In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
When his son's body is found in a humiliating accident, a lonely high school teacher inadvertently attracts an overwhelming amount of community and media attention after covering up the truth with a phony suicide note.
In Hollywood, people in need revolve around Dr. Henry Carter, a shrink: Jack, an aging star wants permission to cheat on his wife; Shamus is a director who's a cokehead; Patrick is a high-powered germophobic producer; Jeremy is a young writer looking for a break; Jemma, a high-school student, is skipping school; and Kate is an actress facing her mid-30s. Henry's wife recently died; he's grieving, blaming himself, smoking lots of pot. Henry's friends try an intervention; someone steals a patient's file from Henry; Patrick's assistant, the pregnant Daisy, sees promise in Jeremy's work; and, Jesus, Henry's drug dealer, sells him some potent weed. Can anything good come of this? Written by
The scooter is in fact a moped since it is only 50 cc and qualifies as one. See more »
When Henry and Jeremy are sitting outside discussing their memories of Henry's wife, they appear to be intoxicated, but in fact are drinking from bottles of O'Douls (a non-alcoholic beverage). See more »
Happiness. Happiness is a word for a feeling. Feelings are rarely understood; in a moment they are quickly forgotten and misremembered.
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I just caught this quirky movie on Netflix. Yet another exploration of the ennui that surrounds celebrity status, this is a great little gem that showcases Spacey's talents well. It came very close to being great, but stopped short, I suspect because of bad decisions in direction and editing. Characters were brought in (Robin Williams being one) for side stories which never quite connected to the main plot. Pot addiction is shown as a series of untimely naps, which is not realistic. The audience never gets a glimpse into the main character's despair, or the circumstances surrounding his wife's death. A love interest is developed and then never followed through. Characters walk in and out of the story without strong reasons. The ending is trite, as if they just needed to wrap it up. Too many loose ends, and a waste of some good talent. Nonetheless, because of Spacey (and a nod to the well-developed friendship with his drug dealer, that was fun to watch) I hung in there happily right to the end.
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