After his latest film is met with horrible reviews, Able Whitman sets out to prove the critics wrong by finding inspiration in his cast and crew. Sometimes great art requires great sacrifice- and the director always gets final cut!
On the brink of their beloved single screen independent movie theater being shut down forever, a misfit band of theater workers face the corporate evil, foreclosure and the unthinkable...... See full summary »
Cruella DeVile is trying to go straight and stop skinning pets. It's not such an easy habit to kick, so she turns to a support group of fellow villains, Villains Anonymous, trying to assimilate into civilized society.
Ian Preston Cinnamon
Katie Rogers Mitchell,
Frustrated with his most recent film doing poorly, film director Able Whitman finds himself at a strip club where he meets and takes home one of the strippers, Gigi Stops. They have an accident on the road which kills Gigi leaving Able to figure out what to do with the body. He conveniently decides to "disguise" the body parts as set pieces to his new horror film. When this new design style is met with much praise, Able decides he needs more parts to fulfill his new "project". Written by
In the final part of the film, when they're at the theatre to watch at the screening of "A Trilion Leaning Towers" it's clearly dark, but when they get out, after only a few minutes, there's daylight already. See more »
Ladies and gentlemen, the announcement we are about to make has been made only three times before in motion picture history. Each time, it has preseated that the showing of motion pictures that have become reguarded as the most unsual of their type ever filmed. And now... we make this announcement for the fourth time. We are about to show you a new movie which is called Smash Cut. Watch if you must. But remember... you were warned.
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Succeeds or fails, depending on your view of schlock
For a porn actress seeking to cross over to the mainstream, taking a role in a B-(or less)-movie might seem like a heaven-sent opportunity, but if your name's Sasha Grey (real name Marina Ann Hantzis), you might want to think twice about appearing in a Lee Demarbre flick.
For the uninitiated, Demarbre is a Canadian film maker whose credits include the cult film Jesus Christ Vampire Hunter, which was shot on a budget of $45,000.
His latest offering, Smash Cut, which made its world debut at Montreal's 2009 edition of the Fantasia Film Festival, is an equally low budget nod to schlock impresario Herschell Gordon Lewis (Two Thousand Maniacs, The Wizard of Gore). While such a film would seem like a natural opportunity for someone from the adult film realm to use as a segue into the mainstream, a later production Steven Soderbergh's "The Girlfriend Experience" also starring Grey - was released well before Smash Cut, making this look like her second mass market role, when, in fact, the reverse is true. All of which is too bad for Grey, who is the only member of the cast who displays anything remotely approaching acting talent.
The story, such as it is, is thin, and one can suppose that Demarbre was merely looking for a vehicle for tongue-in-cheek humor and gore. A down on his luck director by the name of Able Whitman (played by veteran shock horror actor David Hess of original Last House on the Left fame), dismayed by the critical reception to his cheap films special effects, decides to use real human body parts to impart realism. His first victim turns out to be a relative of April Carson (Grey), a reporter for a local television station. With the backing of her station manager (H.G. Lewis) she sets out to infiltrate Whitman's production by responding to a casting call.
None of this really matters, though, as the film's true mission is to emulate the low budget schlock of Lewis' films, which it does admirably and is about the only critical compliment I can give this film.
Overall the story is poorly executed trash. In keeping with the Lewis factor, everyone involved with the exception of Grey seems to be trying to outdo each other on the bad acting scale. Lines appear to be not merely improved, but takes are used that show actors struggling on the fly to think them up.
Grey, whose acting is wildly uneven, is the only cast member who shows any potential of being able to believably take on a role, whether or not this was by choice or accident, given the atrocious performances turned in by the rest of the cast, is a matter for further debate.
What's unfortunate, however, is that this movie will be released after Grey's performance in Soderbergh's "The Girlfriend Experience", and look like a step down from a promising debut.
What's not in question here is Grey's acting ability, but the projects she chooses to appear in from here on in. Some of this may not be within her control, given her ongoing career in the adult realm, but choosing to appearing a mainstream film that has all the look, feel, and production values of a porn film (minus the sex) can hardly be taken as a wise career move.
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