound editor | |
| Mark Gingras | .... | supervising sound editor | |
| Jamie Gould | .... | re-recording assistant | |
| Katie Halliday | .... | sound editor | |
| Kate Jesse | .... | boom operator | |
| Michael B. Koff | .... | sound mixer | |
| Peter Persaud | .... | foley recordist | |
| Trevor Pickard | .... | scan/record operators | |
| James Robb | .... | assistant sound editor | |
| Brad Thornton | .... | sound re-recording mixer | |
| Mark Zsifkovits | .... | re-recording mixer | |
| Ron Bedrosian | .... | ADR mixer: Todd AO, Hollywood (uncredited) | |
| Rob Hutchins | .... | temp dialogue editor (uncredited) | |
| Doug Latislaw | .... | ADR mixer: Monkeyland, Burbank (uncredited) | |
Special Effects by | |||
| Quin Davis | .... | special effects assistant | |
| Dennis Dion | .... | special effects technician | |
| Jake Jaeger | .... | special effects technician | |
| Jim Jaeger | .... | key special effects technician | |
| Cortney McLeod | .... | special effects technician | |
| Edward T. Reiff Jr. | .... | special effects technician (as Ed Reiff) | |
| Michael Schorr | .... | special effects technician | |
| Cory R. Starr | .... | special effects coordinator | |
| John Stewart | .... | special effects technician | |
Visual Effects by | |||
| Nathan Eaans | .... | visual effects | |
| Pietro Gallo | .... | digital opticals | |
| Robert Hackl | .... | visual effects producer | |
| David Harrisson | .... | 24 frame playback operator | |
| Roger Mocenigo | .... | digital artist | |
| Eric Myles | .... | digital opticals | |
| Chris Wallace | .... | digital intermediate colourist | |
| Motassem Younes | .... | digital opticals | |
Stunts | |||
| Kaily Alissano | .... | stunt player | |
| Gary Baxley | .... | stunts | |
| Eddie Braun | .... | stunt driver | |
| John Dixon | .... | stunt double | |
| Jessie Graff | .... | stunt double | |
| Hubie Kerns Jr. | .... | stunt driver | |
| Tony Lazzara | .... | stunt driver | |
| Ed McDermott II | .... | precision driver | |
| Conrad E. Palmisano | .... | stunt coordinator | |
| Jimmy N. Roberts | .... | stunt double | |
| Pat Romano | .... | stunt driver | |
| Courtney Schwartz | .... | stunt coordinator | |
| Courtney Schwartz | .... | stunt double: Melissa Bustamante | |
| Rick Seaman | .... | stunts | |
| Cory R. Starr | .... | stunt rigger | |
| Ronn Surels | .... | stunt double | |
Casting Department | |||
| Chris Bowe | .... | casting associate: Arizona | |
| Joshua Erwin | .... | extras casting assistant: Arizona | |
| Julie Goldman | .... | extras casting: Las Vegas unit | |
| Faith Hibbs-Clark | .... | head of local casting | |
| Christina Oh | .... | extras casting assistant | |
| Jeff Olan | .... | extras casting: L.A. unit | |
| Elizabeth Shoai | .... | casting associate: Los Angeles | |
Costume and Wardrobe Department | |||
| Gina G. Aller | .... | costume supervisor | |
| Darek Beeman | .... | tailor | |
| Leoisick Castro | .... | set costumer | |
| Tiffe Fermaint | .... | costume assistant | |
| Marylou Lim | .... | key set costumer | |
| Paula Rogers | .... | assistant designer/buyer | |
| Melanie Hocking | .... | costumer (uncredited) | |
Editorial Department | |||
| Peter Armstrong | .... | digital intermediate producer | |
| James A. Brewer | .... | first assistant editor | |
| Lee Hughes | .... | digital intermediate project manager | |
| Tom Mayclim | .... | digital intermediate scanner and recorder | |
| Cam McLauchlin | .... | digitial intermediate editor | |
| Dave Muscat | .... | digital intermediate editor | |
| Joe Nava | .... | editorial assistant | |
| Mark Reaser | .... | hd mastering | |
| Gilbert Carreras | .... | color timer (uncredited) | |
Music Department | |||
| Rob Bertola | .... | music editor | |
| Jeanne Fay | .... | music clearance | |
| Tricia Holloway | .... | music supervisor | |
| Tricia Holloway | .... | soundtrack album producer | |
| Pakk Hui | .... | assistant to composer | |
| Pakk Hui | .... | orchestrator | |
| Joe Lisanti | .... | music editor | |
| Keith Power | .... | composer: additional music | |
| Sam Zeines | .... | music editor: temp | |
Transportation Department | |||
| Frank Askin | .... | driver | |
| David R. Blakely | .... | driver | |
| Wes Bloom | .... | driver | |
| Daren Bojarski | .... | driver | |
| Mychael Dylan Brenk | .... | driver: cast | |
| William Carter | .... | driver: Las Vegas unit | |
| Kelly Joe Dugan | .... | driver: Las Vegas unit | |
| Tim Edwards | .... | driver | |
| Everett Everett | .... | driver: Las Vegas unit | |
| John Fearn Jr. | .... | driver | |
| James Grant | .... | driver | |
| Curt Michael Grooms | .... | driver | |
| Darryl Hayes | .... | driver | |
| C.J. Izzo | .... | driver: cast | |
| Mark A. James | .... | transportation coordinator | |
| Scott Jimerson | .... | driver: Las Vegas unit | |
| Kenny Mason | .... | driver | |
| Ernest Simon | .... | driver | |
| Stanley Simon | .... | driver | |
| Leslie Slaughter | .... | driver: Las Vegas unit | |
| Leonard Suppes | .... | driver | |
| Joseph Taggert | .... | driver: Las Vegas unit | |
| Carl Thompson | .... | driver | |
| Sean Walby | .... | driver | |
| Randall Wolff | .... | driver | |
| Rodd Wolff | .... | driver | |
| Roger Wooge | .... | driver | |
| Michael Young | .... | transportation captain | |
Other crew | |||
| Chris Anastas | .... | set production assistant | |
| David M. Atkinson | .... | payroll accountant | |
| Christy Taylor Barnes | .... | corporate affairs coordinator (as Christy Taylor) | |
| Jason Booth | .... | key set production assistant | |
| Mychael Dylan Brenk | .... | location assistant | |
| Briana Burke | .... | location consultant | |
| William 'Bill' Connor | .... | stand-in: graham mctavish | |
| Jen Corns | .... | assistant: Luke Wilson | |
| Robert W. Davis | .... | assistant production coordinator | |
| Kenny Dellinger | .... | set production assistant: L.A. unit | |
| Cynthia Dominguez | .... | executive assistant: Mr. Mallick | |
| Jaron Druyon | .... | stand-in | |
| Marchesa Favara | .... | assistant: Mr. Mallick | |
| David Giere | .... | set medic | |
| Charles Girgis | .... | executive assistant: Mr. Mallick | |
| Dan Hanks | .... | technical advisor | |
| Denton Hanna | .... | location manager | |
| Sheradan Hartman | .... | stand-in | |
| Timothy P. Haskins | .... | location coordinator | |
| Mariah Breitel Hembree | .... | post script services (as Mariah Breitel) | |
| Kathleen Holland | .... | animal trainer | |
| Sean Humphrey | .... | location intern | |
| Sean R. Jackson | .... | production assistant | |
| Pamela Jaeckle | .... | production coordinator | |
| Felicia Jaffe | .... | studio teacher | |
| Zachary Junt | .... | production assistant | |
| Beverly Jusi | .... | assistant production accountant | |
| Lindsey Kaiser | .... | executive assistant to producers | |
| Lesley Kamarad | .... | internet marketing | |
| Krisily Kennedy | .... | assistant: Mr. Mallick | |
| Ken Kern | .... | production secretary: L.A. unit | |
| Matt Kyhn | .... | production assistant | |
| Stacey Lindsay | .... | assistant: James Caan | |
| Nakoma Litahní | .... | set production assistant (as Nakoma Jackson) | |
| Maeve Mannion | .... | production accountant | |
| Melissa Maus | .... | accounting clerk | |
| Travis McAfee | .... | set production assistant | |
| Travis Alan McAfee | .... | background production assistant | |
| Nick McBee | .... | office production assistant | |
| Steven McRunels | .... | set physician (as Dr. Steven McRunels) | |
| Gina Meredith | .... | set medic: Las Vegas unit | |
| Brendan Moriarty | .... | assistant: Karen O'Toole | |
| Joe Mundo | .... | location assistant | |
| Jimmy Murphy | .... | assistant: producer | |
| Jeffrey Keith Negus | .... | key set production assistant pickups | |
| Will Novak | .... | office production assistant | |
| Brian O'Dell | .... | craft service: L.A. unit | |
| Karen O'Toole | .... | production coordinator | |
| Kim Plate | .... | dust busting | |
| Joshua Posner | .... | assistant: Mr. Gallo | |
| Thomas J. Post | .... | stand-in: Gabriel Macht | |
| Cherie Raeth | .... | stand-in | |
| Cris Rankin | .... | animal wrangler | |
| Cris Rankin | .... | animal trainer | |
| Jason Sallee | .... | key assistant location manager | |
| Tom Schaus | .... | helicopter pilot | |
| Kathryn Schwarz | .... | assistant: producers | |
| Gary W. Shaw | .... | goat wrangler | |
| Gabe Simpson | .... | set production assistant | |
| Billy Sorrentino | .... | business development | |
| Billy Sorrentino | .... | internet marketing | |
| Joshua D. Stevens | .... | office production assistant | |
| Cid Swank | .... | unit publicist | |
| Mike Tank | .... | location assistant | |
| Mike Tank | .... | location scout | |
| Vincent Vescio | .... | accounting assistant | |
| Stephanie Meredith Weyant | .... | set production assistant | |
| Jeremy Woodson | .... | stand-in | |
| Elaine Yarish | .... | script supervisor | |
| Eddie Boehm | .... | stand-in (uncredited) | |
| Greg Haines | .... | stand-in (uncredited) | |
| Curtis Joe Walker | .... | stand-in (uncredited) | |
Thanks | |||
| Stacee Coleman | .... | special thanks | |
| Valentino Crespo | .... | special thanks | |
| Vanilla DeVille | .... | special thanks | |
| Eric Kalver | .... | special thanks: music | |
| Joe Rangel | .... | special thanks | |
| Tiffany Selby | .... | special thanks | |
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| The Dark Knight | Takers | The Salton Sea | The Departed | The Professional: Golgo 13 |
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| Full cast and crew | Company credits | External reviews |
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I didn't really know what I was getting into when I decided to watch Middle Men. It turned out it was a bittersweet experience of a story that could've really been better, with a leading man that portrays a mesmerizing central figure and holds this loose tale together.
This crime/drama/comedy deals with the beginnings of the internet porn business, a subject of some interest as are most things innovative. Basically, two wild cards have this great idea and they need a man to run it for them in a mix with Russian flavor, crooked lawyers and national sympathy. Luke Wilson portrays the honorable "middle man" Jack Harris, whose inner conflict is really the main attraction here. It may not be something fundamentally new, this rift between morality and anything morally debatable like porn, nor the character type, but in a world that has lost all balance, Jack Harris is the sober rock that it revolves around. Yet, the glamor is not being denied, the things that drive you one way or the other, and thanks to Luke Wilson's performance it gives you something to hold on to.
Unfortunately, the film is mostly flimsy otherwise, despite the considerable (and generally underused) talents of Giovanni Ribisi being added to familiar faces such as James Caan, Kevin Pollack, Terry Crews and Rade Serbedzija. A quite genuine example of typecasting, now that I think of it. I'm sure a more experienced director (not only age-wise) would've lent a much firmer, grittier feeling to the movie, which is too explanatory when it need not be and too safe when it should go all out. Somehow it reminded me of Herzog's remake of The Bad Lieutenant, in the sense that that film went overboard in ludicrous ways, but knowing its condition helped it attain a consistent degree of entertainment.
So I come to conclude that Middle Men does not quite know what it wants to be and that's a drawback. However, there are still some good moments in the film that complement Luke Wilson's performance, even beyond the subject at hand. Overall, it's just enjoyable enough for me to recommend it, for whatever that's worth.