A weak con man panics when he learns he's going to prison for fraud. He hires a mysterious martial arts guru who helps transform him into a martial arts expert who can fight off inmates who want to hurt or love him.
All Jay Baruchel expected coming to LA was a fun time with Seth Rogen with all the wild partying to have both by themselves and at James Franco's housewarming party. Suddenly, the Rapture hits and the Biblical Apocalypse has begun. Now, Jay and Seth are desperately sheltering in James' house for rescue along with a few other friends. Together, they must band together to attempt to survive the end of the world, only for Jay to find that they are all too dumb and superficial to do it until they discover the only way out. Written by
Kenneth Chisholm (email@example.com)
In an interview with the Rod Ryan Show on Houston radio station 94.5 The Buzz, Craig Robinson revealed that Jonah Hill improvised asking for a bite of the Milky Way. The other actors improvised the following conversation regarding who gets to eat the Milky Way. See more »
When Jonah Hill is filming his confession after getting raped the camera shows it is powered from a wall outlet (A/C). However the power is out. See more »
Seth, that's some of the better acting than I've seen in your last six movies. Where the fuck was that in Green Hornet?
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Good For a Few Huge Laughs, It's Not as Consistent as You May Have Heard
Seth Rogen and his usual entourage of stoner near-celebrities return to the screen, this time propped against the backdrop of a biblical end-of-world scenario. There's a certain taste of playful irony in the fact that so many of these actors, Rogen, Jonah Hill and Danny McBride especially, who share the common criticism of merely playing themselves throughout their careers, are doing so literally this time around. They're able to play that up to ridiculous extremes and big laughs in the long-form party scene that eats up most of the first act, riffing and rolling with the punches in their never-ending quest to make the cast and crew smile. Predictably, that's the film's sweet spot - a blank slate for ad-lib spoils - and when it's finally cast aside to make way for a more coherent narrative (admittedly, a very loose one) their ship springs a big leak. Where a more thoroughly-incubated concept like Shaun of the Dead is able to easily blend quick, witty banter with big set pieces and wild, frenzied action, This is the End struggles to unify an equally diverse toolbox. I can get the fish-out-of-water aspect that was being fronted here, of a catered group of celebrities who were lost when their smartphones dropped off the grid, but that runs out of gas near the three-quarter mark and when the big special effects swing and miss, there's nothing left to carry us the rest of the way. Really uproariously funny at a few points, but pointlessly thin and overblown at others.
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