Bones: Season 4, Episode 20

Mayhem on a Cross (16 Apr. 2009)

TV Episode  -   -  Comedy | Crime | Drama
8.4
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Skeletal remains used by a Norwegian Black Metal Band lead the team to explore the underground music scene. Gordon-Gordon prepares to retire from psychology, but not before meeting with ... See full summary »

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(created by), (inspired by the life of forensic anthropologist and author), 3 more credits »
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Dr. Jack Hodgins (as TJ Thyne)
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Pinworm (as AJ Trauth)
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Grinder
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Lexi
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Murderbreath
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Dr. Solberg
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Mayhem
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Storyline

Skeletal remains used by a Norwegian Black Metal Band lead the team to explore the underground music scene. Gordon-Gordon prepares to retire from psychology, but not before meeting with Sweets and helping Bones and Booth solve their current case. Written by Jesse Sanchez

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TV-14 | See all certifications »
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16 April 2009 (USA)  »

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Trivia

The shot at the end shows Sweets' book with the old title ("Opposites Attract: Yin and Yang in the Workplace") crossed out with the new title ("Bones-The Heart of the Matter") handwritten above. See more »

Goofs

When Pinworm is in the interrogation room and everyone is commenting on the bullet he is wearing around his neck, no-one is making any comment about the barbed wire he has circling his neck. The bullet might be the totem, but the barbed wire is the supposed murder implement. See more »

Quotes

Special Agent Seeley Booth: Geez, what are we, the Land of Misfit Toys?
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Connections

References Rudolph, the Red-Nosed Reindeer (1964) See more »

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Get to the Choppah
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Performed by Jameson
(plays at the Zorch concert)
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User Reviews

 
TV can't get more stupid than that
15 April 2010 | by (Germany) – See all my reviews

I always considered "Bones" to be one of the better crime shows. Not following the show closely it has always been nice to pick up an episode on German TV once in a while. But this episode, dealing with Black and Death Metal, killed the show for me.

Being a Metal fan for years with a deep interest in the extreme versions of the genre, and having been working as a Metal music journalist for the past three years, interviewing a variety of Death and Black Metal musicians (Satyricon, Secrets Of The Moon, Vader, Behemoth, Agalloch, Dornenreich, Nile, etc.) I cannot start to express both my amusement and disgust at how clichéd, shallow and plain stupid the subculture was portrayed in this episode.

The so-called "Black Metal concert" at the beginning was a complete artistic train wreck by the hands of the producers. Just to clear some things up: Black Metal does not sound like a lame Ministry copy; and Black Metal fans do not look like a mix between Mini-KISS and Emo-Kids in designer clothes from the town's mall. At least not in Norway. And what's up with that chainsaw? Black Metal fans would have laughed at that show and left after five minutes...

Anyway, once the characters on the show started talking about Black Metal and the case got underway, it really became excruciating to watch for someone who actually knows the music and is friends with many people in the scene in Germany. All the stereotypes were neatly laid out: Satanism, desecration of dead bodies, self-mutilation, etc. And someone should have mentioned to the producers that Black Metal musicians DO NOT walk around in corpse-paint all the time! Many bands don't use it all anymore. And the ones who do, do so on stage and for promo shots, certainly not when they are interrogated by the police! But oh well, better to present the unknowing audience a decent freak show than to at least try to be somewhat realistic.

I really couldn't watch the whole episode (had to mute in between because of the ridiculous and misinformed dialogue). I could never have imagined "Bones" to sink that low. The depiction of the music and the scene was way off. It had almost nothing to do with the reality of this subculture. The writers merely picked out the most scandalous events of the past (yes, the guitarist of MAYHEM was indeed stabbed to death by the BURZUM guy in 1993) and presented them as the essence of this genre. As far as research on the subject matter goes, the depiction of the concert at the beginning and the ludicrous costumes of the "Black Metal kids" clearly showed that the producers had no interest whatsoever in actually trying to shed light on an interesting and sometimes very obscure scene.

What they did instead was a toe-curling freak show. A disgrace to all the artistic beauty and significance of a musical style; a defamation of a whole subculture (marked by some stupid lunatics and many, many intelligent, insightful people); and finally an insult to the viewer's intelligence.


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