A rich industrialist is brutally kidnapped. While he physically and mentally degenerates in imprisonment, the kidnappers, police and the board of the company of which he is director negotiate about the ransom of 50 million euro.
France, present day. A professional conman passes himself off as the boss of a construction site building a highway extension. He cons the whole region, hires dozens of workers and ... See full summary »
Toni Musulin has worked as a security guard on an armored truck for 10 years. One day, with 11.6 million Euros on board, he drives off without his two colleagues, committing the "heist of ... See full summary »
The Art of Love (L'art d'aimer) is composed of several chapters following several Parisian couples. Isabelle (Julie Depardieu) has not had sex in a year. She declines an offer from her ... See full summary »
When Jeff unexpectedly shows up on Ben's doorstep at 2am, the two buddies immediately fall into each other's arms. Since their college days, they've taken very different paths. Jeff is ... See full summary »
What to do when the workers of a factory have been laid off overnight? Louise has an original idea: why not pool the compensation money to ... hire a hit man and to liquidate the boss? ... See full summary »
It tells the story of Yann Kermadec whose dreams suddenly come true when he has to replace the DCNS star skipper at the last minute before the start of the Vendée Globe (a round-the-world ... See full summary »
I tried to recall the movies about alcoholism I have seen; I stopped after The Days of Wine and Roses and 28 Days. I've probably seen more, but the subject is just so depressing and makes so many demands on the viewer that forgetting is easier than remembering. The trouble with addiction is that it reduces the possibilities of life, makes people less interesting and less able to communicate with others. Le Dernier pour la route is a bold attempt to get inside the alcoholic's head, to examine his fears and failures to deal with life. The scene in which Pierre admits his terror to Herve that he won't be able to deal with life on the outside moved me very much. If the sketchy aspect of Magali's character is a drag on the film, that is one of the few drawbacks in an otherwise strong effort from Philippe Godeau.
There is no actor in France like Francois Cluzet for portraying isolation and desperation, and here he makes us feel how cornered Herve feels: his wife really doesn't want him to come back home and his son thinks the condition is a sign of moral weakness. Michel Vuillermoz is so gallant as Pierre that we feel his ultimate fate the more keenly.
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