| Photos (See all 79 | slideshow) | Videos (see all 31) |
| Bruce Willis | ... | Frank Moses | |
| Mary-Louise Parker | ... | Sarah Ross | |
| Karl Urban | ... | William Cooper | |
| Rebecca Pidgeon | ... | Cynthia Wilkes | |
| Morgan Freeman | ... | Joe Matheson | |
| Chris Owens | ... | Hanged Man | |
| Jaqueline Fleming | ... | Marna | |
| Randy Wade Kelley | ... | Paramedic | |
| Jason Giuliano | ... | Endercott | |
| Alec Rayme | ... | Cop at Intersection | |
| Lawrence Turner | ... | Retirement Home Assassin | |
| Emily Kuroda | ... | Mrs. Chan | |
| Joe Chrest | ... | Retirement Home Detective | |
| Justine Wachsberger | ... | Nurse | |
| Tara Yelland | ... | Wilkes' Secretary | |
| Ernest Borgnine | ... | Henry, The Records Keeper | |
| Jefferson Brown | ... | Fred | |
| John Malkovich | ... | Marvin Boggs | |
| Audrey Wasilewski | ... | Businesswoman | |
| James Remar | ... | Gabriel Singer | |
| Dmitry Chepovetsky | ... | Surveillance Tech | |
| Matthew Olver | ... | Surveillance Tech | |
| Brian Cox | ... | Ivan Simonov | |
| Jason Weinberg | ... | Lead CIA Tactical Officer | |
| Tony De Santis | ... | Security Chief (as Tony DeSantis) | |
| Greg Bryk | ... | Firefighter | |
| Helen Mirren | ... | Victoria | |
| Heidi von Palleske | ... | Woman Neighbor | |
| Richard Dreyfuss | ... | Alexander Dunning | |
| Neil Whitely | ... | FBI Commander (as Neil Whiteley) | |
| Robert Morse | ... | Interrogator | |
| Joshua Peace | ... | Interrogation Surveillance Tech (as Josh Peace) | |
| Michelle Nolden | ... | Michelle Cooper | |
| Jake Goodman | ... | Cooper's Son | |
| Tess Goodman | ... | Cooper's Daughter | |
| Desiree Beausoleil | ... | Security Woman | |
| Laura de Carteret | ... | Fundraiser Greeter (as Laura De Carteret) | |
| Jonathan Walker | ... | Agent Burbacher (as Jonathan Lloyd Walker) | |
| Julian McMahon | ... | Robert Stanton | |
| Murray McRae | ... | Intro Speaker | |
| Cindy Dukoff | ... | Banquet Guest | |
| Thomas Mitchell | ... | Lone Agent | |
| Bernadette Couture | ... | Agent | |
| Chavis Brown | ... | Agent | |
| Aaron Khon | ... | Agent | |
| George Kash | ... | Band Member | |
| John Marmora | ... | Band Member | |
| Ron Johnston | ... | Band Member | |
| Johnny McLeod | ... | Band Member (as John MacLeod) | |
| Steve McDade | ... | Band Member | |
| Bob DeAngelis | ... | Band Member | |
| Bob Reeves | ... | Band Member | |
| Leo Sullivan | ... | Band Member | |
| Mark Ferguson | ... | Band Member | |
| Anthony Marmora | ... | Band Member | |
| Lenny Solomon | ... | Band Member | |
| Valerie Winn | ... | Band Member | |
| rest of cast listed alphabetically: | |||
| D'Arcy Allen | ... | New Orleans Police Officer (uncredited) | |
| Annette Denise Bass | ... | Train Station Business Traveler (uncredited) | |
| Brooke Bezick | ... | Bus Station Patron (uncredited) | |
| Charlotte Biggs | ... | Train Station Passenger (uncredited) | |
| Benjamin Blankenship | ... | Meldova Solider (uncredited) | |
| Basilina Butler | ... | Phone Operator (uncredited) | |
| Felder Charbonnet | ... | Paramedic (uncredited) | |
| Joseph Cintron | ... | CIA Agent (uncredited) | |
| Jamie Ferenczi | ... | Pension Office Cubical Worker (uncredited) | |
| David Fultz | ... | Pedestrian (uncredited) | |
| Emily D. Haley | ... | Onlooker (uncredited) | |
| Gene Kevin Hames Jr. | ... | Soldier (uncredited) | |
| Randy Herman | ... | Suite (uncredited) | |
| Anthony Mark Johnson | ... | New Orleans Police Officer (uncredited) | |
| Paul Kendall | ... | Secret Service (uncredited) | |
| John C. Klein | ... | Onlooker (uncredited) | |
| Jameson Kraemer | ... | CIA Doctor (uncredited) | |
| Laurie Lee | ... | Train Station Traveler (uncredited) | |
| Christopher Maddison | ... | Russian Guard (uncredited) | |
| Tadhg McMahon | ... | CIA Tactical Officer (uncredited) | |
| Ritchie Montgomery | ... | Pharmacist (uncredited) | |
| Jay Oliver | ... | Resident at St Vincents (uncredited) | |
| Johnny Otto | ... | Detective (uncredited) | |
| B.J. Parker | ... | Police Officer (uncredited) | |
| James Rawlings | ... | Russian Soldier (uncredited) | |
| Michael Patrick Rogers | ... | Russian Soldier (uncredited) | |
| Dan Shea | ... | Secret Service Agent (uncredited) | |
| Adam Sibley | ... | Russian Soldier (uncredited) | |
| Lawanda Smith | ... | Train Station Traveler (uncredited) | |
| Logan Douglas Smith | ... | Detective (uncredited) | |
| Terry Lee Smith | ... | Pedestrian (uncredited) | |
| James Lesley Taylor | ... | Train Station Traveler (uncredited) | |
| Nancy E.L. Ward | ... | Sarah's Supervisor (uncredited) | |
Directed by | |||
| Robert Schwentke | |||
Writing credits(WGA) | ||
| Jon Hoeber | (screenplay) & | |
| Erich Hoeber | (screenplay) | |
| Warren Ellis | (graphic novel) and | |
| Cully Hamner | (graphic novel) | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Florian Ballhaus | (director of photography) | ||
Film Editing by | |||
| Thom Noble | |||
Casting by | |||
| Deborah Aquila | |||
| Tricia Wood | |||
Production Design by | |||
| Alec Hammond | |||
Art Direction by | |||
| Kelly Curley | |||
| Brandt Gordon | |||
Set Decoration by | |||
| Carolyn 'Cal' Loucks | |||
Costume Design by | |||
| Susan Lyall | |||
Makeup Department | |||
| Deena Adair | .... | hair stylist: Morgan Freeman | |
| Michael Hancock | .... | makeup artist: Morgan Freeman (as Mike Hancock) | |
| Patricia Keighran | .... | key makeup artist | |
| Mandy Ketcheson | .... | contact lens technician | |
| Patricia Medina | .... | key hair stylist | |
| Yolanda Mercadel | .... | hair: second unit | |
| Jennifer Bower O'Halloran | .... | hair department head | |
| Gerald Quist | .... | makeup artist | |
| Jordan Samuel | .... | makeup department head | |
| Sean Sansom | .... | prosthetic lab technician | |
| Donna Spahn | .... | key hair stylist: New Orleans | |
| Aimee Stuit | .... | makeup artist: second unit | |
| Tony Ward | .... | department head hair: additional photography | |
Production Management | |||
| Whitney Brown | .... | unit production manager | |
| Edith Leblanc | .... | unit production manager | |
| Sara Romilly | .... | post-production supervisor | |
Visual Effects by | |||
| Akemi Abe | .... | main titles | |
| Frank Akrong | .... | digital compositor | |
| Arpine Aleksanyan | .... | designer | |
| Lee Allan | .... | digital compositor (as Allan Lee) | |
| Jon Anastasiades | .... | digital compositor | |
| Graeme Baitz | .... | digital compositor: CIS Vancouver | |
| Rob Bannister | .... | digital compositor | |
| Geeta Basantani | .... | senior compositor: matte painter | |
| Cory Berendzen | .... | assistant colorist | |
| Michael Boden | .... | visual effects artist | |
| Raoul Bolognini | .... | visual effects producer: Zoic Studios | |
| Mike Borgstrom | .... | visual effects artist | |
| Ryan Bozajian | .... | visual effects artist | |
| Kristen Branan | .... | head of production: Zoic Studios | |
| Dan Brittain | .... | digital compositor | |
| Charles Bunnag | .... | second digital colorist | |
| Elika Burns | .... | roto/paint supervisor: CIS Hollywood | |
| Daniel Cairnie | .... | digital compositor: CIS Vancouver | |
| John Cairns | .... | digital compositor: CIS Vancouver | |
| Joe Censoplano | .... | compositor | |
| Joe Censoplano | .... | digital compositor | |
| Alexis Chapman | .... | roto lead: CIS Vancouver | |
| Patrick Clancey | .... | digital opticals | |
| Steve Corbett | .... | visual effects artist | |
| Johnathon Cormier | .... | digital artist: Saints LA VFX (as Johnathon Cormier) | |
| Christopher Cornwell | .... | digital artist | |
| Andrew G. Cox | .... | visual effects coordinator | |
| Sean Cox | .... | cg artist | |
| Sean Cox | .... | visual effects artist | |
| Dave Damant | .... | cg artist | |
| Dave Damant | .... | visual effects artist | |
| Kristin Dearholt | .... | visual effects: digital colorist | |
| Noah DePietro | .... | model maker | |
| Dariush Derakhshani | .... | visual effects supervisor: Radium | |
| Mike Diltz | .... | digital compositor | |
| Brady Doyle | .... | compositor | |
| Debora Dunphy | .... | digital compositor: CIS Vancouver | |
| Gus Duron | .... | digital opticals editor | |
| Ryan Dutour | .... | digital compositor | |
| Ryan Epp | .... | digital compositor | |
| Adam Estey | .... | visual effects editor | |
| Ristra Fajarwaty | .... | digital compositor | |
| Andrew Francis | .... | digital colorist: Efilm | |
| Mathias Frodin | .... | digital compositor | |
| Safeer Ghaznavi | .... | digital compositor | |
| Sheila Giroux | .... | visual effects coordinator | |
| Alex Gitler | .... | digital compositor | |
| Randy Goux | .... | visual effects supervisor: CIS Vancouver | |
| Neil Greenberg | .... | visual effects editor | |
| Dave Horowitz | .... | set construction/painter | |
| Fredrik Höglin | .... | compositor | |
| Dag Ivarsoy | .... | senior compositor | |
| Travis Wade Ivy | .... | compositor | |
| Stephen James | .... | digital compositor: CIS Vancouver | |
| Bernardo Jauregui | .... | visual effects producer | |
| Harout Steve Kahwati | .... | previz artist | |
| Zachary Kinney | .... | visual effects supervisor | |
| Mark Larranaga | .... | visual effects supervisor | |
| Greg Laube | .... | visual effects producer | |
| Stephen Lawes | .... | creative director | |
| Brian James Lee | .... | cg artist | |
| Brian James Lee | .... | visual effects artist | |
| Colin Liggett | .... | compositing supervisor | |
| Katie Linahon | .... | production coordinator: New Deal Studios | |
| Sandra Lombardi | .... | visual effects assistant | |
| Nicholas Lund-Ulrich | .... | digital compositor | |
| Darren MacKay | .... | digital compositor | |
| James Madigan | .... | visual effects supervisor | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Brian Maris | .... | video assist | |
| Dan Mayer | .... | cg supervisor | |
| Kyle McCauley | .... | compositor | |
| Tom McHattie | .... | digital compositor | |
| Abel Milanes | .... | compositing supervisor | |
| Farhad Mohasseb | .... | compositor: CIS-Vancouver | |
| Nancy Mott | .... | executive visual effects producer: CIS Vancouver | |
| Jinnie Pak | .... | visual effects producer: CIS Vancouver | |
| Rocco Passionino | .... | visual effects supervisor | |
| Jakub Pazera | .... | animator | |
| Christine Petrov | .... | head of 2d: CIS Vancouver | |
| Chi Pham | .... | visual effects systems administrator | |
| Lee Pierce | .... | compositor | |
| Tristan Porter | .... | compositor: CIS Vancouver | |
| Nicholas Poznick | .... | cg artist | |
| Nicholas Poznick | .... | visual effects artist | |
| Rob Price | .... | compositor | |
| Kenton Rannie | .... | digital compositor | |
| Ben Record | .... | visual effects | |
| Marco Recuay | .... | visual effects supervisor: Scoundrel | |
| Adam D. Reeb | .... | visual effects coordinator | |
| Blair Richmond | .... | digital compositor | |
| Bryce Rieger | .... | digital compositor | |
| Lauren Rodriguez | .... | data coordinator | |
| Chris Roff | .... | visual effects producer | |
| Casey Rolseth | .... | visual effects artist | |
| Harrison Rutherford | .... | digital compositor | |
| Tiago Santos | .... | compositor | |
| Dan Schick | .... | visual effects artist | |
| Derek Schneider | .... | previz artist | |
| Steven J. Scott | .... | supervising digital colorist | |
| Joseph Shahood | .... | visual effects coordinator | |
| Drew Shields | .... | matchmove artist: CIS Vancouver | |
| Jennifer Silver | .... | consultant vfx producer | |
| Darryl Stawychny | .... | visual effects coordinator | |
| Katie Stetson | .... | visual effects coordinator | |
| Patrick Thompson | .... | digital compositor | |
| Matthew Thunell | .... | visual effects producer: Radium | |
| Curtis Tsai | .... | visual effects coordinator: CIS Vancouver | |
| Mike Tuffy | .... | systems administrator | |
| Chris Van Dyck | .... | digital compositor | |
| Biren Venkatraman | .... | visual effects | |
| Jessica Wan | .... | digital compositor | |
| Richard Wardlow | .... | senior CG artist | |
| Richard Warlow | .... | senior CG artist | |
| Jeff Weidner | .... | visual effects artist | |
| Jerry Well | .... | visual effects artist | |
| Blair Werschler | .... | visual effects artist | |
| Joni Williams | .... | rotoscope artist: CIS Vancouver | |
| Jody Wilson | .... | visual effects coordinator | |
| Sam Winkler | .... | visual effects artist | |
| Bruce Woloshyn | .... | digital compositing artist | |
| Kris Wood | .... | visual effects supervisor | |
| Matt Yeoman | .... | digital compositor | |
| Mike Ek | .... | compositor: Radium (uncredited) | |
| Heather Elisa Hill | .... | visual effects project manager: CIS Hollywood (uncredited) | |
Animation Department | |||
| Steve Corbett | .... | animator | |
| Sean Cox | .... | animator | |
| Dave Damant | .... | animator | |
| Brian James Lee | .... | animator | |
| Jakub Pazera | .... | animator | |
| Nicholas Poznick | .... | animator | |
Casting Department | |||
| Robin Batherson | .... | casting director: background | |
| Robin D. Cook | .... | casting: canada | |
| Terri Douglas | .... | adr voice casting | |
| Craig Fincannon | .... | additional casting | |
| Lisa Mae Fincannon | .... | additional casting | |
| Jason Landry | .... | extras casting | |
| Jonathan Oliveira | .... | casting assistant: Toronto | |
| Marcy Punch | .... | extras casting | |
| Lisa Zagoria | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kasey C. Bazil | .... | key set costumer | |
| Renée Bravener | .... | costume buyer | |
| Cori Burchell | .... | assistant costume designer | |
| Christina Cattle | .... | set costume supervisor | |
| Doré Cermak | .... | costumer: re-shoots | |
| Malikka Coston | .... | set costumer | |
| Lou Decampo | .... | costume truck supervisor: second unit | |
| Annette Farnsworth | .... | costume supervisor: New Orleans re-shoots | |
| Roslyn Hanchard | .... | costume supervisor | |
| Vanessa Lacy | .... | assistant to costume designer | |
| Karen Lee | .... | costume buyer | |
| Susan Nycz | .... | key costumer | |
| Alison Parker | .... | costume supervisor: Louisiana | |
| Amy Ritchings | .... | assistant costume designer | |
| Ashley Shields-Muir | .... | costume assistant | |
| Bonnie Sutherland | .... | costume set supervisor: second unit | |
| Wendy Talley | .... | set costumer | |
| Cathie Valdovino | .... | costumer: Morgan Freeman | |
| Renee Ragucci | .... | set costumer (uncredited) | |
Editorial Department | |||
| Lisa Cossettini | .... | first assistant editor | |
| Steven Cuellar | .... | post-production assistant | |
| Matt Diezel | .... | additional editor | |
| Debora Filippi | .... | rushes telecine operator | |
| Lara Johnston | .... | assistant editor | |
| Cam McLauchlin | .... | post-production assistant | |
| Leslie Adkins-Garza | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Christine Bergren | .... | music legal and clearance | |
| Calibro 35 | .... | musician | |
| Allison Cummings | .... | music legal and clearance | |
| Matt Fausak | .... | music editor | |
| Richard Ford | .... | music editor: temp score, director's cut | |
| Matthew Janszen | .... | score coordinator | |
| Julianne Jordan | .... | music supervisor | |
| Steve Kaplan | .... | scoring engineer | |
| Paul Katz | .... | music consultant | |
| Mark Kilian | .... | composer: additional music | |
| Jennifer Nash | .... | music editor | |
| Jessica Neilson | .... | music coordinator | |
| Satoshi Mark Noguchi | .... | score mix assistant | |
| Robert Puff | .... | music preparation | |
| Lise Richardson | .... | additional music editor | |
| David Sabee | .... | music contractor | |
| Carl Sealove | .... | music editor: temp | |
| Casey Stone | .... | music scoring mixer | |
| Peer Taraldsen | .... | composer: additional music (uncredited) | |
Thanks | |||
| Michael Storm Raven | .... | special thanks | |
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| Salt | The Professional: Golgo 13 | Knight and Day | Transformers: Dark of the Moon | Machete |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
You're wrinkly, have health issues and your age is higher than the calibre of your gun. So what's a senior to do? Why get a bigger gun of course. That is certainly one of many philosophies in the action comedy RED (That would be Retired Extremely Dangerous for those still living in fear of Communism. Hey, it is the right age bracket) which collects a who's who of Oscar-grade talent and has them blow stuff up real good. This is but the fourth men-on-a-mission film so far this year after The Expendables, The A-Team and The Losers, heck even Inception could fall into that group. The good news is with the exception of the latter it is the best of the bunch and by far the most fun you're bound to have this fall season.
Now onto the CIA. I don't know what they're dipping their dirty little fingers into Stateside but in addition to being at the center of some ticked off senior's attention in RED, they have been the villains in aforementioned The Losers and The A-Team as well as Salt and Knight & Day. Talk about your need for homeland security, they had better keep one of those high-tech satellites over Hollywood. At the receiving end of the Central Intelligence Agency's scope are a band of former operatives including the "kid" of the group, Frank Moses (Bruce Willis), the ailing Joe Matheson (Morgan Freeman), the brain-fried eccentric, Marvin Boggs (John Malcovich) and the sultry heartbreaker, Victoria (Helen Mirren). Brian Cox also shows up as a Ruskie who may or may not have been previously shot by one of the former. Though not having seen action in a good decade, they have been deemed "RED" by an unknown force, which means curtains for this rag-tag bunch of geriatrics.
The cast truly is great in RED, and I don't simply mean the actors in general; they simply all give full-on great, funny performances. The subtle (but hilarious) underlying lament of these characters is they all reminisce over their past lives as hardened assassins and pine just to kill one more little ol' person. More at the forefront of course is the bang-on wry humour and delicious action sequences. This is old fashion stunt work at play here (fittingly perhaps) and I'll take it over a green screen any day. These bursts of adrenaline are dumb to be sure, but not totally ludicrous; think of a cross between Die Hard and Enemy of the State. What they are not is anything short of exciting and kinetic, and are interspersed with laughs in such a way as to not drift to one focus too long. RED also gleefully embraces its comic book origins, using playful transitions as the globe-trotting commences. Yet again, director Robert Schwentke never revels in one gimmick for too long and the film goes down smooth and easy as a result.
The younger cast is more than worth mentioning as well, with the highest accolades going to Mary-Louis Parker from TV's Weeds. There is a joke in RED which I am not sure was intentioned, when after being injected with a knockout-drug, Parker's Sarah exclaims "I'm so high". She steals most scenes when given the chance but her character (a love interest of Frank who unintentionally gets caught up in the fracas) is utilized far more towards the beginning of the film. Karl Urban is also solid as a CIA operative tasked in finding the RED's but becomes suspicious at his orders which grow increasingly corrupt. I always wonder in the movie world how they would explain attack helicopters shredding an airport to the general public. The government must have some amazing PR agents on staff. Richard Dreyfus (in his second cameo of the year after Piranha) is also well used as an oily arms dealer who comes across the team's path.
Summit Entertainment is pulling out all the marketing stops for this film, and I am happy to report the results seem to be worth the glamour. While venturing through my theatres ticket checkpoint they stamped my stub "confidential" instead of ripping it, and a squad of agents clad in sunglasses and suits patrolled the lobby. The showing seemed to be a generous mix of old and new patrons and that really comes as no surprise. Even though the majority of the cast has long breached 60, these are actors generations of all ages still admire. Even if they are not the draws they once were (some of them never were) this is a great example of people showing up to see actors, performers, and not special effects. RED may be imperfect, it may not even be particularly fresh, but it exudes something movies lack far too often: fun.
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