Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Bryce Dallas Howard
A Portland couple have two children with Pompe disease, a genetic anomaly that kills most before a child's tenth birthday. The husband, John, an advertising executive, contacts Robert Stonehill, a researcher in Nebraska who has done innovative research for an enzyme treatment. He has little money to fund his laboratory, and a thorny personality that drives away colleagues and funders. John and his wife Aileen raise money to help Stonehill's research and the required clinical trials. John takes on the task full time, working with venture capitalists and then rival teams of researchers. Time is running short, Stonehill's angry outburst hinder the company's faith in him, and the profit motive may upend John's hopes. The researchers race against time for the children who have the disease. Written by
The real John Crowley has a cameo in the film as "Renzler Venture Capitalist #2". See more »
When Patrick Crowley is throwing food to ducks at the lake, he laughs and reveals that he is missing two milky central incisors. At the end of the movie when he is in the hospital taking his medicine, he laughs again revealing that he is missing only one milky central incisor instead of two - the last scene of the movie was filmed before the first. See more »
[Looking at the college-aged kids hired to work under Dr. Stonehill]
These guys make me feel old.
Dr. Robert Stonehill:
Scientists get all sensible & careful when they get old. Young ones like risk, not afraid of new ideas... & you can pay 'em less.
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The faceplate reviewer goes out of his way to pan the leads, Harrison Ford and Brendan Fraser as being too old, curmudgeonly and too fat and weepy. OK. Thanks for expressing those opinions, which, BTW, I don't share. Yes. There's no doubt this is a sentimental flick with great emotional overtones and certainly qualifies as a three hanky job. Seeing children suffer, whether they're cute, charming, cuddly or not, is not pleasant. But, the fact that there are these kinds of kids who endure the ravages of disease stemming from their own bodies is a sad reality and I would argue it takes a pretty stern person to consider these conditions unemotionally. The movie is based on a book and like any biopic, a certain amount of license is taken in bringing the story to the screen. However, the story is never maudlin. The script is full of sentiment but never slips down to the level of being overly sentimental. In effect, it's a tale of people with various agendas driven by the desperation of a father trying to help his children from dying an early death. There is no deus ex machina, here. The conflicts which impede the goal largely stem from the personal agendas of the players in the drama. Sound familiar? You bet. That's what good writing is all about and when life imitates myth, it's even better. This is a good movie. Go see it. And, if you do so without puddling up at the eyeballs, you're made of sterner stuff than me.
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