In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
In Hollywood, people in need revolve around Dr. Henry Carter, a shrink: Jack, an aging star wants permission to cheat on his wife; Shamus is a director who's a cokehead; Patrick is a high-powered germophobic producer; Jeremy is a young writer looking for a break; Jemma, a high-school student, is skipping school; and Kate is an actress facing her mid-30s. Henry's wife recently died; he's grieving, blaming himself, smoking lots of pot. Henry's friends try an intervention; someone steals a patient's file from Henry; Patrick's assistant, the pregnant Daisy, sees promise in Jeremy's work; and, Jesus, Henry's drug dealer, sells him some potent weed. Can anything good come of this? Written by
First of all I've been very aware of how critics gave this film lackluster reviews yet I beg to differ, and thankfully so do most people rating this on IMDb. It's essentially a Hollywood dramedy revolving around the couple of individual lives including Dr. Henry Carter played oh so charismatically and sharply by Kevin Spacey with many other characters such as Jeremy, an ongoing writer played by Mark Webber and Jemma: an emotionally struggling teenager girl played by the very identifiable star Keke Palmer. Be aware though, I watched this on T.V and was very close to passing this up due to it's not-so-appealing 2/4 star rating on Dish but I really felt like I needed to see this at least once due to its interesting premise and after watching it I was proud to say to myself that it exceeded beyond any short-term expectations I may have had for it at the moment. The most identifiable trait that really characterized it is that it may be just over an hour-and-a-half but it feels just over 2 hours, most people would assume that's a bad thing and would immediately go on to bash it for its slow pace, I prefer to call it STEADY pacing since the characterizations are done so right considering director Jonas Pate's very realistic and, should I say, very TRANQUIL style. You really hang on throughout this whole journey of a movie embracing what next step each of these people have to face in their lives and I couldn't help but feel satisfied by the end of the movie, which is indeed the sure plus way of knowing it was a good movie wait, change that: a fantastic movie.
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