| Edward Hogg | ... | Stephen | |
| Simon Farnaby | ... | Bunny | |
| Verónica Echegui | ... | Eloisa | |
| Richard Ayoade | ... | Museum Curator | |
| Julian Barratt | ... | Atilla | |
| Noel Fielding | ... | Javier | |
| Sylvia Syms | ... | Hotelier | |
| James Fox | ... | Narrator | |
| Rich Fulcher | ... | Captain Crab (voice) | |
| Gus Brown | ... | Horse Race Commentator | |
| Madeleine Worrall | ... | Melanie | |
| rest of cast listed alphabetically: | |||
| Stephen Foster-hunt | ... | Fairground worker | |
| Waleed Khalid | ... | Ray (uncredited) | |
| George Newton | ... | Polish resturant manager (uncredited) | |
| Margaret Wheldon | ... | Tourist (uncredited) | |
Directed by | |||
| Paul King | |||
Writing credits(in alphabetical order) | ||
| Paul King | screenplay | |
Produced by | |||
| Mary Burke | .... | producer | |
| Robin Gutch | .... | producer | |
| Hugo Heppell | .... | executive producer | |
| Mark Herbert | .... | producer | |
| Jane Hooks | .... | line producer | |
Original Music by | |||
| Ralfe Band | |||
Cinematography by | |||
| John Sorapure | (director of photography) | ||
Film Editing by | |||
| Mark Everson | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Gary Williamson | |||
Art Direction by | |||
| Richard Bullock | (supervising art director) | ||
| Jane Levick | |||
Costume Design by | |||
| Sam Perry | |||
Makeup Department | |||
| Lily Beckett | .... | hair designer | |
| Lily Beckett | .... | makeup designer | |
| Claire Louise Mazik | .... | makeup artist: daily | |
| Zoey Stones | .... | hair and make up artist | |
| Jo Wand | .... | makeup artist: daily | |
Production Management | |||
| Layla Blackman | .... | post-production supervisor (as Layla Evans) | |
| Daniel Gulliver | .... | production manager | |
| Alan Pritt | .... | post-production manager | |
| Barry Ryan | .... | head of production | |
| Katie Shahrokh | .... | post-production manager | |
Art Department | |||
| Adam Ali | .... | construction manager | |
| Joe Barcham | .... | standby props: dailies | |
| Hannah Boyton | .... | charge hand painter | |
| Matthew Clark | .... | art department assistant | |
| Stephen Craighill | .... | production buyer | |
| Alex Giles | .... | art department assistant | |
| Sophie Hervieu | .... | assistant art director | |
| Rosie Jones | .... | stand-by art director | |
| Robert Leek | .... | art department assistant | |
| Ruth Parker | .... | art department | |
| Sarah Pasquali | .... | graphic designer | |
| Andrew Ranner | .... | assistant art director | |
| Daz Spencer-Lovesey | .... | set dresser | |
| Dean Spicksley | .... | art department assistant | |
| Matt Wells | .... | property master | |
Sound Department | |||
| Tim Barker | .... | sound recordist | |
| Tim Barker | .... | supervising sound editor | |
| Chinna Boapeah | .... | boom operator | |
| Ricky Butt | .... | foley artist | |
| Naomi Dandridge | .... | adr recordist | |
| Gernot Fuhrmann | .... | sound effects editor | |
| Alex Hudd | .... | sound consultant: dolby | |
| Scott Jones | .... | sound re-recording mixer | |
| Claire Mahoney | .... | foley artist | |
| Stefano Marchetti | .... | assistant re-recording mixer | |
| Filipa Principe | .... | foley mixer | |
| Jason Swanscott | .... | foley artist | |
Visual Effects by | |||
| Matt Bateman | .... | live visual effects | |
| Simon Kilroe | .... | lead compositor: vfx | |
| Rick McMahon | .... | visual effects artist | |
| Molinare | .... | visual effects | |
| Lewis Saunders | .... | compositor | |
| Natalie Stopford | .... | visual effects producer | |
| John Taylor | .... | digital compositor: Bull Animation Unit | |
| Shanaullah Umerji | .... | visual effects producer | |
| Rob Ward | .... | digital compositor: Bull Animation Unit | |
| Anthony Webb | .... | visual effects artist | |
Camera and Electrical Department | |||
| Damian Paul Daniel | .... | camera operator (as Damian Daniel) | |
| Daniel Gadd | .... | focus puller: dailies | |
| Steven Gardner | .... | focus puller: dailies | |
| Chris Hewitt | .... | grip: second unit | |
| Len Holt | .... | best boy | |
| Jim Nicholas James | .... | electrician | |
| Neil Johnson | .... | electrician | |
| Ken Lowe | .... | gaffer | |
| Danny Mendieta | .... | clapper loader | |
| Tim Murphy | .... | electrician | |
| Dean Rogers | .... | still photographer | |
| Steve Smith | .... | focus puller | |
| Barry Squires | .... | first assistant camera: second unit | |
| Owen Tooth | .... | clapper loader: second unit | |
| Jake Polonsky | .... | cinematographer: title sequence (uncredited) | |
Animation Department | |||
| Andrew Chong | .... | animator | |
| Matthew James Day | .... | animation director of photography | |
| Kerry Drumm | .... | animator | |
| Gareth Howell | .... | animator | |
| Maria Manton | .... | animation director | |
Casting Department | |||
| Chuck Douglas | .... | extras casting | |
| Kelly Valentine Hendry | .... | casting associate | |
Costume and Wardrobe Department | |||
| Jessica Allen | .... | costume trainee | |
| Laura Venables | .... | costume supervisor | |
Editorial Department | |||
| Michelle Camp | .... | post supervisor | |
| Tim Drewett | .... | digital film technician | |
| Justin Lanchbury | .... | di film consultant | |
| Gareth Parry | .... | on-line editor | |
| Katy Piggott | .... | digital intermediate technician | |
| Andy Richards | .... | senior digital intermediate technician | |
| Gareth Spensley | .... | colorist | |
| Gemma Townsend | .... | digital intermediate technician | |
Music Department | |||
| Phil Canning | .... | music supervisor | |
Transportation Department | |||
| Ian Malcolm | .... | unit driver | |
Other crew | |||
| Emily Anderton | .... | executive: UK Film Council | |
| Kyle Blanshard | .... | assistant to producer | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Craig Greenall | .... | unit medic | |
| Karl Hall | .... | location scout | |
| Gareth Jones | .... | production/post production accounts | |
| Louise Knight | .... | production coordinator | |
| Richard Knight | .... | location scout | |
| Alex Marshall | .... | head of business and legal affairs | |
| Russell Noon | .... | assistant coordinator | |
| Rebecca Rycroft | .... | script supervisor | |
Thanks | |||
| Anne Henry | .... | thanks | |
| Bree Nevin | .... | thanks | |
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| The Brown Bunny | Day of the Wacko | Brokeback Mountain | Elling | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
What makes this film absolutely sublime is the lingering melancholy - faint yet stubbornly persistent - ubiquitous through all the quirky, surreal, and comical sequences. It's never self-indulgent or over-sentimental. All elements, be it emotions, performances, sets, character development, or animation, are well-controlled and contained as a proper English would have it; yet it's radical, outrageous, bold, and sometimes uncomfortably daring. Elegance rises through vulgarity, and (almost unbearable) sadness screams silently. This film is unique, delightful, touching, funny, and yes, wicked. It's not Boosh but fans or otherwise shall be pleasantly surprised.