In the midst of his crumbling relationship, a radio show host begins speaking to his biggest fan, a young boy, via the telephone. But when questions about the boy's identity come up, the host's life is thrown into chaos.
When his son's body is found in a humiliating accident, a lonely high school teacher inadvertently attracts an overwhelming amount of community and media attention after covering up the truth with a phony suicide note.
By working through problems stemming from his past, Tom Warshaw, an American artist living in Paris, begins to discover who he really is, and returns to his home to reconcile with his family and friends.
In Hollywood, people in need revolve around Dr. Henry Carter, a shrink: Jack, an aging star wants permission to cheat on his wife; Shamus is a director who's a cokehead; Patrick is a high-powered germophobic producer; Jeremy is a young writer looking for a break; Jemma, a high-school student, is skipping school; and Kate is an actress facing her mid-30s. Henry's wife recently died; he's grieving, blaming himself, smoking lots of pot. Henry's friends try an intervention; someone steals a patient's file from Henry; Patrick's assistant, the pregnant Daisy, sees promise in Jeremy's work; and, Jesus, Henry's drug dealer, sells him some potent weed. Can anything good come of this? Written by
I suppose - one of the best pieces I have seen in a while
...And the deal is not even about Kevin Spacey, whose acting always touches me very deeply.
The point is about the mood that is so well transmitted through the common screen glass. No thrilling plot twists but very gentle reflection of the main characters' lives. 'Cause they're still here and this is something... right?
Please be sure you have an appropriate mood for the slowly depicting personalities. Whose lives can really suck sometimes. And if you get lucky to see this film in the right mood and place I assure you will not leave empty... At least you have space to fill in.
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