| Videos (see all 6) |
| Adam Bousdoukos | ... | Zinos Kazantsakis | |
| Moritz Bleibtreu | ... | Illias Kazantsakis | |
| Pheline Roggan | ... | Nadine Krüger | |
| Anna Bederke | ... | Lucia Faust | |
| Birol Ünel | ... | Shayn Weiss | |
| Dorka Gryllus | ... | Anna Mondstein | |
| Wotan Wilke Möhring | ... | Thomas Neumann | |
| Lucas Gregorowicz | ... | Lutz | |
| Demir Gökgöl | ... | Sokrates | |
| Cem Akin | ... | Milli | |
| Marc Hosemann | ... | Ziege | |
| Catrin Striebeck | ... | Frau Schuster vom Finanzamt | |
| Ugur Yücel | ... | Knochenbrecher | |
| Udo Kier | ... | Herr Jung | |
| Monica Bleibtreu | ... | Nadines Großmutter | |
| Bernd Gajkowski | ... | Trucker | |
| Herma Koehn | ... | Gast | |
| Julia Wachsmann | ... | Tanja | |
| Markus Imboden | ... | Vater Nadine | |
| Gudrun Egner | ... | Mutter Nadine | |
| Gustav-Peter Wöhler | ... | Nörgelgast | |
| Zarah Jane McKenzie | ... | Kellnerin | |
| Peter Lohmeyer | ... | Restaurantbesitzer | |
| Senol Ugurlu | ... | Häftling (as Senol 'Shayn' Ugurlu) | |
| Francesco Fiannaca | ... | JVA Beamter | |
| Hendrik von Bültzingslöwen | ... | Assistent von Frau Schuster | |
| Simon Goerts | ... | Tschako (as Simon Görts) | |
| Jan Fedder | ... | Meyer | |
| Arne Benzing | ... | Bad Boy Boogiez | |
| Piotr Gregorowicz | ... | Bad Boy Boogiez | |
| Hans Ludwiczak | ... | Bad Boy Boogiez | |
| Jan Weichsel | ... | Bad Boy Boogiez | |
| Bülent Celebi | ... | Ali Davidson | |
| Philipp Baltus | ... | DJ | |
| Peter Jordan | ... | Notar | |
| Wolfgang Schumacher | ... | Dr. Schlecht | |
| Maverick Quek | ... | Han | |
| Fritz Renzo Heinze | ... | Pfarrer | |
| Joana Adu-Gyamfi | ... | Apothekerin | |
| Till Hooster | ... | Polizist (as Till Huster) | |
| Maria Ketikidou | ... | Kommissarin | |
| Klaus Maeck | ... | Deutscher im Wartezimmer | |
| Torsten Lemke | ... | Patient | |
| Salman Kurtulan | ... | Türke im Wartezimmer | |
| Ernest Hausmann | ... | Afrikaner im Wartezimmer | |
| Lars Rudolph | ... | Richter im Amtsgericht | |
| Emek Kavukcuoglu | ... | Junger Makler | |
| rest of cast listed alphabetically: | |||
| Jan Karpinski | ... | Restaurantbesucher (uncredited) | |
| Torben Karstens | ... | Angry Customer (uncredited) | |
| Inna Knaus | ... | Prostituierte (uncredited) | |
| Thomas Schunke | ... | Dancer (uncredited) | |
| Mischuhin Zolot | ... | Dancer (uncredited) | |
Directed by | |||
| Fatih Akin | |||
Writing credits(in alphabetical order) | ||
| Fatih Akin | screenplay | |
| Adam Bousdoukos | screenplay | |
Produced by | |||
| Fatih Akin | .... | producer | |
| Paolo Colombo | .... | co-producer | |
| Alberto Fanni | .... | co-producer | |
| Ann-Kristin Homann | .... | producer | |
| Klaus Maeck | .... | producer | |
| Christian Springer | .... | line producer | |
| Fabienne Vonier | .... | co-producer | |
| Jeanette Würl | .... | producer: NDR | |
| Flaminio Zadra | .... | co-producer | |
Cinematography by | |||
| Rainer Klausmann | |||
Film Editing by | |||
| Andrew Bird | |||
Casting by | |||
| Monique Akin | |||
Production Design by | |||
| Tamo Kunz | |||
Art Direction by | |||
| Seth Turner | |||
Costume Design by | |||
| Katrin Aschendorf | |||
Makeup Department | |||
| Nicola Faas | .... | key makeup artist | |
| Maike Heinlein | .... | key makeup artist | |
Production Management | |||
| Andrea Bockelmann | .... | production manager | |
| Florian Bothe | .... | set manager | |
| Tarik Erpinar | .... | unit manager | |
| Jürgen Sitzer | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Cecile Heisler | .... | assistant director (as Cecilie Heisler-Zigulla) | |
Art Department | |||
| Doga Cigsar | .... | assistant property master | |
| Gonda Hinrichs | .... | construction coordinator | |
| Maythe Stavermann | .... | graphic designer | |
| Beate ter Schüren | .... | property master: outdoor | |
Sound Department | |||
| Richard Borowski | .... | sound re-recording mixer | |
| Sascha Heiny | .... | adr recordist | |
| Andreas Hildebrandt | .... | supervising sound editor | |
| Kai Lüde | .... | sound mixer | |
| Jörn Martens | .... | boom operator | |
| Carsten Richter | .... | foley artist | |
| Kuen-Il Song | .... | sound editor | |
| Markus Stemler | .... | foley editor | |
| Kai Storck | .... | dialogue editor | |
| Hanse Warns | .... | foley mixer | |
Special Effects by | |||
| Norbert Skodock | .... | special effects | |
Visual Effects by | |||
| Thomas Diesselhorst | .... | digital artist | |
| Dirk Frischmuth | .... | Flyeranimation | |
| Frank Hellmann | .... | digital intermediate supervisor | |
| Markus 'Maggi' Selchow | .... | visual effects | |
Stunts | |||
| Uwe Mansshardt | .... | stunts | |
| Ronnie Paul | .... | stunt coordinator | |
| Axel Wagener | .... | stunts | |
Editorial Department | |||
| Ronney Afortu | .... | colorist | |
| Julia Drache | .... | assistant editor | |
Music Department | |||
| Pia Hoffmann | .... | music supervisor | |
Other crew | |||
| Jörn Martens | .... | food stylist (as Joern Martens) | |
Thanks | |||
| Ali Akendiz | .... | thanks | |
| Cem Akin | .... | dedicatee (as My Brother Cem) | |
| Monica Bleibtreu | .... | in memory of | |
| Chris Bousdoukos | .... | thanks | |
| Timo Bousdoukos | .... | thanks | |
| Kai Erickson | .... | thanks | |
| Richard Klubeck | .... | thanks | |
| Michéle Knaup | .... | thanks | |
| Feridun Koc | .... | thanks | |
| Nadine Köhler | .... | thanks | |
| Sherman Langhoff | .... | thanks | |
| Denis Moschitto | .... | thanks | |
| Mustafa Pancar | .... | thanks | |
| Anna Renckstorf | .... | thanks | |
| Suzan Sekerci | .... | thanks | |
| Rabea Wachsmann | .... | thanks | |
| Uta Winterhof | .... | thanks | |
| Linda Zappe | .... | thanks | |
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| Head-On | The Reader | Short Sharp Shock | The Best of Youth | Edvard Munch |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Germany section |
Director Faith Akin is often called one of the most important contemporary German directors to have emerged in recent years. Soul Kitchen is Akin' highly anticipated first attempt at a genuine comedy. So far Akin has been has been more involved in the fields of drama and romance. In a recent interview he revealed he was curious to explore a more varied range of film genres which sounds like an interesting plan. In venice this year, the film was celebrated by the audiences and scored the special jury price.
The story revolves around a restaurant/club called Soul Kitchen and the troublesome life of its respectful owner Zinos. He has to overcome many struggles involving his girlfriend, his brother and the authorities. The film is set in the heart of the diverse northern German city of Hamburg, the home turf of the two scribes Faith Akin and Adam Bousdoukos.
The makers of the film call it a new take on the idea of the "Heimatfilm" - a rather preconceived loose genre which basically defines a film to have been made in the makers home country and dealing with issues relating to home and identity.
Akin described how he studied classical sketches by Charlie Chaplin and also looked at his method of working. A simple "joke" that comes off easy and natural on screen had been reworked over and over. For some of the scenes Akin admittedly said he had to shoot 30 takes before it felt right. This made him doubt his own abilities but in the end let him grow as a filmmaker and as an individual.
The result is a stellar solid performance by the entire cast. Many jokes and payoffs will unfortunately and without a doubt get lost in translation but still the timing and heartblood of the actors will still capture anyone's attention.
Akin makes use of a couple of his "regulars": Adam Bousdoukos, Moritz Bleibtreu and the great Birol Ünel but also introduces fresh unknown blood with the two female leads Lucia Faust and Nadine Krüger.
Having just seen another film recently I noticed myself how well this film is balanced out in comparison. There is a rhythm, a beat or a harmony. The soundtrack and editing allow the plot to flow organically and let the narrative play out smoothly. Interestingly Akin once mentioned that since "Gegen die Wand" (Head On, 2004) he is inspired by the songs used in his films in a visual way and sets out a soundtrack before the filming is finished.
The film marks Akin's first shot at wider levels of improvisation. Normally, he said in an interview with a German radio station, he has the script all planned out in detail; all the actors know what their dialogues are and maybe one or two things get changed, with feedback from the people on set but this time a lot of things were left undone on purpose to grow naturally out of the situations.
What I personally enjoyed a lot about Soul Kitchen is the way in which the film addresses its urban environment. Akin took a chance to shoot in a wide range of locations, many of which such the club "Mojo" have since closed down. It attempts to capture the spirit of the city at a point in time and successfully tells an emotional, personal story.
Recommended to anyone with a passion for fresh, clever and funny stories of life and the city.