A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
Mick Haller is a defense lawyer who works out of his Lincoln. When a wealthy Realtor is accused of assaulting a prostitute, Haller is asked to defend him. The man claims that the woman is ... See full summary »
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Betty Anne Waters (Swank) is a high school dropout who spent nearly two decades working as a single mother while putting herself through law school, tirelessly trying to beat the system and overturn her brother's (Rockwell) unjust murder conviction. Written by
Fox Searchlight Pictures
In various scenes where Hilary Swank and Sam Rockwell's characters are meeting in the jail, the Sprite that Hilary drinks from has the new logo from 2005 consisting of two yellow and green "halves" forming an "S" lemon/lime design. This logo had not yet been created during the implied times of these scenes. See more »
Swank Is Back with a Sharp Cast in an Inspiring Fact-Based Story Bordering on Incredulity
After making decidedly wrong turns into rom-com in 2007's "P.S. I Love You" and historical biopic in 2009's "Amelia", Hilary Swank is back in her element as Betty Ann Waters, a working-class single mother of two whose fierce loyalty to her troublemaking brother Kenny knows no bounds, in actor/director Tony Goldwyn's time-spanning, fact-based 2010 drama. Written by Pamela Gray (she and Goldwyn also collaborated on 1999's affecting "A Walk on the Moon"), the inspiring, potentially melodramatic plot line often borders on incredulity, but Swank's trademark iron-jawed tenacity is on full display here. At the same time, it's a primarily economic performance teetering on lunacy as her character is tightly bound to Kenny since they shared a painful childhood due to the neglect of a horrifying mother.
In 1983, Kenny is convicted of the bloody murder of an elderly neighbor largely on the basis of testimony from two former girlfriends, both of whom claimed he confessed his actions to them. Neither Kenny nor Betty Anne can afford a good attorney, so she decides to become a lawyer even though she's a high school dropout. Also serving as one of the film's executive producers, Swank come back securely to the against-all-odds territory of Clint Eastwood's "Million Dollar Baby" (2004) by following Betty Ann's sixteen-year journey from her GED through college, then law school, and finally passing the bar all while she was raising two boys and working part-time at a local pub. The ending is predictable from a mile away, but the journey is not. The introduction of DNA evidence provides a linchpin that spins the story close to Lifetime-level dramatics, especially when Betty Ann solicits the assistance of the Innocence Project, a nonprofit organization devoted to overturning wrongful convictions. Gray's screenplay is solid enough, and Goldwyn's direction is assured within the back-and-forth treatment of the timeline.
However, it's really the acting that is aces here. Beyond Swank's sterling work, Sam Rockwell brings an unpredictable furor and a surprising vulnerability to the showier role of Kenny. His rapport with Swank never feels forced, and the devotion of their sibling relationship is what really grounds the threat of hysterics in the film. The periphery is populated by a powerful squad of actresses turning in sharply etched work - Minnie Driver as Betty Ann's law-school friend Abra, whose comic spark highlights how pivotal her character is in representing the audience viewpoint; Melissa Leo ("Frozen River") as the malevolent arresting cop, whose secretive hostility provides the impetus for Kenny's conviction; Juliette Lewis as Kenny's dentally-challenged ex-girlfriend with a drunken confession scene that reveals the actress's long-forgotten raw talent below her usual giddiness; Karen Young in a brief scene as the unforgivable Mrs. Waters; and Ari Graynor ("Nick and Norah's Infinite Playlist") as Kenny's embittered grown daughter. It's the cast's cumulative work that makes this movie intensely watchable.
50 of 60 people found this review helpful.
Was this review helpful to you?