A woman gives birth to a baby which ages 80 years in just a few minutes and Olivia soon finds connection between the incident and a serial killer she had been chasing.

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(as Paul Edwards)

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(created by), (created by) | 5 more credits »
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John Scott (archive footage)
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Stacey
Carmen Goodine ...
Amy
Bernie McInerney ...
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Storyline

The team investigates another phenomena that may be part of the pattern. In this case, a woman who claims not to be pregnant gives birth to full-term child and in the space of four hours, the newborn grows old and dies. Dr. Bishop had conducted some experiments in this field with a colleague that also involved the man's son. Meanwhile, some aspects of the case convince Agent Dunham that it's the work of a serial killer who has been sought by the FBI for many years. To solve the case, she must rely on Nina Sharp to provide the necessary technology. Written by garykmcd

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TV-14 | See all certifications »

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Release Date:

16 September 2008 (USA)  »

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1.78 : 1
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Did You Know?

Trivia

The glyphs at the ad breaks spell "child". See more »

Goofs

While attempting to lull himself to sleep at the end of the episode, Walter recites a sequence of numbers which is known as the Fibonacci series, where each number in the sequence is equal to the sum of the two preceding numbers: 0, 1, 1, 2, 3, 5, 8,13, 21, 34, 55, etc. The problem is, he skips 5. See more »

Quotes

Peter Bishop: [on cell phone] Walter, I'm with a woman in her mid 20's. She is going into cardiac arrest due to an overdose of anesthesia. Her heart just stopped.
Dr. Walter Bishop: Do you have any cocaine?
Peter Bishop: Cocaine? No, I don't have any cocaine...
Dr. Walter Bishop: Oh - That's too bad. You'll have to shock her heart then.
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Soundtracks

End Title Theme (Composed by Michael Giacchino)
(uncredited)
Written by Michael Giacchino
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User Reviews

 
Great.
19 September 2008 | by (United States) – See all my reviews

This episode demonstrates that the show operates beyond a monster-of-the-week level. While that element exists, the story presented this hour is fully tied to the story of the first episode. This is true not only in the sense that the situation presented is part of The Pattern; in fact, the actual circumstances tie to the histories of the characters. We don't feel as though we've entered a world relevant only to this hour of television.

The plot being investigated is interesting, and while some dialogue is a bit wooden, I was overall very engaged. The narrative doesn't dwell too long on Olivia's angst over John, but her feelings are instead connected both to her investigation of the case and to the nature and goals of her character; they mesh perfectly with all facets of her search for truth, a concept highlighted by an exciting dialogue between Olivia and Ms. Sharp.

Once again, the series' weakest point is its dialogue. But the way the story is put together--and the elements that comprise that story--are very strong.


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