In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
In 1944 Poland, a Jewish shop keeper named Jakob is summoned to ghetto headquarters after being caught out near curfew. While waiting for the German Kommondant, Jakob overhears a German ... See full summary »
Hannah Taylor Gordon,
In Hollywood, people in need revolve around Dr. Henry Carter, a shrink: Jack, an aging star wants permission to cheat on his wife; Shamus is a director who's a cokehead; Patrick is a high-powered germophobic producer; Jeremy is a young writer looking for a break; Jemma, a high-school student, is skipping school; and Kate is an actress facing her mid-30s. Henry's wife recently died; he's grieving, blaming himself, smoking lots of pot. Henry's friends try an intervention; someone steals a patient's file from Henry; Patrick's assistant, the pregnant Daisy, sees promise in Jeremy's work; and, Jesus, Henry's drug dealer, sells him some potent weed. Can anything good come of this? Written by
This film is about a psychiatrist who fell into a mess of drug addiction and emotional turmoil after his wife's death.
"Shrink" could have been interesting, as it chronicles the healer's life being wounded. Acting is good, sets are nice and production is good too. However, the pacing is simply too slow. I also find the characters not so engaging. I view their lives, their pains and their struggles, but I don't feel for them. I just don't care about them. This lack of engagement kills the movie for me.
The strong cast and strong acting (especially by Kevin Spacey) failed to translate into a piece of touching cinema. It's a great pity.
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