Directed by
Sarah Watt |
Writing Credits
Sarah Watt | ... | (written by) |
Cast (in credits order)
Produced by
Joanna Baevski | ... | executive producer |
Andrew Barlow | ... | executive producer |
Bridget Ikin | ... | producer |
Barbara Masel | ... | associate producer |
John Maynard | ... | executive producer |
Andrew Myer | ... | executive producer |
Paul Wiegard | ... | executive producer |
Cinematography by
Graeme Wood | ... | director of photography |
Editing by
Denise Haratzis |
Casting By
Jane Norris |
Production Design by
Simon McCutcheon |
Set Decoration by
Toni McCutcheon | ... | (as Toni Forsyth) |
Costume Design by
Kitty Stuckey |
Makeup Department
Nik Dorning | ... | prosthetic makeup artist |
Peta Hastings | ... | make up and hair supervisor |
Dominique Mathisen | ... | assistant makeup artist |
Dallas Stephens | ... | make up and hair |
Production Management
Chris Pike | ... | unit manager |
Maryjeanne Watt | ... | post-production supervisor |
Second Unit Director or Assistant Director
Nick Embery | ... | third assistant director |
John Magee | ... | second assistant director |
Chris Odgers | ... | first assistant director |
Art Department
Carly Bojadziski | ... | graphic artist |
Simon Carter | ... | standby props |
Ashley Fraser | ... | property master |
Debra Goldsmith | ... | scenic artist |
Kim Hauxwell | ... | art department assistant |
Robert Molnar | ... | set dresser |
Mel Page | ... | art department runner |
Brooke Tia Silcox | ... | art department assistant (as Brooke Silcox) |
Sharon Young | ... | art department coordinator |
Sound Department
Pete Best | ... | supervising sound editor |
Craig Carter | ... | sound designer/editor |
Bruce Emery | ... | dolby consultant |
Chris Goodes | ... | adr mixer |
Jason Hancock | ... | foley recordist |
Tom Heuzenroeder | ... | sound effects editor |
Adrian Medhurst | ... | mix assistant |
Mark Paterson | ... | re-recording mixer |
Rosemary Pearse | ... | music consultant |
Andrew Plain | ... | adr recordist |
John Simpson | ... | foley artist |
Pete Smith | ... | dialogue editor (as Peter D. Smith) / re-recording mixer (as Peter D. Smith) |
Belinda Trimboli | ... | sound assistant |
Visual Effects by
Tony Bannan | ... | flame artist |
Mark Dickson | ... | digital compositor |
Sean Lahiff | ... | assistant visual effects editor |
Marty Pepper | ... | visual effects supervisor |
Kevin Russell | ... | compositor |
Kerri Schwarze | ... | producer: Complete Post |
Stunts
Lance Anderson | ... | safety report |
Chelsea Bruland | ... | stunt performer |
Roy Edmunds | ... | stunt driver |
Zev Eleftheriou | ... | stunt coordinator |
Graham Jahne | ... | stunt driver |
Adrian Kortus | ... | safety supervisor |
Danny Woodrow | ... | safety supervisor |
Camera and Electrical Department
Chris Child | ... | first assistant camera |
Chris Dewhurst | ... | gaffer |
Robbie Dewhurst | ... | best boy |
Josh Flavell | ... | focus puller second camera |
Cameron Gaze | ... | focus puller: "b" camera |
Adrian Goodwin | ... | grip assistant |
Danielle Karalus | ... | epk camera |
Angus Kemp | ... | additional electrics |
Peter MacDonnell | ... | key grip |
Michelle Marchant | ... | second assistant camera |
James McWade | ... | best boy grip |
Jennifer Mitchel | ... | stills photography |
Jack Reilly | ... | grip assistant |
Malcolm Richards | ... | camera equiptment |
Jeremy Rouse | ... | second cameraman |
Marc Schellander | ... | best boy grip |
Chris Walsingham | ... | third electrics |
Sarah Watt | ... | stills photography |
Casting Department
Maggie Miles | ... | extra casting |
Lara Signorino | ... | casting assistant |
Costume and Wardrobe Department
Sarah Carr | ... | costume standby |
Keely Ellis | ... | additional costume |
Erin Roche | ... | costume supervisor |
Editorial Department
Ian Anderson | ... | laboratory manager |
Nick Bitar | ... | assistant telecine colourist |
Kate Butler | ... | post production producer |
Kate Butler | ... | post production producer |
Adrian Kennedy | ... | film scanning technician |
Ross Mitchell | ... | production supervisor: laboratory |
Marty Pepper | ... | DI colorist |
Dale Roberts | ... | head of post production: oasis post australia |
Joshua Sutherland | ... | machine room operator |
Jason Turpin | ... | film recording technician |
Petrina White | ... | graphic design |
Location Management
Peter Boekeman | ... | unit assistant |
Della Churchill | ... | location manager: Gold Coast |
Dave Mason | ... | assistant unit manager |
Drew Rhodes | ... | location manager |
Music Department
Jemma Burns | ... | music supervisor |
Mark Ferrie | ... | music consultant |
Bernard Galbally | ... | music supervisor |
Emily Hayes | ... | choir leader |
Scott Illingworth | ... | composer: incidental music |
Script and Continuity Department
Paul Harding | ... | script supervisor |
Barbara Masel | ... | script editor |
Kerrie McGovan | ... | post production script |
Transportation Department
Nick Hartigan | ... | vehicle coordinator |
Dylan Fox Kearney | ... | prop truck driver (as Dylan Kearney) |
Additional Crew
Janni Alexander | ... | production accountant |
Clare Bradley | ... | tutor/chaperone |
Therese Carty | ... | community liason |
Jill Dures | ... | post production accountant (as Jill Ryan) |
Andrea Gibbs | ... | radio voice |
Alice Glenn | ... | production secretary |
Katy Hesketh | ... | medical advisor |
Luke Hura | ... | dog trainer |
Fotini Manikakis | ... | producer's attachment |
Maggie Miles | ... | production assistant |
Paul O'Halloran | ... | production runner |
Jodie Passmore | ... | producer's assistant |
Jade Robinson | ... | credits |
Camille Russell | ... | nurse |
Greg Saunders | ... | children's dramaturg |
Ross Smith | ... | radio operations advisor |
Felicity Stoward | ... | payroll accountant |
John Thompson | ... | assistant location manager |
Sally-Anne Upton | ... | nurse |
Michael Veitch | ... | radio voice |
Caroline Verge | ... | lawyer |
Amanda Wray | ... | production coordinator |
Thanks
Katherine Fry | ... | thank you |
Scott Meek | ... | thanks |